JAKET PULLOVER HOODIE DENGAN MOTIF ISTANA SIAK RIAU

       Siak Palace is a sturdy rectangular building, decorated at the gate with a pair of hawks striking with sharp eyes and consists of two floors. Siak Palace is located in the city of Siak Sri Indrapura, Riau Province. The creation of this work was inspired by the beautiful visual form of the Siak Palace and then created at each end of the pillars of the building. The form of work created is in the form of an L-sized jacket using a written batik technique. The function of this jacket is outerwear that is used to protect from cold weather or fashion. The creation method in this work goes through three stages, namely the exploration stage which is field observation activities, source excavation and data collection. Exploration begins with going to the field to see and observe the shape of the Siak Palace. The design stage is pouring ideas through several alternative sketches, then from several alternative sketches it is determined to be the selected design as a reference in the process of making works. The embodiment stage uses a written batik technique with reactive coloring which is applied to a pullover hoodie jacket. The creation of works uses a theoretical basis of form, function, color, motif, creation and aesthetics. The results of the process of making this work created the Siak Palace motif in the form of five works with the titles "Kenyamanan", "Gugur" and "Bangkit"

Dampak Seni Bordir Komputer Di Bukittinggi Sumatera Barat

Artikel ini menyajikan tentang dampak dari penggunaan mesin bordir yangdilakukan oleh pelaku USAha bordir di kota Bukittinggi. Mesin bordir komputermemiliki keunggulan dari segi kapasitas produksi. Bordir komputer memilikinilai strategis dalam sistem budaya dan perekonomian sebagian masyarakat.Menggunakan data kualitatif yang menekankan para pelaku USAha bordir yangtersebar di Pasar Aur Kuning, Bukittinggi, maka data tersebut disajikan secaradeskriptif menggunakan teori bentuk dan sosiologi. Dari hasil penelitianditemukan bahwa Usaha bordir komputer dikembangkan di daerah Bukittinggiberdampak terhadap faktor ekonomi, banyak pengusaha membuka jenis USAha inidengan merekrut pekerja. Jenis USAha tersebut diyakini menjanjikan dikarenakankota Bukittinggi sebagai kota wisata, banyak wisatawan tertarik dengan hasilkerajinan ini

CANDI BAHAL SEBAGAI MOTIF PADA KEMEJA PADANG LAWAS, SUMATERA UTARA

    Candi Bahal  is one of the Vajrayana Buddhist temples located in Bahal Village, Padang Bolak District, Padang Lawas Regency, North Sumatra. Candi Bahal was founded by Rajendra Cola I from Tamil India which is estimated to be thousands of years old at that time. The uniqueness of  Candi Bahal is the shape of the Candi Bahal roof which is about 2.5 m high, like a cake on a square saucer with flower carvings around the edge of the Temple roof. Candi Bahal was created as a motif on men's shirts. The process of creating this work uses a theoretical basis which includes form, function, motif, color, aesthetics and creation. The method used in the embodiment of the work starts from exploring data collection about the Candi Bahal  such as searching for library sources or looking directly at it. Designing is putting ideas into design that will be realized. The embodiment stage is the process of realizing the work that was previously designed, using the main ingredients of primisisma cotton and remazol dyes and using written batik techniques and sewing techniques. The work created is a shirt with size L. In the creation of this work, the Candi Bahal motif was made by adding isen-isen and creating the size of the temple and adding additional motifs such as bricks, reliefs, makara and gecko motifs. The creation of this work uses the colors red, green, black, white and golden yellow. The presentation of the work will be carried out in the form of displays and fashion shows. The results of the creation of this work are three shirts with the titles merangkul, keberanian, keindahan

Nareh Pariaman Embroidery In Fashion As Creative Industry Development

The aisle in Minangkabau is where the bride (anak daro) sits while waiting for the groom (marapulai) to sit side by side (basandiang) after the marital consent testimony (ijab kabul). In addition to Minangkabau decorations, there are also Chinese and Gujarati motifs. As a creative economic development, the application of aisle embroidery to fashion is related to the creation of economic, social, and environmental added value. The researchers conducted this applied research by innovating the product design through the designing of embroidered fashion. The research employed the participatory observation method, which is also known as active observation. In making a fashion design for aisle embroidery to meet the problems and research objectives, effective steps were taken in several stages, namely: a survey of aisle embroidery craft centers; exploration; analysis, and synthesis; design; and then realization into a fashion work

