Wisdom and Folly in the city: exploring urban contexts in the book of Proverbs

AbstractProverbs 1–9 is often said to have a city background that contrasts with the agricultural imagery dominant in the maxims sections. However, this is an oversimplification. There are also maxims in the main Proverbs collection that concern the city, and the city background revealed within Proverbs 1–9 links up with the portrayal of the ‘capable wife’ in Proverbs 31:10–33. Having established the presence of city references throughout Proverbs, this article explores how the portrayal of Woman Wisdom and Woman Folly in particular gives fascinating insight into the heart of happenings in the Israelite city

Spiritual formation and the nurturing of creative spirituality : a case study in Proverbs

The article is positioned in the interface between Old Testament scholarship and the discipline of spiritual direction of which spiritual formation is a component. The contribution that a Ricoeurian hermeneutic may make in unlocking the potential which an imaginal engagement with the book of Proverbs may hold for the discipline of spiritual formation was explored. Specifically three aspects of the text of Proverbs illustrated the creative process at work in the text, and how it converges with the concept of spiritual formation and the nurturing of creative spirituality. These aspects were, the development in Lady Wisdom’s discourses, the functional definition of the fear of Yahweh (illustrated from Proverbs 10:1–15:33), and the paradigmatic character of the book of Proverbs. INTRADISCIPLINARY AND/OR INTERDISCIPLINARY IMPLICATIONS : The research is positioned in the interface between Old Testament studies and Practical Theology. The research results in the enhancement of the interdisciplinary dialogue and interchange of resources between the named disciplines with regard to the interest in formation of persons that the biblical book of Proverbs and the discipline of spiritual formation shares.http://www.ve.org.zaam2016Old Testament Studie

A Graduate Seminary Library in the Mission Field

published or submitted for publicatio

Wealth and Poverty in the book of Proverbs

Sheffield132 p.; 22 c

Animate Dissent: The Political Objects of Czech Stop-Motion and Animated Film (1946-2012)

Czech animated allegories of the period of 1946 to 2012 encode their political ideas in objects and things, rather than through conventional narrative techniques such as voice-over or dialogue. The existence of these objects in cinematic time and space is integral to this process of political encoding, which is achieved through the selection of objects, cinematography and editing. In some of these films, time and space themselves are politically encoded. Materialist critical approaches to the film texts can help illuminate these latent political meanings. 'Thing theory', which puts a critical emphasis upon reading objects and things, exposes the politically resistant role of simple, domestic objects in the films of Jiří Trnka and Hermína Týrlová. Trnka's cinema in particular defends traditional, pastoral modes of being in which the individual is rooted within their environment. 'Actor-network-theory', a means of interrogating the relationship between actors in networks, resonates with the political ideas present in the cinema of Surrealist artist Jan Švankmajer. Švankmajer's central political project is an interrogation of anthropocentrism and attempts by humans to exert systems of control and order upon non-human actors. Rather than celebrating functional, domestic objects like Trnka or Týrlová, Švankmajer's cinema is radically anti-utilitarian. Objects are depicted as things that resist categorisation. 'Rhythmanalysis' – a mode of poetic-scientific investigation developed by philosopher Henri Lefebvre – can be used to unpick the rhythms in the animations of Jirí Barta. Barta's films critique rational clock time and the design of urban spaces through the use of editing patterns and repetition. Finally, all three materialist approaches in combination help illustrate the political content of animated films (and live-action films with significant passages of animation) produced in the wake of the Velvet Revolution. Such films often question the relationship between the individual Czech citizen and the Czech capital city of Prague. The animated films of the aforementioned directors and historical periods, tend to give precedence to the material world of objects over the semiotic world of humans, though these two realms are often shown to be inter-dependent. To this end, the political messages of the films are conveyed not through language, but through images and things.AHR