Henri Temianka Correspondence; (kaplinsky)

This collection contains material pertaining to the life, career, and activities of Henri Temianka, violin virtuoso, conductor, music teacher, and author. Materials include correspondence, concert programs and flyers, music scores, photographs, and books.https://digitalcommons.chapman.edu/temianka_correspondence/3822/thumbnail.jp

PREVALENCE RATE AND CAUSES OF LEPTOSPIROSIS SEROVAR ON CATTLE AT GIWANGAN’S ABATTOIR OF YOGYAKARTA

Leptospirosis is a zoonotic disease caused by Leptospira bacteria. The disease was spreadout arround the world, especially in the tropical and subtropical regions included Indonesia. The International Leptospirosis Society has established Indonesia is the country with high incidence of leptospirosis. Daerah Istimewa Yogyakarta is one of the regions in Indonesia with endemic of leptospirosis. Leptospirosis infection in humans can occur through direct or indirect contact with the urine of infected animals. Cattle is one of the source of transmission leptospirosis to human and other animals. The purpose of this study was to determine the prevalence rate of leptospirosis and identify serovar caused of leptospirosis in cattle at Giwangan’s abattoir Yogyakarta. Blood collection taken from ten heads of cattle via jugular vein and the serum was separated for leptospirosis examination by Microscopic Aglutination Test (MAT) which taken placed at Balai Besar Penelitian dan Pengembangan Vektor dan Reservoir Penyakit (B2P2VRP), Salatiga. Microscopic Aglutination Test carried out on various Leptospira serovar, namely: Bangkinang, Canicola, Pyrogenes, Robinsoni, Hardjo, Djasiman, Grippotyphosa, Hebdomadis, Icterohaemorragie, Pomona, Bataviae, Rama, Mini, Sarmin and Manhao. The prevalence rate detemine by compared between the number of MAT positive and samples examined. Positive  agglutination indicated the serovar types that caused leptospirosis in cattle. The results showed that two samples were positive against antigen serovar Grippotyphosa (1/2), Hebdomadis (2/2) dan Mini (1/2). It  can be concluded that the prevalence rate of leptospirosis in cattle at Giwangan’s abattoir Yogyakarta were 20%. The cause of leptospirosis in cattle at  Giwangan’s abattoir Yogyakarta namely Leptospira interrogans serovar Grippotyphosa, Hebdomadis and Leptospira borgpetersenii serovar Mini

Shalom-Yakov Abramovitsh

https://www.ester.ee/record=b5428711*es

Arsitektur tradisional daerah Nusa Tenggara Timur

Tujuan khusus inventarisasi dan dokumentasi ini ialah mengumpulkan bahan-bahan arsitektur tradisional Nusa Tenggara Timur terutama arsitektur tradisional daerah sample dengan harapan, sedikit ataupun banyak dapat mewakili arsitektur tradisional daerah ini" secara umum

Dos gevet : dyalogn vegn shprakh un kultur

https://www.ester.ee/record=b5428553*es

Dark matters: recasting darkness with contemporary Latin American Art

Dark Matters. Recasting Darkness with Contemporary Latin American Art foregrounds the largely unrecognized potentialities of darkness through a close reading of six materially dark contemporary artworks from Latin America. It departs from the premise that from the 1980s onwards—that is, in the decades still under the shadow of military dictatorship, forced disappearance, organized crime, and structural racism—artists such as Cildo Meireles (Brazil), Carlos Martiel (Cuba), René Peña (Cuba), Maya Watanabe (Peru), Belkis Ayón (Cuba) and Maria Isabel Reuda (Colombia) developed artworks literally composed of dark matter that defy racist and colonial associations of darkness with irrationality, ignorance, barbarism, and mischief. Their installations and performances in pitch or partial darkness, photographs and prints of black skin or ink, and videos of obscure environments, reveal that darkness more so than having a theoretical and inert existence, flourishes as a vibrant matter that is capable of making things happen and producing effects. Among other things, this study demonstrates that darkness has the capacity to protect realities that elude capture, generate greater freedom, and resist, interrupt and disturb. It revolves around two complementary research questions: How do specific Latin American artworks recast the notion of darkness? And, to what degree does this recasting convey a counter-narrative to the modern perspective on darkness?Modern and Contemporary Studie