Pengelolaan Kawasan Industri Berwawasan Lingkungan Di Kota Dumai

Dumai City in playing its role in the future has five strategic industrial areas, namely the Dumai Industrial Area (KID) in Pelintung, Lubuk Gaung Industrial Area, Dock Yard Industrial Area, Bukit Kapur Industrial Area and an Industrial Estate in Bukit Timah. Industrial estate development is one of the means to develop an environmentally friendly industry and provide convenience and attractiveness to invest. This is in line with the mandate in Law Number 5 of 1984 concerning Industry that efforts to encourage industrial development need to be carried out through the construction of industrial locations, namely in the form of Industrial Estates. In order to accelerate the development of industrial estates referred to, the government has issued Government Regulation Number 24 of 2009 concerning Industrial Estates, in which every new industrial company after the enactment of this Government Regulation is obliged to enter Industrial Estates. The basis for consideration requires new industries to enter industrial estates so that the industries built are in the right and correct spatial layout, environmentally friendly, effective and efficient management and facilitate the planning and procurement of the necessary infrastructure. Eco-Industrial Park / Estate is a group of industry and service businesses located in a place where the actors in it jointly improve their environmental, economic and social performance through cooperation in managing environmental and resource issues

COLABORATIVE BADAN PENAGGULANGAN BENCANA DAERAH KOTA DUMAI DALAM MENAGGULANGI KEBAKARAN LAHAN DI KOTA DUMAI

Forest and land fire control is generally carried out through efforts to prevent, extinguish, and handle post-fire carried out at the national level to the level of forest management unit. Fire prevention efforts are carried out through public awareness campaigns; improvement of prevention technology, such as warning and prevention of forest fires, such as reservoirs, green belts, control towers, and others; and software stabilization. The handling of land fire disasters is of particular concern by the central government and regional governments. According to the Ministry of Environment and Forestry (KLHK), based on Landsat satellite imagery up to September 2019, forest and land fires reached 857,755 hectares. For mineral land 630,451 hectares, and 227,304 hectares of peatland. Dumai in 2019 experienced a land deed with a land area of ​​about 192.25 hectares with coverage of the nine river districts, West Dumai, south Dumai, Medangkampai, East Dumai and Bukir Kapur. report from the Dumai City Environment Agency Air Quality Index, Wednesday (18/9) at 07.00 at the level of 500 PSI (695 Pm10 / 698 Pm2.5), dangerous status. Dumai currently has 10 hotspots detected at the 70 percent confidence level, while at the 75 percent confidence level. In accordance with the mayor's regulation number 71 of 2016 concerning the position, organizational structure, duties and functions as well as the work procedures of the Dumai City Regional Disaster Management Agency article 7 point 2, the task of carrying out integrated disaster management includes: 1. Pre-disaster, 2. Emergency response, 3. Post-disaster has not been optimally carried out by disaster management agencies. In order to optimize the handling of land fires in the Dumai City area, the Government of the City of Dumai in particular the Regional Disaster Management Agency seeks in the form of socialization of prevention and suppression of land fires. To realize the handling of land fires, there needs to be collaborative among related institutions, namely the regional government, military, police and other agencies. In the opinion of Ansell and Gash collaborative governance is a process of collaborative activities by regulating a decision in the policy process carried out by several public institutions with other parties involved and directly or indirectly involved with the aim of resolving public problems

The Role of the Riau Province National Unity and Political Agency in Political Education to Increase Voter Participation in the 2024 General Election

In order to make general elections and regional head elections in Indonesia a success, the role of all stakeholders is needed. The democratic festival, which is held every five years in Indonesia, is very crucial for the development and progress of the Indonesian nation. In this research, the author focuses on the role of the national and political unitary body of Riau Province in carrying out its authority in the political field related to political education for the voting public. Political education is to increase people's knowledge so that they can participate optimally in the political system. Based on 2019 Election data, Riau Province is ranked 10th in the Permanent Voter List with 3,863,197 voters, while the largest number of voters is in West Java Province. From the Provisional Voter List data, there was an increase of one million voters in Riau Province, namely 4,740,392 voters. The importance of political education for the community is to provide information and education related to General Elections and Regional Head Elections, increase voter participation and make voters smart in voting. The aim of this research is to see the role of the Riau Province National Unity and Politics Service in educating voters and find out the inhibiting factors in implementing the authority of the Riau Province National Unity and Politics Service. The method and type of this research is Qualitative Descriptive. The technique for attracting informants uses a proportional sampling technique and data collection techniques in this research are interviews, observation, literature study and documentation. The benefits of this research are as reference material both for the development of knowledge in the field of politics and for government administrators in increasing participation for the voting public and educating voters

