Introduction

The 6th Annual Symposium of Architectural Research 2014 and The Annual NAAR Symposium arranged in the October 23–25, 2014 at the Oulu School of Architecture (OSA) is a continuum to the novel tradition of arranging an annual research event by the three Finnish Schools of Architecture. The symposium was arranged for the first time in the year 2009. The current Symposium has besides the national also a Nordic dimension, since the Nordic Association of Architectural Research (NAAR) has arranged the Symposium  together with the Oulu School of Architecture

Inscrutable nature-based spatial experience, The challenges and opportunities for studying contemporary accommodation architecture of tourism destinations in the Arctic

The main emphasis in this article is on detecting the knowledge gaps for architecture to support nature-based environmentally sensitive tourism, especially from the point of view of elaborating the accommodation concepts. Experiencing nature as part of the accommodation is highly appreciated by tourists (Tyrväinen et al 2014). Though, unfortunately the current hotel-like lodging concepts are not any more satisfactory for the tourists, especially now when the demand has shifted on the self-catering units. The notion of servicescape used in tourism research to emphasize spatial qualities among other things turned out to be rewarding also for architecture. In the context of second-homes and wilderness tourism exertion is affiliated to the experience of being on vacation. We see here an interesting knowledge gap for architecture to contribute for the discussion of future lodging concepts through the research by design approach. Keywords: nature-based spatial experience, tourist destination accommodation architecture, space, place, wilderness servicescape, nature servicescape, human-made servicescape, northernness, Arctic, Laplan

Regions On-Demand: New resource-wise urban planning strategies for integrated urban-rural development in Finland

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Jälleenrakennuskauden kodin väritys:arki ja arkkitehtuuri

