Rosalía and Bécquer: intimate Romanticism

The thesis analyses the main themes in Rosalía de Castro's poetry (especially in her collections of poems Cantares gallegos, Follas novas and En las orillas del Sar) and Gustavo Adolfo Bécquer's Rimas, aiming to reveal both similarities and differences between them. First it situates the authors in the historical and literary context of the 19th century and goes on to discuss the major events of their lives that may have influenced their oeuvre. Then it offers detailed analyses of the key themes (love, death, loneliness, pain, nature, daydreaming). Each chapter is devoted to one of these topics and is meant to demonstrate the authors' attitudes to them by closely examining particular passages from their poetry. The last part deals with a comparison of the two poet's views.Práce se zabývá rozborem hlavních témat v básnickém díle Rosalíi de Castro (zejména ve sbírkách Cantares gallegos, Follas novas a En las orillas del Sar) a Gustava Adolfa Bécquera (Rimas), čímž chce odhalit jak podobnosti, tak odlišnosti mezi nimi. Nejprve zasazuje oba autory do historického a literárního kontextu 19. století, poté uvádí životní události, které mohly mít vliv na jejich tvorbu, a dále je kladen důraz na analýzu jednotlivých klíčových témat (láska, smrt, samota, bolest, příroda, snění). Každá kapitola se věnuje právě jednomu a na konkrétních ukázkách rozebírá postoj autora k dané problematice. Nakonec se pohledy básníka a básnířky porovnávají.Institute of Romance StudiesÚstav románských studiíFilozofická fakultaFaculty of Art

Fauna

Bakalářská práce je zaměřena na uměleckou část. Vyobrazuje motiv hmyzu vybranou technikou linorytu s důrazem na kompozici, rytmus a pohyb. Výsledkem výtvarné části je soubor sedmi grafických listů o rozměrech 707 x 1000 mm. Práce se skládá z teoretické části a části praktické. V úvodní teoretické části se orientuji pouze stručně na přehled vývoje českého linorytu. Praktická část popisuje tvůrčí proces grafické techniky, vývoj práce a interpretuje jednotlivé grafické listy.ObhájenoThis bachelor thesis focuses on the artistic part. It portrays insect motifs through the chosen technique by using linocut with emphasis on composition, rhytm, and movement. The result of the artistic part comprises of a set of seven graphical sheets with dimension of 707mm on 1000mm. This piece of work consists of a theoretical and a practical part. In the introductory theoretical part I am focusing only briefly on overview of the development of Czech linocut. The practical part describes the creative process of graphical technique, process of work and it also interprets the graphical sheets

Využitie enologických tanínov a chipsov pri výrobe vína

The final thesis copes with use of oak tannins and wooden chips during the red winemaking. The theoretical part is dedicated to characteristics and division of polyphenolic compounds. In this thesis there are also mentioned different types of tannins and oak chips, their extraction, usage and their impact on wine. Experimental part of the final thesis was focused on practical trial with two red wines and various additions of either oak tannins or wooden chips. One sample from each wine was left without any oak addition. At the end all wine samples were sensory evaluated,using 100 point system and tasters were also focused on structure and mightiness of the wines. Wines were accordingly analytically evaluated, where total polyphenols, catechins, antiradical activity, reducing power and amount of anthocyanins were determined

The Poet and God: the religious post-war poetry in Spain

The thesis analyses religious themes in the poetry of Dámaso Alonso and José María Valverde, who published their most famous collections of poems in the 1940s. First, it shortly presents the literary context and tradition of religious poetry in Spain in the years following the Civil War. The main part analyses religious motifs in the works of the two poets and compares their perspectives. The thesis focuses, in particular, on the theme of God (and his various aspects in the poems) and man and on their mutual relationship. It also explores the faith (and doubts) and the perspectives of life and death. The analysis aims at revealing two tendencies common for both authors: the inclination towards dialogism and thoughts associated with the Bible.Práce studuje náboženské motivy v poezii Dámasa Alonsa a Josého Maríi Valverdeho, publikujících své nejslavnější básnické sbírky ve čtyřicátých letech 20. století. Nejprve uvádí letmé nahlédnutí do literárního kontextu a přibližuje panorama španělské poválečné poezie po občanské válce se zaměřením na náboženskou poezii. Největší pozornost je věnována rozboru konkrétních náboženských motivů v díle obou básníků a srovnání jejich pohledů. Práce se soustředí především na motiv Boha (jakými způsoby a z jakých perspektiv o něm básníci pojednávají), na postavu člověka a na jejich vzájemný vztah. Také se zabývá tématem víry (a pochybností) a pojetím života a smrti. Dále se rozbor snaží ukázat dva jednotící prvky spojující oba básníky a prolínající se napříč motivy: tendenci k dialogičnosti a myšlenkovou provázanost s Biblí.Ústav románských studiíInstitute of Romance StudiesFaculty of ArtsFilozofická fakult

Role kyslíku při výrobě červených vín

The bachelor thesis deals with the importance of oxygen at red wine production. The first chapter is focused on the importance of oxygen, its physically-chemical pro-perties and its importance in the field of viticulture. The second chapter describes ele-mentary compounds originated from grapes. The third chapter concentrates on possible occurrence of various types of oxidation and their influence on final organoleptic pro-perties of wine. The following part of the bachelor thesis describes modern technological procedures used at wine production. The final part is oriented on positive and negative effects of oxygen on wine during the aging process in different types of tanks and classification of wooden barrels

The Poet and God: the religious post-war poetry in Spain

The thesis analyses religious themes in the poetry of Dámaso Alonso and José María Valverde, who published their most famous collections of poems in the 1940s. First, it shortly presents the literary context and tradition of religious poetry in Spain in the years following the Civil War. The main part analyses religious motifs in the works of the two poets and compares their perspectives. The thesis focuses, in particular, on the theme of God (and his various aspects in the poems) and man and on their mutual relationship. It also explores the faith (and doubts) and the perspectives of life and death. The analysis aims at revealing two tendencies common for both authors: the inclination towards dialogism and thoughts associated with the Bible