PENERAPAN GOOD GOVERNANCE DI KECAMATAN MARPOYAN DAMAI KOTA PEKANBARU (Studi Kasus Pada Pelayanan Pertanahan)

Implementation of good governance is an absolute necessity in the administration of government including the district government. Kecamatan as a Local Device has a very strategic role as the spearhead of service and barometer of Public service delivery. Locus research in Sub Marpoyan Damai Pekanbaru with focus on land service. Using three dimensions of good governance implementation developed by B.C. Smith (2007) includes accountability, transparency, and legal certainty as a knife analysis to look at empirical problems. The research method used is qualitative research. Based on research in the field can be concluded that the implementation of good governance in the service of land in the District Marpoyan Damai Pekanbaru City still not done well. This can be seen from the dimensions of accountability are still found weaknesses are uncertainty of service time, lack of discipline of employees, and still found injustice treatment between the general public with family or employee acquaintances. The transparency dimension is found in the field of some weaknesses among others the weakness of the disclosure of the availability of information to the public, this is due to the supporting facilities such as information boards, SOP flow, and the high volume of land service management in Marpoyan Damai District Office recorded in 2015 to 2016 640 letter. Even the Sub-district stated that they need training because the limited number of employees who understand the land rules is also a problem. While the dimensions of the rule of law are quite good, it's just that the problems come from people who do not understand SOPs and regulations related to land

“STROKE WATCH”, JAM PENDETEKSI DINI STROKE, STUDI KASUS PASIEN STROKE PADA RUMAH SAKIT KARYADI SEMARANG

Hasil survey dari Badan Penelitian dan Pengembangan Kesehatan (Balitbangkes) Kementrian Kesehatan (Kemenkes) tahun 2013 menunjukan, penyakit stroke menempayi urutan teratas penyebab kematian. Stroke merupakan penyakit yang tidak menular, namun mampu menggantikan penyakit menular seperti HIV AIDS dan TBC. Kondisi ini sangat berkaitan dengan gaya hidup seperti diet yang tidak sehat, tekanan darah tinggi dan perilaku merokok. Indonesia merupakan Negara dengan jumlah pasien stroke terbesar se-Asia. Berdasarkan yayasan troke Indonesia, saat ini 1 dari 6 orang menderita stroke dan hamper setiap 6 detik seseorang meninggal karena stroke. Stroke umumnya disebabkan oleh pecahnya pembuluh darah. Faktor resiko terjadinya stroke adalah penderita hypertensi, diabetes, obesitas, kadar lemak darah yang tinggi. Bahkan rentan usia produktif dan lanjut, yaitu antara 15 hingga 60 tahun. Ada 5 hal yang bisa dijaga stabilitasnya, yaitu tekanan darah, gula darah, indeks masa tubuh, kolesterol, dan lingkar tubuh yang terkontrol. Stroke terjadi, jika tekanan darah sudah mencapai 120/80 mmHh, atau kadar kolesterol total yang lebih tinggi dari 20mg/dL atau 5,2 mmol per liter. Seharusnya, stroke dapat diantisipasi, jika ada piranti realtime yang mampu mengukur tekanan darah dan kadar gula darah setiap saat dan setiap waktu secara portable. Harapan baru bagi penderita stroke, stroke watch merupakan jam tangan pendeteksi stroke yang memberikan peringatan dini bagi penderitanya. Sistem stroke watch dibentuk dengan menggunakan jam digital yang dilengkapi dengan sistem mikrokontroller untuk pengolahan data sistem pengenalan pola. Pada dasarnya alat ini menggunakan 2 sensor untuk mendeteksi tekanan darah dan kadar gula darah. Angka hasil dari kedua sensor akan dimasukan kedalam sistem pengenalan pola pada mikrokontrol jam tangan, lalu akan mengeluarkan alarm, jika batas normal dari keduanya terlampaui. Dengan penelitian ini diharapkan dapat digunakan sebagai alat bantu portable untuk deteksi dini stroke

Markers of Post-conceptual Painting in Bandung Contemporary ARTS (a Case Study on Errata-optika Exhibition

