1,630 research outputs found

    Conversing with Malcolm Sharp

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    Some Aspects of Cytology in Relation to the Study of Genetics

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    Alien Registration- Wilson, Edmund J. (Livermore Falls, Androscoggin County)

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    https://digitalmaine.com/alien_docs/27363/thumbnail.jp

    A PERFORMANCE EVALUATION OF FIVE SWEETPOTATO SHIPPING CONTAINERS

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    Using a six x six latin square experimental design, five box types in two different markets were evaluated over a six-week period in 1986 to determine if sweetpotato arrival damage could be reduced through use of alternative shipping containers. Findings indicated that skinning, cut and break damage, and bruising could be reduced through use of either a 40-pound container or the 45-pound MUM box rather than using the current 50-pound box. Economic considerations, receiver preferences, and the actions of shippers resulted in the selection of a 40-pound shipping carton as the new standard for the North Carolina sweetpotato industry.Agribusiness,

    Transverse motion

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    Quadrupole design for high acceptance

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    Special relativity

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    Lolita's Time Leaks and Transatlantic Decadence

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    In this paper I investigate the matrix of transatlantic literary exchange in Vladimir Nabokov’s Lolita (1955) in order to suggest how the novel’s rehabilitation of an international decadent aesthetics constitutes a radical challenge to the American literary establishment in the postwar. I begin by identifying the figures of Edgar Allen Poe, Charles Baudelaire and Algernon Swinburne as the key constellation for Nabokov in his plotting of Lolita’s ambivalent engagement with the ethics of temporality and artistic autonomy. I then go on to situate Lolita’s composition within debates current in the American academy from the late 1930s to the early 1950s over the value of decadent aesthetics within the modernist project and anxieties over Poe’s place within American national literary culture. Read alongside the critical writings of T.S. Eliot, Allen Tate, and the New Criticism, Lolita emerges as the risky reinstatement of a transatlantic decadent tradition, in which the failure of temporal and ethical containment disrupts a dominant narrative of modernism’s history in American letters
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