Textile Surface Design On Lace Using 3-Dimensional Embroidery Technique

Tekstil memiliki peranan penting dalam dunia fashion karena,  fashion itu sendiri tidak akan tercipta apabila tidak didukung dengan tekstil yang memadai. Salah satu tekstil yang mengalami pembaruan dan pengembangan adalah Lace. Lace merupakan bahan yang dibuat dari benang dengan menggunakan berbagai macam metode. Desain permukaan (surface design) pada bahan tekstil adalah membuat corak pada permukaan kain untuk menambah nilai fungsi kain tersebut dan sebagai upaya agar busana tersebut digemari banyak orang. Tujuan dari penelitian adalah untuk membuat surface design tekstil pada lace menggunakan teknik bordir 3 dimensi. Metode yang digunakan adalah metode penelitian eksperimen

Handmade Batik Design With Inspiration Story Creation Of Pacitan Eclectic Dance

Pacitan has various types of arts that are thick with regional elements because almost all regions in Pacitan have exceptional skills following the people's lives in each area. Art is a matter of pride and becomes a regional identity because it is considered crucial in the community. Related to folk art which is a tradition, in Pelem Village, Pringkuku District, Pacitan Regency, East Java, there is a folk art called Eklek Dance. Art is a precious asset because it is the only art owned by the people of Pelem Village. Besides that, it is also because this art presentation is considered very interesting. The background of the design of the written batik with the inspiration of Eklek Dance aims to develop motifs through cultural visuals that still need to be discovered by the public and boost culture and tourism in Pacitan. The approach method used is the method of creating craft art according to Gustami, which includes three stages, namely the exploration stage (extracting the source of ideas, collecting reference sources, to obtain solution materials in design, the design stage (visualization of ideas in the form of verbal descriptions with several considerations from various aspects including material aspects, engineering aspects, aesthetic aspects, and functional aspects. Furthermore, it is continued in the form of 6 alternative sketches) and the embodiment stage (realizing three alternative sketches into the form of works). The results of designing batik motifs with the source of the idea of Pacitan Eklek Dance using primissima cotton material, consisting of 3 design visualizations. The colours used are classic batik colours

Application Of Ornamental Typography On Stainless Steel Media as Decoration Of Angkringan Teapot

Creativity in designing local Indonesian products needs to be carried out continuously in anticipation of the flood of imported products from various countries worldwide. The application of engraphing to industrial products strengthens the appearance of goods that have an impact on the quality of their value. This study aims to make innovations with stainless steel medium engraved on certain parts of the item so that the product looks more artistic. The effect produced is to adopt a typical angkringan teapot from the Klaten area. This research method is qualitative research combined with the design of the work. This research stage begins with data collection, data analysis, and presentation of analysis results. The analysis results are used as material for designing angkringan teapot products, which starts with extracting ideas, developing designs, and realizing outcomes

Inspiration For Carving Gorga Adop-Adop In Technology-Based Pop Batik On Ready-To-Wear Clothing

Technology-based pop batik is a popular style of contemporary batik with part of the production process using technology without leaving the rules of batik. Technology is the lifestyle of today's younger generation, which causes the traditional batik handicraft industry not to become a job opportunity that is in demand by the younger generation. Batik craftsmen are now living with the elderly, and it is complicated to regenerate in the field of batik crafts. There needs to be an adjustment between the development of the era and traditional culture so that the younger generation is interested in developing batik. The adjustment step that can be done is to process batik based on technology without leaving the rules of batik itself. This research uses the approach of textile design creation methods, aesthetic practices and semiotics. This research discusses how the implementation of Adop-Adop Gorga carving is an inspiration for technology-based pop batik motifs. Research shows that the technology-based batik process can be a solution to the complex problem of regeneration of traditional batik craftsmen and Adop-Adop Gorga carving as inspiration for pop batik motifs with a technology-based batik process is a uniqueness that distinguishes it from other contemporary batik motifs

