79 research outputs found

    Archaeometric identification of Maltese imports in prehistoric Sicily : Zebbug phase pottery from Licata-Caduta (Agrigento)

    Get PDF
    During the study of a pottery assemblage collected at the Sicilian site of Licata-Caduta (Agrigento), continuously occupied between the Neolithic and Early Bronze Age, some ceramics presented typologies, fabrics and surface treatments alien to Sicilian repertoires and closer to Maltese productions. Sampled for petrographic (OM) and chemical (XRF) analyses one artefact turned out to be produced in Malta and imported into Sicily. The search for its chronological and cultural placement has led to the discovery of the first certified Zebbug phase import in Sicily.peer-reviewe

    Petro-archaeometric characterization of potteries from a kiln in Adrano, Sicily

    Get PDF
    Background: This work is part of a wide scientific project finalized to characterize the Sicilian pottery productions from Greek to Roman Age. In this prospective, local reference groups have been analysed in order to create a database of the circulation and production centres in Sicily during this period. In this framework, a set of 28 waste pottery fragments (III-II century B.C.) from a pit found during excavations at the fortification of Adrano (Sicily) have been studied. Characterization of the samples has been obtained by macroscopic, petrographic (OM), mineralogical (XRD) and chemical (XRF) analyses. Results: Macroscopic analysis of the studied potteries has allowed to distinguish four groups on the basis of grain size, porosity and clay paste color. Petrographic and mineralogical analysis, carried out on a selection of representative samples have allowed us to obtain useful information on the production technology of the studied samples. Moreover, information about raw materials and provenance of clay sediments has been obtained by comparing chemical data of the analysed samples with locally outcropping clay sediments reference data. Finally, chemical results on Adrano potteries have been compared with kiln wastes from Siracusa and Gela. Conclusions: The aim of the present work is to obtain fabric characterizations and technological information on a local reference group of ceramic specimens manufactured in Adrano (Sicily). Petrographic and mineralogical results allow us to esteem high firing temperature suggesting a good technological level of local production; in addition, chemical data suggest a local provenance of raw materials used in the production of the studied samples. The comparison with local production from Siracusa and Gela highlights several differences in the use of raw material and in the technological levels achieved in the different sites, over time. Therefore, this work provides a valuable contribution in defining the local scenario of ceramic production in South-Eastern Sicily during the Hellenistic Age and in producing local reference groups in the petro-archaeometric studies of archaeological potteries

    Evaluation of the technological features of late roman cooking ware classes from Akrai (Syracuse, Sicily)

    Get PDF
    In this work, a provenance and technological investigation on cooking-ware potteries from the ancient Greek -Roman town of Akrai (Palazzolo Acreide, Syracuse, Sicily) has proposed. A multi-methodological approach have been used to study the manufacture quality of analysed materials; in detail, petrograp hic, mineralogical, spectroscopic, chemical, porosimetric and micro-morphological analyses have been applied. The study providesfundamental contribute in archeological issues related to circulation in Sicily of cooking -ware productions during Late Roman Age; in fact, the obtained results allow to recognize in the site the presence of different well-known cooking-ware Roman productions, highlighting interesting questions about the technological and manufacture properties of this class of materials

    ISLAMIC POTTERY PRODUCTION IN EASTERN SICILY (10th-11th CENTURIES): PRELIMINARY ARCHAEOMETRIC DATA ON LOCAL AND IMPORTED PRODUCTS FROM PATERNÒ (SICILY).

    Get PDF
    From the 9th to the 11th century, Sicily has been part of the Islamic oecumene, the dār al-Islām. Up until now, very few studies have been carried out on the centres of pottery production of this period, and most of them concern the Emiral capital of the isle, Palermo. The archaeometric data obtained with chemical and minero-petrographic analyses on Islamic pottery found in Paternò – a town situated in the southwestern slope of Mt. Etna – has provided a certain number of issues of very important matter. The selection of the samples has been made among the archaeological finds coming from the excavation near the church of Cristo al Monte, on the hilltop, which represented the inner part of the medieval madīna. The mineralogical and chemical characterization of the ceramic body has been attained using optical microscopy on thin sections and X-ray fluorescence respectively, in order to define the probable provenance of each sample. Further information of technological matter has been provided using X-Ray diffraction on powdered samples, which furnishes mineralogical data useful to hypothesise the firing temperatures: the main task attained on this issue was the focus on the self-slipped ware with salted water, one of the main technological class in Islamic Sicily. Finally, energy dispersive X-Ray fluorescence was adopted for a preliminary investigation of pigments used to decorate the lead glazed pottery. The issues related to both the local and imported pots – the latter represented almost completely by Palermo"s products – provided some important historical and archaeological information about the means of Sicilian pottery production during this important period