TENUN KUBANG: SEMANGAT MEMPERTAHANKAN SENI TRADISI DARI PENGARUH MODERNITAS

This research is aimed at analysing the preservation and harmonisation Kubang weavinginto development of technology and modernisation. Tenunan Kubang (Kubang weaving) as atraditional art does not necessarily mean as a piece of cloth woven from threads with certaindesigns, colours, and motives, yet it also contain the socio-cultural values of the area where itoriginates and develops. As a traditional art, every cloth possesses splendidly woven motives.The motives are used to be seamlessly woven with some certain, seemingly-tough level ofdifficulty by using the manual-traditional weaving equipment. The influences of modernisationare considered as an effort to preserve a sustainable tradition of Kubang weaving art. TheApproaches in the analysis is emphasied on sociological aspects of Kubang weaving products.The data for the analysis are collected by using both the library research and field observation.The results indicated that the long run of the Kubang weaving had always been simultaneous tothe change and development of the ages. Under the circumstances, Kubang weaving appearedas a creative, innovative, and competitive product that maintained cultural and traditionalvalues. Without those values, Kubang weaving shall loose its identity and at the same time, shallbe meaningless and abandoned by the society.Keywords: Kubang Weaving, Traditional Art, Motives, Minangkaba

Kerajinan sulaman di yayasan amal setia kota gadang bukitinggi sumatera barat

Kerajina sulaman di yayasan amal setia yang terletak di bukittinggi merupakan budaya tradisional minangkabau. Kerajinan yang sudah ada sejak abad 19 ini diwariskan secara turun temurun yang dicetuskan oleh RKY Roehana Koedoes. semata-mata ditujukan untuk para wanita kota gadang khusunya. Ketrampilan ini hanya pengisi waktu luang namun seiring waktu maka dapat menjadi penyambung hidup sebagian dari masyarakat di koto gadang. HAsil kerajinan ini adalah selendang sulam suji cain dan kepala samek dengan ragam hias bunga dan daun

Busana Pesta dan Kasual Terinspirasi dari Buah Sawit

The work report entitled "Party and Casual Clothing Inspired by Palm Fruit Colors" is in the form of party and casual clothing. This work is sourced from the colors found in palm fruit and combined with palm oil batik motifs. The creation of clothing with a combination of palm-oil batik motifs and unique creativity aims to introduce to the public that anything around us can be a source of ideas for making clothing designs. The shape and color of the palm fruit are unique, featuring color gradations such as yellow, tiger, cherry, crimson, and wine. In creating this work, the craftsman went through three stages: the exploration stage, which involved seeking information about palm oil in West Pasaman; the design stage, which included viewing reference images, compiling the creation concept, mood boards, and making designs; and the embodiment stage, which involved cutting patterns, sewing, and finally presenting the clothing in a fashion show. The works produced include party and casual clothing, namely ready-to-wear clothing 1, ready-to-wear clothing 2, ready-to-wear clothing 3, ready-to-wear deluxe 1 clothing, ready-to-wear deluxe 2 clothing, and haute couture

KREASI BURUNG BEO NIAS SEBAGAI MOTIF KEMEJA BATIK

The Nias parrot is an endangered species native to Nias, North Sumatra. The body of the Nias parrot is black, a little white on the wings, earlobes and legs are yellow. The distinctive features of the Nias parrot with other parrots are its larger body size and united earlobes. The concept of the creation of the Nias parrot is taken from the life of this animal, in the form of freedom to fly in nature because many Nias parrots are caught, this concept also tells about the activity of tree branches. The production process of this work uses a theoretical basis that includes form, function, motif, creation and colour. The process of producing this work goes through three stages which are the exploration stage which is finding sources of ideas through library sources or interviews, designing which is pouring ideas into alternative sketches which then become the chosen design, the embodiment stage which is the process. the embodiment of the work that has been designed, the technique used is the batik technique, with silk cotton fabric and using reactive dyes, after the batik process is completed, the material is sewn into men's clothes