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What lines, rats, and sheep can tell us
In his 2015 Research Through Design provocation, Tim Ingold invites his audience to think with string, lines, and meshworks. In this article I use Ingold's concepts to explore an orientation to design—one that threads through both Ingold's ideas and Vinciane Despret's vivid and moving accounts of human-animal relations. This is a “thinking and doing” through design that seeks to be expansive to the capacities of humans and non-humans in relation to one another
Los Materiales contra la materialidad
This article seeks to reverse the emphasis, in current studies of material culture, on the materiality of objects, as against the properties of material. Drawing on James Gibson`s tripartite division of the inhabited environment into médium, substances and surfaces, it is argued that the forms of things are not imposed from without upon an inert substrate of matter, but are continually generated and disolved within the fluxes of materials across the interface between substances and the medium that surrounds them. Thus things are active not because they are imbued with agency but because of ways in wich they are caught up in these currents of the lifeworld. The properties of materials, then, are not fixed attributes of matter but are processual and relational. To describe these properties means telling their stories
That's enough about ethnography
Ethnography has become a term so overused, both in anthropology and in contingent disciplines, that it has lost much of its meaning. I argue that to attribute “ethnographicness” to encounters with those among whom we carry on our research, or more generally to fieldwork, is to undermine both the ontological commitment and the educational purpose of anthropology as a discipline, and of its principal way of working—namely participant observation. It is also to reproduce a pernicious distinction between those with whom we study and learn, respectively within and beyond the academy. Anthropology’s obsession with ethnography, more than anything else, is curtailing its public voice. The way to regain it is through reasserting the value of anthropology as a forward-moving discipline dedicated to healing the rupture between imagination and real life
From science to art and back again : The pendulum of an anthropologist
Peer reviewedPublisher PD
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