Understanding young people's transitions in university halls through space and time

This article contributes to the theoretical discussion about young people's transitions through space and time. Space and time are complex overarching concepts that have creative potential in deepening understanding of transition. The focus of this research is young people's experiences of communal living in university halls. It is argued that particular space-time concepts draw attention to different facets of experience and in combination deepen the understanding of young people's individual and collective transitions. The focus of the article is the uses of the space-time concepts 'routine', 'representation', 'rhythm' and 'ritual' to research young people's experiences. The article draws on research findings from two studies in the North of England. © 2010 SAGE Publications

A Funeral as a Festival: Celebrations of Life in the Mosuo Tribe in China

This article attempts to provoke a discussion concerning the definition and nature of festivals by considering the process of Mosuo funerals in Southwest China as a festival event. The role of women and men in daily life and within the funeral ceremony is discussed – the Mosuo is a matriarchal society – as are the vernacular architectural settings which have evolved for both ritual and everyday activities. The article looks at the religious perception of death in Mosuo culture, which considers funerals as celebrations of a life cycle including birth, growing up and death; through onsite observations, it documents the process of a Mosuo funeral in relation to its physical space. Even though, unlike most other festivals, funerals occur at unpredictable times, it is argued that for the Mosuo the funeral event is also a festival

Design and Creative Methods as a Practice of Liminality in Community-Academic Research Projects

This paper aims to explore the types of spaces and experiences that are created by design and creative practices. More specifically, it focuses on how design and creative practices can engender transformations in the mindset, knowledge, emotions and social relations of people who participate in such practices. To do this, the paper investigates the concepts of liminality and liminal spaces, and the relationships between design/creative methods and liminal spaces using insights from four case studies. The results reveal that design and creative practices may create liminal spaces in many ways, such as neutralizing the working environments, encouraging people to experiment with new ideas and helping them express themselves more freely

Beyond the Womb and the Tomb: Identity, (Dis)embodiment and the Life Course

Grounded in the authors’ theoretical and ethnographic work on pregnancy and social life after death, this article explores the ways in which the body is involved in processes of identification. With a focus on the embodied nature of social identity, the article nonetheless problematizes a model of the life course that begins at the moments of birth and ends at death. Instead, it offers a more extended temporal perspective and examines other ways in which identity may be claimed, for example, via material objects and practices which evoke the body as imagined or remembered. By documenting pre-birth and post-mortem identity-making of this kind, it demonstrates how the unborn and the dead may come into social existence. In addition, a cultural privileging of both the body and visuality is shown to shore up the capacity of material objects and practices to shape social identities in a highly selective fashion. The article therefore proposes that models of the life course need to accommodate the meanings of pre-birth and post-mortem materialities and so incorporate a conceptualization of social identity as contested, relational and inevitably incomplete

Naming a New Self: Identity Elasticity and Self-Definition in Voluntary Name Changes

This article considers how personal name changes are situated within their sociological context in the United States. Reviewing both popular and scholarly texts on names and name changes, I draw on recent work on identity and narrative by Oriana to argue that voluntary personal name changes are made in relation to a sense of narrative elasticity oridentity elasticity, and act symbolically to make a shifting identity or self-narrative manifest in the social context. Drawing out these themes through an exploration of name changes for ethnic self-definition or religious purposes, I conclude with a reflection on the unstable social balance between an individual’s interest in self-expression and society’s priority on the stable identification of persons within a given social sphere

Ceremonies and Time in Shakespeare

This essay considers some moments in Shakespeare's texts which exemplify the Janus-faced quality of ceremonies: their enactment in the present looking backwards to past traditions and forwards to inaugurate new social relations. The argument draws on Victor Turner's theorization of ritual as an event that gives shape to “liminality,” that which “eludes or slips through the network of classification that normally locate states and positions in cultural space,” and argues that this applies to time as well. It also considers the construction of time in terms of kairos, a moment of time infused with meaning. The essay analyses ceremony in three Shakespearean genres. First, it examines Bertram's and Helena's ring exchange in All's Well That Ends Well as a “distended” ritual that collapses time. It then turns to Richard III, unpacking its complex sequence of ceremonies of betrothal, mourning, and sovereignty that are “continuously disrupted”. The final section describes the ceremonial time of romance in The Winter's Tale, unfolding the power invested in the kairotic time evoked by the oracle of Delphi, the sheep-shearing ceremony, and Paulina's “resurrection” of Hermione

Somewhere between remembering and forgetting: Working across generations on The Middle

Inspired by Hamlet, The Middle (2013) is a one-man show devised for a theatre foyer - a liminal space between the outside and the inside, the real world and the theatre. Hamlet is a character caught in a limbo between ?To be or not to be? and by casting my father, Tony Pinchbeck, to play the title role, I sought to explore time passing, staging ageing and the relationship between father and son. My father studied Hamlet when he was at school so he is stuck in the middle between the fading memory of reading that play 50 years ago and reading it now. He is trying to remember what it was like to be Hamlet while I continue my struggle to stay in the wings. For this article, I reflect on the complex dramaturgical process of working with my father to revisit his performative memories. The dramaturg?s job is to look for and after something that is not yet found. As Williams tells Turner and Behrndt, ?you don?t really know what is being sought?.1 As such, the dramaturg is in a limbo, or in the middle, between finding and looking, knowing and not knowing. For The Middle (2013), I spent time playing with the material I wanted to use physically: a table, a chair, 40 metres of bubble wrap. I found I could create interesting images with this material that could speak about the themes of liminality, ageing, stasis and mortality and the archiving of memory. The older we get, and the longer the show toured, between 2013 and 2016, the more the notion of father and son resonated. A retired solicitor, my father is 75 this year, and as he grew older and the show toured for three years, his memory of playing Hamlet faded so the text he spoke was always further from events it described. As Matthew Goulish writes, ?Some words speak of events, other words, events make us speak?. These were the words my Dad?s memories made us speak. For this article, I reflect on concepts of memory, time passing and ageing with Professor Mick Mangan, who explores these themes in his publication Staging Ageing (2013). The article weaves together my dramaturgical experience of making the performance with my father, and Mick?s experience of watching it through the lens of his research, and touches upon recent casting choices in order to explore issues of age and ageing and reminiscence theatre

"Invisible burials" and fragmentation practices in Iron Age Europe:Excavations at the Monte Bernorio Necropolis (Northern Spain)

The scarcity of burial remains in large parts of Iron Age Europe, particularly in the Atlantic regions, has often led scholars to discuss the apparent “invisibility” of graves. This paper presents the results from several excavation campaigns at Monte Bernorio, one of the most important sites of the 1st millennium b.c. on the Iberian Peninsula. The fieldwork and post-excavation work carried out in the area of the necropolis have identified numerous burial pits, with complex ritual activities characterized by fragmentation and the practice of the pars pro toto. In addition, evidence for later rituals in some of the graves can be linked to ancestor worship. The results provide important insights into funerary practices in Late Iron Age Europe, leading us to rethink the very meaning of cemeteries in the study area and beyond.- Burial Traditions in Iron Age Europe - The Monte Bernorio Archaeological Zone - The 2007–2008 Necropolis Excavations - The 2015–2016 Necropolis Excavations - Post-Excavation Work and Interpretation: The Faunal and Human Remains - Structure and Chronology of Monte Bernorio Area 7 - Destruction of the Body, Commemoration in the Absence of a Corpse, and Visibility of the Mortuary Rite