Land, botho and identity in Thomas Mofolo's novels

Mofolo's novel Pitseng (1910) (Pitseng: The search for true love) is a conversion narrative which deals with the transition of society from tradition to modernity. The author utilises a double quest narrative and a love story to represent major challenges facing the Basotho nation of the colonial epoch. The protagonist Katse is an evangelist who brings literacy and Christianity to the Pitseng valley where his predecessors have failed because of their lack of compassion for rural society. Katse's success is based on his humanistic approach to the Christian message. He becomes a role model for two young Christians, Alfred Phakoe and Aria Sebaka, who marry through his influence and become members of the future elite of a nascent modern Lesotho. The intention of this article is to demonstrate the link between Lesotho's social history and the manner in which Mofolo represents the landscape, language, culture, religion and national history in his work to forge a positive image of a na- tion arguing for economic and political autonomy. Mofolo's writing relies heavily on history and various discourses of the 1880s and the early 1900s to create a historically meaningful text which brings to light the interconnectedness between the real and the fictive

Land, botho and identity in Thomas Mofolo’s novels

Thomas Mofolo’s literary output belongs to a plethora of discourses which address the meaning of self-identification in colonial and precolonial settings. Focusing on all three novels by Mofolo, the main aim of this article is to demonstrate how he constructs the meaning of identity through the narratives of land, humanistic values and nationhood. Reference is made to national debates and the realities of Lesotho in the nineteenth century that underpin the structure of these narratives. The article highlights Mofolo’s insistence on botho, a humanistic value in Basotho society portrayed as an age-old indigenous consciousness antecedent to Christianity and Western influences. In Pitseng (1910) and Moeti oa Bochabela (1907), Mofolo substantiates botho’s significance through a depiction of heroism, faith and a cultural fusion that entails a shifting of loyalties between Sesotho culture, on the one hand, and Christian and Western values on the other. In Chaka (1925), the author intertwines references to Sotho and Nguni cultures to rationalise the meaning of botho as the basis of individual and social identity. Consequently, the article demonstrates how Mofolo’s works implicitly translate aspects of botho consciousness into a social, religious, economic and political practice.Keywords: botho, nationhood, self-identification, Thomas Mofol