    Pottery production during "romanization" of Sicily: an archaeometric study of plain table-ware classes from ancient Akrai (Sicily)

    Get PDF
    In this paper, petrographic, mineralogical and chemical analyses have been performed on plain table-ware fragments discovered in the ancient town of Akrai (modern Palazzolo Acreide, Syracuse, Sicily) and dated between the Hellenistic and the Late Roman periods (4th-5th/6thcentury A.D.). The project is developed in the context of the archeological debate on the cultural and political process occurred in Sicily since the 3rd century B.C. and known in archaeological literature as Romanization. In this framework, a gradually substitution of Greek-Hellenistic materials with the Roman ones has occurred in Sicilian colonies and the city of Akrai was deepened involved in this process. As the sensitiveness of material culture to cultural and social changes, the archaeometric investigation has been focused on provenance and technological manufacture aspects of table-ware production, in order to delineate the eventually changes took place in the area during the investigated period. The comparison of obtained data with numerous references local groups of ceramics allows to identify different highly specialized local productions, drawing-back the commercial movements of potteries in Sicily during Roman Age

    Archaeometry and cultural heritage: contributions of geosciences

    Full text link

    Thermal and morphological investigations of alkali activated materials based on Sicilian volcanic precursors (Italy)

    Get PDF
    Insights on thermal behavior and microstructures of AAMs based on Sicilian volcanic precursors (i.e., volcanic ash, "ghiara" and pumice) have been performed. A multidisciplinary approach by means of thermogravimetric analysis coupled to Fourier Transform Infrared Spectroscopy and X-ray Computed Microtomography has been used with the aim to define the influence of reactants involved in the process. The obtained results show: i) the increase of metakaolin shifts the gas emission toward lower temperatures; ii) the positive relation between mass loss and liquid/solid ratio; iii) the influence of particle size of precursors on the pore development

    Raman spectroscopy potentiality in the study of geopolymers reaction degree

    Get PDF
    AbstractAlkali‐activated materials (AAMs) and "geopolymers" are inorganic polymeric materials obtained by mixing of solid aluminosilicate precursors with an alkaline solution (generally, KOH or NaOH and Na2SiO3 mixed in various ratios). This class of aluminosilicate materials has emerged as a greener alternative to traditional concrete, for large‐scale as well as for niche applications such as conservation and restoration of built heritage. In this work we apply Raman spectroscopy both to aluminosilicate precursors (metakaolin, pumice, volcanic ash, volcanic soils, clayey sediments, ceramic waste) and to the respective AAMs. In the field of vibrational spectroscopy, Raman is much less employed in the literature with respect to Fourier transform infrared (FTIR) to have insights into the alkali activation process from a molecular point of view. The aim of this paper is to investigate the potentiality of a Raman approach to the comparison of the employed raw materials with the respective AAMs. Raman analyses during the first hours of geopolymerization were also carried out on the clayey sediments and ceramic waste‐based products. The results, differentiated according to the employed precursors, exhibit spectra relative to crystalline and amorphous phases that can give an indication about the newly formed aluminosilicate gel

    Nondestructive Raman investigation on wall paintings at Sala Vaccarini in Catania (Sicily)

    Get PDF
    In this work, the results of a Raman campaign for studying seventeenth-century Sicilian frescoes, by using two portable Raman systems, equipped with different excitation sources (785 and 1064 nm), are proposed. The measurements were performed with the aim to provide an in situ diagnostic analysis of the wall paintings (in terms of colorants and preparation layer) and to support the conservators in the framework of the ongoing restoration. The combined use of the two Raman spectrometers has given a complete overview on the artist palette and on the state of preservation of frescoes, also informing us about the technique employed by the painter. Natural pigments as hematite, vermillion, goethite, lead red, lead white and carbon-based black pigments have been identified. Additionally, the application of a transitional Romanesque-Renaissance frescoes method has been noticed by the systematic combined presence of calcite and gypsum in the substrate. Finally, the analyses have highlighted the presence of degradation products, mainly related to alteration of lead-based pigments
    corecore