Analisis Keindahan Produk Kriya Terhadap Selera Pengunjung : Studi Kasus Dalam Ruangan Kafe Bergaya Rustic Di Bantul

Kafe merupakan salah satu bisnis yang sedang berkembang pesat. Kepopuleran kafe saat ini bisa dikatakan menjadi suatu fenomena sosial terlebih bagi para pemuda seperti mahasiswa yang menjadikan kafe sebagai salah satu pilihan tempat untuk melepas kepenatan. Riset ini bertujuan untuk mengetahui adanya pengaruh produk kriya pada minat pengunjung yang menerapkan desain kafe yang bertema rustic. Sehingga nantinya akan diketahui alasan pengunjung (mahasiswa) mengunjungi kafe serta pengaruh produk kriya pada kafe yang bertema rustic. Metode pendekatan dalam penelitian ini menggunakan metode kuantitatif dan kualitatif, sedangkan metode pengumpulan data yang digunakan dalam penelitian ini antara lain: studi literatur, observasi dan wawancaara serta melakukan pengambilan data dari kuesioner. Data-data yang diperoleh selanjutnya diolah dalam bentuk angka atau bilangan kemudian di analisis menjadi data informasi berbentuk teks, kalimat verbal maupun narasi. Berdasarkan hasil analisis dapat disimpulkan bahwasannya minat pengunjung di kafe dipengaruhi oleh konsep atau tema serta desain produk atau elemen bangunan yang diterapkan

Contemporary Craft Art On Jewelry: Case Study Of HS Silver Kotagede Company

Jewellery in the KBBI (Big Dictionary Indonesian) means items used for decoration, such as rings, earrings, bracelets and others. Jewellery is often created with gold and silver materials, so the price is relatively high according to the high cost of the material. Along with the times, jewellery evolved in design, material, function and technique. HS Silver is one of the silver jewellery companies in Kotagede Yogyakarta, which was founded in 1953 and still exists today. HS Silver Kotagede can survive and thrive today because it applies contemporary craft art styles to its designs and jewellery products. Contemporary craft art leads to various new concepts and visual forms that are developing in the present or present. Based on this, this study aims to: 1) determine the influence of contemporary craft art on HS Silver Kotagede jewellery products and 2). Describe modern jewellery products HS Silver Kotagede. Research methods use a descriptive qualitative approach. Data collection is carried out through literature study, field observation, interviews and documentation. The data obtained are analyzed interactively, consisting of data reduction, presentation and verification. The results showed that since the 1980s, the HS Silver company has adopted contemporary concepts and designs, also known as contemporary craft art. Various contemporary styles influenced the jewellery concept at HS Silver Kotagede in design and material aspects. The design takes specific themes from nature and the socio-culture of the surrounding community, such as the shape of a pineapple, bird cages and rockets. In addition to the design, there are changes in the materials used that do not only use the same but are also combined with other media such as ropes, resins, etc. Jewellery that uses contemporary craft art styles can open new trends and markets for HS Silver because the designs are fresher and more up-to-date. The results showed that since the 1980s, the HS Silver company has adopted contemporary concepts and designs, also known as contemporary craft art. Various contemporary styles influenced the jewellery concept at HS Silver Kotagede in design and material aspects. The design takes specific themes from nature and the surrounding community's socio-culture, such as the shape of a pineapple, bird cages and rockets. In addition to the design, there are changes to the materials used that do not only use the material but are also combined with other media such as ropes, resins and so on. Jewellery that uses contemporary craft art styles can open new trends and markets for HS Silver because the designs are fresher and more up-to-date

Material Recycle Teak Wood Root Waste From The Sea For Home Decoration Products

Recycle material teak wood root waste from the sea is the purpose of this writing; the material that will be used as home decoration products is obtained from fishermen who are at sea and find a lot of teak wood that is washed away then under the edge of the beach then the Recycle process is carried out.  In this design process, it uses a method that includes several stages, including The observation and analysis stage; The imagination stage consists of exploration activities and engineering and material experiments; The imagination development stage is focused on maturing concepts as a result of problem evaluation; The implementation stage of design decisions that are ready to be worked. The method above is then called the process of creating Practice-led Research