Abstract In my study of architecture, I have surveyed the interior of the apartment from the perspective of colouration, in Finland from 1948 to 1955. My study comprised traditionally considered high-cultured architecture — legitimate architecture — and architecture representing the everyday, which does not have the status of legitimate architecture. My research into this subject adopted a material based approach, with qualitative research methods and applied with a theory-guided content analysis. The periodicals Arkkitehti and Kaunis Koti formed the central content of my study, representing legitimate and popular architecture from the post-war reconstruction period. On the basis of this material, I compiled a depiction of the colouration of the home during the postwar reconstruction period. In addition, I studied the use of colours in legitimate and popular architecture during that period. There has been no previous systematic depiction of the interiors of the home in Finland. The presupposition of my study was that during the post-war reconstruction period, the colour preferences of architects and the general public neared. During the post-war reconstruction period, the attention of most architects was directed towards the living conditions and needs of the general public. The primary focus of architects was in housing. This was due to the large number of homeless people requiring housing after the war. From the basis of functionalism, the discourse on the social content of architecture created the foundation for building planning during the post-war reconstruction period. In the material examined in this study, colour was identified with happiness. Nature connected the Finnish people. Even in the urban setting, the experience of nature was considered important. The multihued greenery of the window shelf present in almost every living room was one display of "the living spirit" of nature brought into the urban apartment. During the post-war reconstruction period, colouration of interiors was not homogenous. The composition of the colouration, and the ways in which colour were used, changed according to the room type. The over-arching concept in the colouration of the rooms was that of a purposeful aesthetic. The changes were connected with the development phase of the room type, its contents, as well as the importance of the space in comparison to the entirety of spaces in the apartment. In addition to the colouration change between room types, some of the apartment furnishings and their colouration changed noticeably during the post-war reconstruction period. The importance of good taste was also emphasised in different ways in different room types. In the colouration of older, established room types issues of good taste were often raised, and the interior was constructed on the basis of critique of previous interior design colourations. In connection with newer room types, such as the kitchen and the children's room, a purposeful aesthetic was at the forefront and good taste was hardly talked about, since colouration was not given as a value in relation to what had come before. Dissymmetry of colouration was common for all home interiors. The dissymmetry was derived from the modernity principle of embracing the new and forbidding the traditional. Personal observations in the use of associative and dissociative names for colours, displays Bourdieu's conception of good taste, represented in the formation of legitimate taste and popular taste. However, the criticism of Shusterman displays well, that this is a definition derived from high-culture, which is already value-ridden. The romantic period during the post-war reconstruction period, the content of which is understandable also from a popular viewpoint, showed clearly in the works of the architects. For many architects, the period remained short. From the perspective of Bourdieu, it can be thought that legitimate taste had for a moment neared popular taste. The "blue flower of romantic thought" did not blossom for long and the taste representing legitimate, rational thought regained its position. According to my supposition, the taste of popular and high-culture had nonetheless, momentarily neared.Tiivistelmä Arkkitehtuurin alaan kuuluvassa tutkimuksessani, tarkastelen asunnon sisustusta värityksen näkökulmasta Suomessa vuosina 1948—1955. Tarkastelussani rinnakkain ovat perinteisesti korkeakulttuurina pidetty rakennustaide, legitiimi arkkitehtuuri, ja arjen käytäntöjä edustava arkkitehtuuri, jolla ei ole legitiimin arkkitehtuurin statusta. Tarkastelen tutkimusaihettani aineistolähtöisesti laadullisen tutkimuksen keinoin teoriasidonnaisen sisällönanalyysin avulla. Arkkitehti-lehti ja Kaunis koti -lehti muodostavat tutkimukseni keskeisen aineiston jälleenrakennuskauden legitiimin ja populaarin arkkitehtuurin ilmentäjinä. Tutkimuksessani kokoan aineistoon perustuvan kuvauksen jälleenrakennuskauden kodin värityksestä sekä tutkin tuon ajan legitiimin ja populaarin arkkitehtuurin värinkäyttöä. Kodin tilojen värityksestä ei ole aiemmin laadittu systemaattista kuvausta Suomessa. Tutkimukseni esioletuksena oli, että jälleenrakennuskaudella arkkitehtien ja suuren yleisön kodin värinkäyttöön liittyvät mieltymykset olivat lähellä toisiaan. Jälleenrakennuskaudella arkkitehtikunnan huomio oli kohdentunut suuren yleisön elinoloihin ja tarpeisiin. Arkkitehtikunnan suunnittelutehtävän painopiste oli asuntotuotannossa, sillä suuri määrä sodan jälkeen kodittomiksi jääneitä oli asutettava. Funktionalismin pohjalta käyty keskustelu arkkitehtuurin sosiaalisesta sisällöstä loi pohjaa jälleenrakennuskauden asuntosuunnittelulle. Aineistossani väri vertautui iloisuuteen. Luonto yhdisti suomalaisia. Kaupunkiympäristössäkin luontokokemusta pidettiin tärkeänä. Kodin sisustuksessa lähes poikkeuksetta esiintynyt olohuoneen kukkaikkuna oli yksi osoitus kaupunkiasuntoon tuodusta luonnon "elävästä hengestä". Jälleenrakennuskauden kodin sisustuksen väritys oli epäyhtenäinen. Värityksen sisällöt ja tavat käyttää väriä vaihtelivat huonetyypeittäin. Yhdistävänä yläkäsitteenä huonetilojen värityksessä oli tarkoituksenmukaisuuden estetiikka. Vaihtelut liittyivät huonetyypin kehitysvaiheeseen ja sisältöihin sekä tilalle annettuun painoarvoon asunnon huonetilojen kokonaisuudessa. Huonetyypin värityksen keskinäisen vaihtelun lisäksi osa kodin tilojen sisustuksista ja niiden värityksistä muuttui selvästi jälleenrakennuskauden kuluessa. Myös hyvän maun merkitystä korostettiin eri tavoin eri huonetyypeissä. Vanhempien, jo vakiintuneiden huonetyyppien sisustuksen värityksessä hyvä maku otettiin usein esiin ja hyvän maun mukainen sisutus rakentui aiempien sisustustyylien värityksen kritiikin kautta. Uudempien huonetyyppien, kuten keittiön ja lastenhuoneen, yhteydessä tarkoituksenmukaisuuden estetiikka oli etusijalla eikä hyvästä mausta puhuttu juuri lainkaan, sillä väritystä ei arvotettu suhteessa aiempaan. Värityksen epäsymmetrisyys oli yhteistä kaikille tarkastelemilleni kodin tilojen värityksille. Epäsymmetria ilmensi moderniteettiin sisältyvää ajatusta uudesta ja tradition kieltämisestä. Havaintoni assosiatiivisten ja ei-assosiatiivisten värinnimitysten käytöstä havainnollistaa Bourdieun ajatusta hyvää makua edustavan legitiimin maun ja populaarin maun muodostumisesta. Shustermanin kritiikki tuo kuitenkin hyvin esiin korkeakulttuurin piiristä lähtevän määritelmän, joka jo lähtökohtaisesti on arvovarautunut. Jälleenrakennuskauden romanttinen ajanjakso, jonka sisällöt olivat ymmärrettäviä myös populaarin näkökulmasta, näkyi selvästi arkkitehtien tuotannossa. Jakso jäi monen arkkitehdin kohdalla lyhytaikaiseksi. Bourdieu'n näkökulmasta voi ajatella, että legitiimi maku oli hetkellisesti lähentynyt populaaria makua. Jälkikäteen katsottuna arkkitehdit ovat tulkinneet maun rämettyneen väliaikaisesti. "Romantiikan sininen kukka" ei kovin pitkään ehtinyt kukkia, ja legitiimiä rationaalia linjaa edustanut maku valtasi asemansa takaisin. Esioletukseni mukaisesti populaarin ja korkeakulttuurin maku olivat silti hetkellisesti lähentyneet toisiaan

