A reflection on Attar Neyshabouri's Masnavi illustration

Image or imagination, ink and paste are the main themes of poetry, and since the end of the sixth century, which is one of the most fertile periods of Persian literature, the poets of this period freely imposed many poetic fantasies on Persian literature, And for centuries, with various acquisitions, they were influential in the poetry of the poets of the generations after them (Shafiee, 1999, pp. 404 and 405). The use of abstract and difficult philosophical and philosophical concepts in mystical poetic works has been common in various ways and forms in the form of allegorical anecdotes, educational stories and moral sermons. And provides various perspectives for the study and evaluation of such works. Attar Neyshabouri also believes that the world is a picture of the beauty of truth that reflects all the beauties of the beloved in itself, and one can easily see the attributes of beauty in the world and creatures. Since Attar Neyshabouri is both a poet, a Sufi and a sage, his works can be examined from three mystical, philosophical and literary perspectives. Attar Neyshabouri's works, such as his Masnavi, are among the mystical works in which the poet has used legal and philosophical themes and terms in accordance with the subject. He has also benefited greatly from the elements of imagery in order to make his words effective. In this discourse, the method of illustration and the method of using the elements of imagination, such as simile, metaphor, permission, irony, have been evaluated

Investigating the poetic view of music in Attar's poetry with emphasis on imaginary forms

 Imaginations in poets' poetry are the achievement of a kind of experience and awareness that the poet gains from his surroundings. Attar is one of the great mystics and poets of the vast field of Persian literature. With his painful mysticism, he has led the lovers of the path of conduct through seven valleys. Basically, some mystics were closely acquainted with hearing and music, and Attar is one of the most prominent of them. The purpose of this study is to study the forms of imagination in musical applications - terms, words and instruments - Attar's poetry. Studies have shown that Attar has refined his mystical thinking by using the thoughtfulness of musical terms. In this research, the author has extracted verses in which musical terms and instruments have no musical purpose. But from the point of view of imagination and poetic point of view, it was important that it be studied

Investigación de los apéndices e indicadores relacionados con el contenido de la literatura lírica en los poemas de la santa defensa y la literatura de resistencia

Iran's lyrical literature and its elements have long attracted the attention of Iranian literary poets, such that they have manifested themselves in most works of art, even on epic and theosophical themes, as well as in literature. of resistance and constancy. The holy defense poems are representations of the thought and feeling of Iran at a time in its history whose emotional and affective aspects are of great cultural importance. In this sense, the present study attempts to investigate the indicators of lyrical literature in the resistance literature poems of three prominent poets in this area, namely, Ali Mo’allem Damghani, Qaisar Aminpour and Ali Reza Qazveh. The study method of this research is descriptive-analytical and the data collection method is bibliographic research based on content analysis. The lyrical elements of the envisioned poems are love, patriotism, waiting, thanatopsis and martyrdom, and attention to the emotions and feelings of the holy defense poets in later years, among others. The results and findings of the study meant that the elements of the lyrical literature present aspects of the slogan and that they have been notably manifested in the sacred defense literature in the area of the compositions of the studied poets and also that these three poets have been able to exhibit many manifestations of poetic sentiment in his poems about the imposed war.La literatura lírica de Irán y sus elementos han atraído las atenciones de los poetas literarios iraníes desde hace mucho tiempo, de tal manera que se han manifestado en la mayoría de las obras de arte, incluso con temas épicos y teosóficos, así como en la literatura de resistencia y constancia. Los poemas de la defensa sagrada son las representaciones del pensamiento y el sentimiento de Irán en una época de su historia cuyos aspectos emocionales y afectivos son de gran importancia cultural. En este sentido, el presente estudio intenta investigar los indicadores de la literatura lírica en los poemas de literatura de resistencia de tres poetas prominentes en esta área, a saber, Ali Mo’allem Damghani, Qaisar Aminpour y Ali Reza Qazveh. El método de estudio de esta investigación es descriptivo-analítico y el método de recolección de datos es la investigación bibliográfica basada en el análisis de contenido. Los elementos líricos de los poemas previstos son el amor, el patriotismo, la espera, la tanatopsis y el martirio, y la atención a las emociones y sentimientos de los santos poetas de defensa en los años posteriores, entre otros. Los resultados y hallazgos del estudio significaron que los elementos de la literatura lírica presentan aspectos de eslogan y que se han manifestado notablemente en la literatura de defensa sagrada en el área de las composiciones de los poetas estudiados y también que estos tres poetas han podido exhibir muchas manifestaciones del sentimiento poético en sus poemas sobre la guerra impuesta

The manifestation of patriotism and social and political themes in Oriental poems Kashani's

Khavari Kashani, nicknamed Fakhr al-Waizin and the language of Islam, which is one of the titles bestowed on him by Muzaffar al-Din Shah, is one of the poets of the constitutional period whose research on his poems has not been observed. In addition to being a poet, he is a journalist and with his poetry and prose tools, he has patriotic and political poems that show the poet's social commitment. He criticizes the Shah, the courtiers, and the foreign colonizers (Russia and Britain) in a strange way, and his poems on the homeland are among the best poems of the constitutional era. The reflection of many political and social events of this period can be seen in Oriental poetry. Patriotism, xenophobia, critique of moral, cultural and social vices, and freedom-seeking are among the themes found in his poems, which we will address in this article. In most of these cases, he has presented his message and critique by using allegory