7 research outputs found

    Urbanisation generates multiple trait syndromes for terrestrial animal taxa worldwide

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    Cities can host significant biological diversity. Yet, urbanisation leads to the loss of habitats, species, and functional groups. Understanding how multiple taxa respond to urbanisation globally is essential to promote and conserve biodiversity in cities. Using a dataset encompassing six terrestrial faunal taxa (amphibians, bats, bees, birds, carabid beetles and reptiles) across 379 cities on 6 continents, we show that urbanisation produces taxon-specific changes in trait composition, with traits related to reproductive strategy showing the strongest response. Our findings suggest that urbanisation results in four trait syndromes (mobile generalists, site specialists, central place foragers, and mobile specialists), with resources associated with reproduction and diet likely driving patterns in traits associated with mobility and body size. Functional diversity measures showed varied responses, leading to shifts in trait space likely driven by critical resource distribution and abundance, and taxon-specific trait syndromes. Maximising opportunities to support taxa with different urban trait syndromes should be pivotal in conservation and management programmes within and among cities. This will reduce the likelihood of biotic homogenisation and helps ensure that urban environments have the capacity to respond to future challenges. These actions are critical to reframe the role of cities in global biodiversity loss.info:eu-repo/semantics/publishedVersio

    Showing Off: Relocating Performance, Reclaiming Shame

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    By tracking my year of struggle and discovery as a theatre practitioner in the world of theatre scholars, this autoethnographic thesis investigates how my own theory of performance has come to be, and how early childhood trauma has fueled my practice. As a 58-year-old theatre practitioner, I have taken intellectual refuge in the Academy, which has emotional doors - the first and most significant being into a space of shame. Scholarship initiated this journey, beginning with Fred Moten and Stefano Harney's The Undercommons (2013), then finding its way into performance theology with Claire Maria Chambers Performance Apophatics (2017), and then finally queer theory with Maggie Nelson’s The Argonauts (2015) and the work of Eve Kosofsky Sedgwick. The thesis itself is a kind of performance that weaves through knowing into feeling by investigating my own work, my queerness, my journey through faith, and finally, my shame: its roots and its affect.M.A
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