Tools for creativity in co-design workshop:applying participatory design methodology to support the workplace design process

Abstract Interior design is an important yet elusive dimension of workplace design research. It is the part of the office design with site-specific features that impact workplace satisfaction and, if overlooked, influences the comparison of typologically similar offices. Our approach builds upon workplace satisfaction and the need-supply fit theories. In addition, we apply the multidimensional framework of instrumental, symbolic, and aesthetic dimensions to communicate the user needs in the workplace design process. In this paper, we present the participatory design workshop method and discuss how its facilitation impacts the outcome of the participant activity and design thinking. This research was done in a multidisciplinary research project and a workplace design intervention study. Our research provides a novel approach to combing participatory design knowledge production and transfer of generated design data into a design process and an academic workplace design research

Working across boundaries in urban land use and services planning:building public sector capabilities for digitalisation

Abstract This article addresses the challenges and capability gaps confronted by public administrations concerning digital transformation and the use of novel tools in the context of land use, facilities and urban services planning. The present state of planning and management processes in Finland is introduced and reflected through experimental piloting conducted in two Finnish cities. Participatory action research and design research methodology was utilised to identify the main challenges as well as unravel the possibilities of digital transformation in the context of public services planning. The resulting analysis revealed the critical importance of facilitating integrative policies and coordination when working across knowledge boundaries between administrative domains. The paper contributes to a wider theoretical and conceptual understanding, as it discusses the advantages and feasibility of digital tools as boundary objects for cross-sectoral work in smart, people-centred urban governance. The authors see this direction of research as a fruitful ground for further investigations within the interdisciplinary urban planning research context

Cybernetics and the 4D Smart City: Smartness as Awareness

The complexity of urban challenges obliges us to seek smarter paths for urban development and increase our awareness of urban dynamics in a more holistic manner. Stemming from the discipline of architecture and urban planning, this concept paper outlines an idea of a cybernetic urban management for anticipatory governance of smart cities. A cybernetic system absorbs information from different sources, such as buildings that are aware of their energy efficiency, a city aware of its traffic flows, and citizens who are aware of the affordances of urban life. Defined as context-aware cyber-physical social systems, smart cities of the future are planned and managed with increasing awareness of the manifoldness of physical, experiential, and virtual life. The benefits of a cybernetic urban management could, for instance, be related to dynamic service network planning with a real-time view to service network efficiency. This in turn could lead to better services for citizens, resource efficiency, and better allocation of financial resources. Cybernetic management and smart city production necessitates a shared view of urban processes that is not dedicated only for the eyes of a few experts but is widely accessible and supports information exchange and dialogue among city authorities, decision-makers, and citizens

An Algebraic Approach to Implementing a Shape Grammar Interpreter

Shape grammars come in a variety of forms. Algebras of shapes have been defined for spatial elements of different kinds, as well as for shapes augmented with varying attributes, allowing for grammar forms to be expressed in terms of a direct product of basic algebras. This algebraic approach is extended here to the algebraic derivation of combinations of basic shape algebras with attribute algebras. This algebraic abstraction at the same time serves as a procedural abstraction, giving insights into the modular implementation of a general shape grammar interpreter for different grammar forms

A Research Framework of Digital Leadership

In leading architectural offices where digital technologies have become de facto part and parcel of the architectural design process, it has become pointless to talk about ``architectural design'' and ``digital technology'' as separate phenomena. In fact, those offices showcase advances in their designs through combined developments in process, tools, teams, materials, and research. Far from being a passive addition to conventional processes, digital technologies transform the whole spectrum of architectural endeavour. Architects and offices in the front of these development showcase a particular competence set that is distinct from others, which we propose to call ``digital leadership.'' We define ``digital leadership'' as the ``integration of distributed knowledge from social sciences/humanities and digital technologies through the integrative artistic power of Architectural Design applied to the built environment as a real-world research and design laboratory.'' Although there have been many digital pioneers since the early 1960'ies, we can now see digital leadership as a more mainstream movement. However, there is no unified framework or theoretical understanding of digital leadership. In this paper we report on work carried out on four universities which has the aim to build such a framework.no ISSNstatus: publishe