Product Innovation Traditional Pottery Crafts Gorontalo

Gorontalo’s traditional pottery crafts had stagnation and were nearly extinct because it is deserted by its users. Presumed it happened because the final products are less innovative. Thus they are unable to fulfill the dynamics of market demand. This study aims to innovate Gorontalo’s traditional pottery products to be able to regain interest in the market. Studies use the method of art creation that is done through several stages: 1) exploration to discover the concept of design creation; 2) Designing to visualize the concept into visual design; 3) realizing of the design into the product prototype; 4) evaluation in order to envision market prospects. Throughout the process of research, six innovative pottery prototypes were made. The innovative value of these prototypes appears to the uniqueness of forms and finishing’s color variation. The distinctiveness of each prototype is reflected on the cultural art image of Gorontalo and forms of endemic animal of Sulawesi, which became the origin of the creation idea. Based on the evaluation, these all prototypes are said to have promising market prospects and worthy of production. Therefore, traditional Gorontalo pottery craftmens are advised to produce such prototypes to fulfill the dynamic demand of the market so that traditional pottery products do not lose consumers

Batik Cap with Natural Dyes at Batik Kembang Mulyo Jepara

Batik adalah seni dan cara menghias suatu kain dengan penutup lilin untuk membentuk corak dan pola hiasnya dengan dua cara pembuatan, yaitu batik tulis dan batik cap. Dalam pembuatanya batik tulis membutuhkan waktu yang lama dalam pengerjaannya. Untuk itu, tulisan ini bertujuan untuk memaparan mengenai pembuatan batik cap dengan pewarna alam di Batik Kembang Mulyo Jepara. batik cap adalah batik yang diproses menggunakan canting cap menggantikan canting tulis. Pada proses produksinya batik cap ini perajin batik dapat menghemat tenaga karena tidak perlu menggambar pola/desain diatas kain secara manual seperti batik tulis. Sifat dari penelitian adalah penelitian lapangan dan penelitian dengan kepustakaan sehingga teknik yang dipakai guna untuk mendapatkan data penelitian ialah teknik penelitian kepustakaan. Teknik penelitian dilakukan menggunakan berbagai langkah diantaranya: teknik Observasi. Data yang telah diperoleh kemudian disusun dan diklasifikasikan serta dianalisa secara deskriptif kualitatif. Pembuatan batik studio batik kembang mulyo jepara melalui pembuatan batik menggunakan bahan zat pewarna alam (ZPA), menggunakan lilin tembokan serta kain katun dengan teknik pewarnaan celup

Visualization of Tembang Durma Costume Show with Parang Batik Yogyakarta Style

Kostum sudah sepatutnya memiliki nilai filosofi tinggi sehingga dapat memberikan legitimasi sebagai sebuat karya seni kriya. Tembang Durma nantinya akan dikembangkan menjadi bentuk-bentuk yang lebih dinamis. Tujuan penulisan ini yaitu untuk mewujudkan ide dan gagasan tembang macapat durma dalam kostum pertunjukan pola zero waste dengan batik ragam hias Yogyakarta, untuk mengetahui proses penafsiran tembang macapat Durma dalam bentuk visual kostum pertunjukan dan untuk mengetahui hasil penciptaan. Metode yang digunakan dalam penelitian ini adalah Metode penciptaan. Hasil penulisan menunjukkan bahwa Fashion saat ini telah mengalami perubahan nilai, yang awalnya dianalogikan pada aspek fungsional (use value), yakni sebagai pelindung tubuh dari cuaca, kini lebih memiliki makna tanda (sign value) dimana busana dapat bermakna saat dikorelasikan dengan nilai-nilai sosial yang ada. Fashion terutama busana dalam kehidupan yang erat dengan image dan citra ini dipercaya untuk menjadi salah satu bentuk tanda komunikasi yang bisa menyampaikan makna-makna yang disampaikan secara non verbal