Affective reactions to auditory hallucinations in psychotic, evangelical and control groups

Objectives: Building on recent work on the similarities and differenes in delusional ideation between psychotic and religious populations (Peters, Day, McKenna, and Orbach, 1999), the experiences of auditory hallucinations in psychotic, evangelical and control groups were examined in this study. -- Method: The incidence and subjective experiences of hearing voices were assessed using questionnaire methods in psychotic out-patients, evangelical Christians and controls (non-psychotic, non-evangelical). -- Results: Incidence of auditory hallucinations differend significantly across the three groups with psychotics showing the highest levels and controls the lowest levels. The experiences of the evangelical group were significantly more positive than those of the control group, which in turn were significantly more positive than those of the psychotic group. The most recent experience of hearing voices was rated more positively than the first experience by the psychotic and religious groups but not by the control group. These findings were much stronger for affective reactions to the experiences than for perceptions of the voices. -- Conclusion: These results provide only partial support for the findings of Peters et al. (1999) on differences in delusional ideation and possible reasons for this are discussed. The findings for religious and psychotic individuals are discussed further in terms of interpretational and coping mechanisms

(Re-)writing the Holocaust after Brexit: the afterlives of British fiction

This article examines the representation of a Nazi-occupied Britain in post-2016 reworkings of earlier alternative histories in which Britain lost the war. It does so by placing the 2017 television series SS-GB and C. J. Carey’s 2021 novel Widowland in conversation with their original counterparts: Len Deighton’s 1978 novel of the same name and Robert Harris’ Fatherland of 1992, respectively. Each text therefore has to imagine the consequences of Nazi victory for the Jews of Britain. Appearing in a post-Brexit context in which questions of national sovereignty and identity have been contentiously brought to the fore, these adaptations reveal a tendency towards British heroism in the face of European domination, and reinforce the isolationist messages that had been central to the referendum’s ‘Leave’ campaign. In each case, the British setting reveals the potential for political danger to be found close to home. The encroachment of what had been considered the European malaise of antisemitic murder into the British present is articulated through the act of revision and adaptation. This article shows how the themes of the original works were employed post-2016, and asks why the wartime murder of the Jews is ultimately not their central concern

“Non-sites of memory”

This article analyses some of the thirty hours of location footage excluded from Claude Lanzmann’s 1985 Holocaust documentary Shoah. Although there has been some analysis of the outtake material in Lanzmann’s archive which consists of eyewitness interviews, very little attention has been paid to the footage of landscape, urban and camp settings, from which we have drawn these examples of Polish sites. We argue that it is possible to discern the presence of a specifically spatial memory by considering this excluded material in a way that draws on its outtake status, that is, its form of eleven-minute reels unaccompanied by eyewitness presence or voiceover. The filmic construction of spaces to suit Lanzmann’s concerns is revealed if we attend to this material in its unedited state, with its constituent repetitions and exclusions, as a spatial version of the director’s customary interest in the reincarnation of the past in the present

The Be Our Ally Beat Smoking (BOABS) study, a randomised controlled trial of an intensive smoking cessation intervention in a remote aboriginal Australian health care setting

Background: Australian Aboriginal and Torres Strait Islander peoples (Indigenous Australians) smoke at much higher rates than non-Indigenous people and smoking is an important contributor to increased disease, hospital admissions and deaths in Indigenous Australian populations. Smoking cessation programs in Australia have not had the same impact on Indigenous smokers as on non-Indigenous smokers. This paper describes the outcome of a study that aimed to test the efficacy of a locally-tailored, intensive, multidimensional smoking cessation program. Methods: A randomised controlled trial of Aboriginal researcher delivered tailored smoking cessation counselling during face-to-face visits, aiming for weekly for the first four weeks, monthly to six months and two monthly to12 months. The control (“usual care”) group received routine care relating to smoking cessation at their local primary health care service. Data collection occurred at enrolment, six and 12 months. The primary outcome was self-reported smoking cessation with urinary cotinine confirmation at final follow-up (median 13 (interquartile range 12–15) months after enrolment).Results: Participants in the intervention (n = 55) and usual care (n = 108) groups were similar in baseline characteristics, except the intervention group was slightly older. At final follow-up the smoking cessation rate for participants assigned to the intervention group (n = 6; 11%), while not statistically significant, was double that of usual care (n = 5; 5%; p = 0.131). A meta-analysis of these findings and a similarly underpowered but comparable study of pregnant Indigenous Australian women showed that Indigenous Australian participants assigned to the intervention groups were 2.4 times (95% CI, 1.01-5.5) as likely to quit as participants assigned to usual care. Conclusions: Culturally appropriate, multi-dimensional Indigenous quit smoking programs can be successfully implemented in remote primary health care. Intensive one-on-one interventions with substantial involvement from Aboriginal and Torres Strait Islander workers are likely to be effective in these settings. Trial registration: Australian New Zealand Clinical Trials Registry (ACTRN12608000604303)

"To Tell the Story": Cultural Trauma and Holocaust Metanarrative

This article explores the aporia between the alleged inexplicability of the Holocaust and the wealth of narrative that has proceeded from the event in the years since 1945, proposing the existence of a generic Holocaust metanarrative that has been adopted and inscribed into Western cultural memory as the accepted framework for interpretation. Taking as a starting point the idea that culture itself has been somehow ‘ruptured’ in the wake of the Holocaust, this article explores the ways in which this rupture manifests itself, viewing the shattering impact of the Holocaust on the Western cultural imagination as macrocosmically comparable to the impact of psychic trauma on the individual survivor of the Holocaust. Just as an individual act of narration (the act of testimony) is believed to provide a cure for trauma, so a collective act of narration may hold the key to repairing the post-Holocaust cultural rupture. During the exploration of this process, it becomes apparent that cultural memory of the Holocaust is in fact informed by a metanarrative account that appears to offer the possibility of an engagement with the Holocaust, but which in fact acts as a screen between the event itself and the culture that would seek to memorialize it. Finally, this article explores the notion that the most appropriate narrative response is one that accepts the impossibility of its own position, rejecting the easy redemption offered by the assimilation of Holocaust metanarrative and instead inhabiting the dialectic between knowing and understanding that the Holocaust presents

Debating the Literary and Filmic Memory of Jan Karski

Jan Karski has been the subject of historical and memorial inquiry, as we have heard so far in this conference. He has also been the subject of different kinds of literary and visual representation, such as documentary film and television, and fiction of various kinds, including a graphic novel. I will discuss the different uses and interpretations made of the figure of Karski in these varied genres, as well as the conflicts that occur, sometimes explicitly, between them

Claude Lanzmann’s The Four Sisters (2017) on Television

This article analyses Claude Lanzmann’s final work, The Four Sisters (2017), in the context of its being edited from the outtakes of Shoah (1985) for broadcast on the Arte television channel. It argues that the distinctive features of the film, including its form as a quartet of self-contained interviews, absence of location footage and reliance on certain kinds of shot construction and mise-en-scene, arise from this televisual production context, as well as seeming to mark an ambivalent effort on the director’s part to redress his earlier work’s focus on male testifiers