Beyond African religious homophobia: how Christianity is a source of African LGBT activism

The emergence of anti-homosexuality politics in Africa is often explained with reference to religion. Although religion is a major factor in fuelling homophobia in Africa, the Bible and the Christian faith are not only sites of struggle but have also been appropriated by African LGBT activists in support of their cause. Adriaan van Klinken says we need to move beyond a narrow focus on African religious homophobia as religion plays multiple and complex roles in contemporary dynamics of African sexualities

Imitation as Transformation of the Male Self

St Joachim, who according to the apocryphal Protoevangelium Jacobi is the father of Mary, the mother of Jesus, is the patron saint of a Catholic Men’s Organization in Zambia which promotes him as model of Catholic manhood. Through a case study of this organization, this article explores the intersections of religion, men and masculinity in a contemporary African Catholic context, in relation to broader discussions on African masculinities. The focus is on the practice of imitation of St Joachim and its effects on masculinity as the symbolic, discursive and performative construction of embodied male gender identity. Two theoretical concepts inform the analysis, being the notion of imitation as a hermeneutical process and Michel Foucault’s conceptualization of the technologies or hermeneutics of the self. The article shows how a sacred text is mobilized and inspires a communal imitative practice through which men are shaped, and shape themselves, after a religious ideal of masculinity.Saint Joachim, présenté par le proto-évangile apocryphe de Jacques comme le père de Marie, elle-même la mère de Jésus, est le saint patron d’une organisation catholique d’hommes en Zambie, qui le promeut comme modèle de masculinité catholique. À travers l’étude de cette organisation, l’article explore l’intersection entre religion, hommes et masculinité dans le contexte de l’Afrique catholique contemporaine, en lien avec une discussion plus large sur les masculinités africaines. Une attention particulière est accordée à la pratique d’imitation de saint Joachim et à ses effets sur la masculinité comme construction symbolique, discursive et performative de l’identité de genre masculin incorporée. L’analyse repose sur deux concepts théoriques: la notion d’imitation comme processus herméneutique et la conceptualisation des techniques ou herméneutiques de soi par Michel Foucault. L’article montre comment un texte sacré est mobilisé et inspire une pratique imitative commune à travers laquelle les hommes sont façonnés, et se façonnent eux-mêmes, sur la base d’un idéal religieux de masculinité

Men in the Remaking: Conversion Narratives and Born-Again Masculinity in Zambia

The born-again discourse is a central characteristic of Pentecostal Christianity in Africa. In the study of African Christianities, this discourse and the way it (re)shapes people’s moral, religious, and social identities has received much attention. However, hardly any attention has been paid to its effects on men as gendered beings. In the study of men and masculinities in Africa, on the other hand, neither religion in general nor born-again Christianity in particular are taken into account as relevant factors in the construction of masculinities. On the basis of a detailed analysis of interviews with men who are members of a Pentecostal church in Lusaka, Zambia, this article investigates how men’s gender identities are reshaped by becoming and being born-again and how born-again conversion produces new forms of masculinity. The observed Pentecostal transformation of masculinity is interpreted in relation to men’s social vulnerability, particularly in the context of the HIV epidemic in Zambia

“Accused of a Sodomy Act”: Bible, Queer Poetry and African Narrative Hermeneutics

This article explores the role of poetry and narrative methods in African-centred queer biblical studies and theology. As a case in point, it presents a poem, titled “Accused of a Sodomy Act,” by Tom Muyunga-Mukasa, that was written as part of a queer Bible reading project with Ugandan LGBTQ refugees. The poem is a contemporary re-telling of the gospel story about Jesus and the “woman caught in adultery” in the context of socio-political homophobia in Uganda. The poem is complemented by an autobiographical reflection by the writer, providing insight into his personal experiences of growing up as gay and religious in Uganda. This is embedded in a more general discussion, relating the poem to trends of life storytelling in African LGBTQ activism, and to established narrative methodologies in African theological and biblical studies scholarship. Overall, the article makes a methodological contribution, by foregrounding queer poetry and storytelling as innovations in African narrative hermeneutics that expand the established concern with gender and sexuality beyond a heterosexual framework, and that include the marginalised voices and experiences of LGBTQ people

Pentecostal intimacies: women and intimate citizenship in the ministry of repentance and holiness in Kenya

This article explores the intersections of gender, sexuality and citizenship in the context of one prominent neo-Pentecostal movement in Kenya, the Ministry of Repentance and Holiness (MRH) led by the charismatic Prophet David Owuor. Employing the concept of intimate citizenship, the article analyses, first, how MRH engages in a contestation of intimate citizenship in the contemporary Kenyan public sphere, especially in relation to women’s bodies. Second, it examines how MRH simultaneously configures, through a range of highly intimate beliefs, practices and techniques, an alternative form of intimate citizenship defined by moral purity and concerned with a political project of moral regeneration. Coining the notion of ‘Pentecostal intimacies’, the article provides insight into the reasons why so many people, especially women, are attracted to MRH, and hence it interrogates the liberal frame in which intimate citizenship is usually conceptualised

Christianity, Sexuality and Citizenship in Africa: Critical Intersections

Citizenship in sub-Saharan Africa has undergone profound changes in recent decades as part of wider social and political dynamics. One notable development is the emergence of Christianity, especially in its Pentecostal-Charismatic forms, as a public religion. Christian actors, beliefs and practices have increasingly come to manifest themselves in the public sphere, actively engage with politics, define narratives of nationhood, and shape notions of citizenship. A second major development is the emergence of sexuality as a critical site of citizenship and nationhood in postcolonial Africa. On the one hand, many political and religious leaders are invested in a popular ideology of the heterosexual family as the basis of nation-building, while on the other hand, LGBT communities are becoming more visible and claim recognition from the state. The contributions to this special issue engage these two contrasting developments, examining the interconnections between Christianity, sexuality and citizenship empirically and theoretically through case studies in various African contexts and from several academic disciplines and critical perspectives

Citizenship of Love: The Politics, Ethics and Aesthetics of Sexual Citizenship in a Kenyan Gay Music Video

Against the background of the current politicisation of homosexuality and the policing of sexual citizenship in Kenya and other African countries, this article offers an analysis of the Kenyan gay music video Same Love, released by the band Art Attack in 2016. Employing the concept of acts of citizenship (Isin and Nielsen 2008), the article foregrounds the political, ethical and aesthetic aspects through which the lyrics and images of Same Love perform an act of sexual citizenship mediated through art. It argues that as an artistic intervention, the video interrogates popular narratives of homosexuality as un-Kenyan, un-African and un-Christian and creates a sense of a citizenship that is yet to come: a pan-African, Christian and queer citizenship of love. Thus, the article explores the new possibilities of cultural, sexual and religious citizenship created through popular culture and public space in contemporary Africa