119,391 research outputs found

    The Malaise Trap: Its Utility and Potential for Sampling Insect Populations

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    Slightly over three decades have elapsed since Malaise (1937) first published plans for the insect trap now bearing his name a stationary mesh tent with open sides, a central baffle, and a top-mounted collecting apparatus (Fig. 1). A non-attractant device, the Malaise trap is based upon the observation that most flying insects hitting an obstacle respond by flying (or crawling) upward (and thus into captivity). In recent years, the Malaise trap has become increasingly popular among insect taxonomists and collectors as a means of augmenting catch and collecting rare or ephemeral representatives. Many variations have been developed (e.g., Townes, 1962; Gressitt and Gressitt, 1962; Marston, 1965; Chanter, 1965; Butler, 1965), most aimed at making the trap more portable and/or efficient for collecting a particular insect group. To date, however, the Malaise trap has received little notice among other biologists, although it would appear to have considerable potential in almost any field study involving flying insects, and particularly in ecological investigations

    Exhibition as mass communication: critical studies of multi-modal communicative environments

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    Generally, the literature on mass communication research ignores exhibition; that is, it does not investigate and provide any theories about the communicative function of trade show exhibits, museum exhibitions, and international expositions, particularly in their most advanced forms as multimedia spatial formations. This paper considers the reasons for the lacunae particularly in critical approaches to historical, cultural and philosophical perspectives on exhibition. It also identifies fields of research that the academic community are encouraged to explore

    The WTO Decision on Implementation of Paragraph 6 of the Doha Declaration on the TRIPS Agreement and Public Health: A Solution to the Access to Essential Medicines Problem?

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    This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Journal of International Economic Law following peer review. The definitive publisher-authenticated version [DOI: 10.1093/jiel17.1.73] is available online at: http://jiel.oxfordjournals.org/content/7/1/73.full.pd

    A qualitative analysis of perceptions of orthodontists in ConcepciĂłn about removable orthodontic appliances

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    Indexación: Scopus.Objective: To determine the utilization, attitudes and perceptions about removable orthodontic appliances (ROA) among a sample of Chilean orthodontists. Materials and methods: Data collection was performed using semi-structured interviews with 10 orthodontists from diverse professional backgrounds. The analysis was performed using the “Grounded Theory” methodology, using Atlas.ti v.6.0.15. Results: We interviewed four men and six women (31 to 75 years old), with 7 to 53 years of experience as dentists, and 1 to 10 years of experience as orthodontists. All orthodontists have experience in private practice, five in public service, and one in a military institution. One-hun-dred and thirty-three codes were grouped into seven categories identified as follows: perception of orthodontists, control over treatment, ROA characteristics, ROA indications and contraindications, patients’ attitude to ROA, selection of treatment, and ROA utilization. Conclusion: In the selection of ROA, different factors are involved, including the characteristics of the dentist, of the patient, and the social context. The key factor in the utilization of ROA is the perception of control over treatment.http://www.joralres.com/index.php/JOR/article/view/334/31

    A theory and its metatheory in FS 0

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    Feferman has proposed FS0, a theory of finitary inductive systems, as a framework theory suitable for various purposes, including reasoning both in and about encoded theories. I look here at how practical FS0 really is. I formalise of a sequent calculus presentation of classical propositional logic in FS0 and show this can be used for work in both the theory and the metatheory. the latter is illustrated with a discussion of a proof of Gentzen's Hauptsatz

    Assault on Calais: 25 September–1 October 1944

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    Account by Major W.H.V. Matthews, MC and Bar, Officer Commanding, “A” Company, 1st Canadian Scottish Regiment to Historical Officer, 19 October 1944

    Dissertation: issues in guidance, supervision and assessment

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    This guide explores some key issues concerning the supervision and assessment of dissertations. It explores the definition of a ‘dissertation’ in this context, preparing students to undertake dissertation work, the supervision process itself and the preparation of supervisors. Finally, it explores some issues around the marking criteria and the assessment process. It argues primarily for clear guidance for both students and staff, particularly in relation to criteria for assessment, and for much closer attention to the interpretation of those criteria by assessors

    Ingenious, eloquent and persuasive? Towards a critique of architecture as communication

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    The cultural role of architecture is viewed here in terms of the extent to which architecture participates in communicative processes. The rationale for this perspective is traced broadly through the lineage of Pragmatism culminating in the work of Rorty, which offers ‘social hope’; communication is ultimately directed toward human solidarity. In this context the achievement of modernist architecture is at best ambivalent. The utopian quest for transparency and solidity in architectural form represented a turn against the scenographic dimension of urban design, the very dimension in which the narrative, the symbolic and the connotative are most readily expressed. Postmodern architecture, proponents of which often profess explicitly critical and communicative ambitions, fares no better. The deconstructive, double coded and contradictory tendencies in such work may support its criticality but often result in isolated statements as likely to confuse and frustrate its users as facilitate productive relations. The question arises, therefore, of how we are to make sense of the various strands of twentieth and early twenty-first century architecture. This paper is speculative. It reviews a selection of research projects carried out by members of a postgraduate research group in the Lincoln School of Architecture in 2010. Six propositions concerning the relationship between architecture and communication were presented to the group in November 2009. Each project developed a critical response to one or more of these, with the intention of engaging in debate ultimately about the cultural role of architecture. In true Rortian style, the conclusions concern the trajectory of the conversation, the voices present and absent, and the contingency of theory, rather than any definitive agreement on any of the propositions, which are actually provocations

    Impact of American Recovery and Reinvestment Act (ARRA) of 2009 on Child Care and Development Block Grant (CCDBG) Funding

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    State Allocations for 2BillioninCCDBGFunding.TheAmericanRecoveryandReinvestmentActof2009includes2 Billion in CCDBG Funding. The American Recovery and Reinvestment Act of 2009 includes 2 billion for the Child Care and Development Block Grant (CCDBG). CLASP has estimated the state allocations for the child care funding as well as the share of funds states will receive for quality initiatives

    The play's the thing

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    For very understandable reasons phenomenological approaches predominate in the field of sensory urbanism. This paper does not seek to add to that particular discourse. Rather it takes Rorty’s postmodernized Pragmatism as its starting point and develops a position on the role of multi-modal design representation in the design process as a means of admitting many voices and managing multidisciplinary collaboration. This paper will interrogate some of the concepts underpinning the Sensory Urbanism project to help define the scope of interest in multi-modal representations. It will then explore a range of techniques and approaches developed by artists and designers during the past fifty years or so and comment on how they might inform the question of multi-modal representation. In conclusion I will argue that we should develop a heterogeneous tool kit that adopts, adapts and re-invents existing methods because this will better serve our purposes during the exploratory phase(s) of any design project that deals with complexity
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