Painting in its development has undergone various criticisms both of the medium and its conceptual substance. Currently painting is widely regarded as mere representation strategy. This study tries to see and tracing the paradigm shift in the era of contemporary painting, conceptual expansion, particularly the use of optical devices in its creation. Case study in this research is an exhibition in 2007 entitled Errata-Optika that was believed to be an important milestone paradigm shift in contemporary painting. This study used qualitative methods to approach the criticism and the study ofliterature on the history of painting to contemporary era. Observation was carried out as a method of collecting data from the exhibition Errata-Optika. The exhibition featured seven artists and twenty-two paintings that used optical devices in its creation method

THE 6TH INTERNATIONAL SEMINAR ON NUSANTARA HERITAGE

WELLCOMING SPEECH BUILDING CULTURE CREATING NATION’S PERSONALITY Wellcoming Speech By I Gede Arya Sugiartha Rector of ISI Denpasar The socio-cultural problems that challenge our nationality have penetrated into public space. Ranging political, economic, educational, health, to humanity these problems have become an issue that can be clearly seen and freely witnessed through the mass media. The occurrence of tragedies such as the SARA conflict, armed conflict, the disintegration of our nation and the increasing presence of terrorism networks mark our nation as a “danger area” that can threaten everyone here at any time. In the past, our country was a highly developed and glorious geographical and political area often described as the “tata tentrem karta raharja” or “the kingdom of peace" The success stories of the Sriwijaya Kingdom, the Majapahit Kingdom uniting our nation, the birth of various works, such as Borobudur, Prambanan, and Angkor Wat showcase the world of wonder that is our nation. This is a proof that this nation is a safe place that gives artists an opportunity to thrive and produce new works. Today, we have to explore the true meaning of success and the birth of archaeological wonders that are inherited to us through this nation. KEYNOTE SPEAKER’S ABSTRACT FOOTPRINTS, TRAILS AND EXPLORE (EARTHLY) NUSANTARA FINE ARTS Setiawan Sabana Institut Teknologi Bandung [email protected] INTRODUCTION The echoes of the terminology, the concept and practice of Nusantara culture were heard and felt increasingly expressed relentlessly in various forums, whether of political dimension, historical, educational, science and technology, to arts and culture. This movement is emerging in various formats. In the academic realm, there is an ongoing effort to understand and deepen the Nusantara in researches in various universities. Great attention to the excavation of the values and meanings of Nusantara today becomes a colossal event. It can be seen and interpreted as a revitalization of consciousness to tread, trace and explore the civilization and culture that became the foundation and the significant life breath in the geographical region in the Southeast Asian populations which are administratively within ASEAN. The Nusantara echo is enlarged in the region in its form, discourse, expression and terminology. In essence, this monumental consciousness, in my opinion, is synonymous with a new awareness of the importance of awakening the facts and the reality of identity around ourselves. The range of a long and distinctive journey is unique in the context of the natural terrain, culture and civilization, and its products are different from other regions of the world. BRIDGING INFORMAL, NON-FORMAL AND FORMAL EDUCATIONAL APPROACHES TO SUPPORT THE ARTS, CULTURAL HERITAGE DIVERSITY, AND SOCIAL COHESION Diane Butler Assoc. Professor Kajian Budaya Doctoral Studies Program, Universitas Udayana (USA/Indonesia) Given that across the Nusantara region there are thousands of sacred natural and built heritage structures and sites and a multitude of forms of tangible and intangible cultural heritage – it is vitally important that young people can receive practical knowledge and tools so as to enable them to take part in “the identification, protection, presentation and interpretation of heritage structures, sites or areas in their setting” (see ICOMOS, 2005 Xi’an Declaration). The social reality of people from various ethno-cultural backgrounds with diverse languages and religious practices residing in, visiting or journeying through all regions of the world also requires strengthening skills for cooperation and the capacity for intercultural creative dialogue. Aware of the linkage between these two matters, the question that needs addressing is how can artists – both tradition-bearers and contemporary practitioners – and experiential learning through art praxis continue to have a prominent role in the field of heritage preservation and the shaping of cultural environments for the future. This paper thus takes up the topic of bridging informal, non-formal and formal educational approaches to support the arts, cultural heritage diversity, and social cohesion. Keywords: informal, non-formal and formal education; art praxis; tangible and intangible cultural heritage diversity; social cohesion [email protected] ABSTRACT GLOBAL SHOCK AND NUSANTARA HERITAGE Jean Couteau Assoc. Professor Indonesian Institute of The Arts of Denpasar France/Indonesia [email protected] INTRODUCTION There are several ways to interpret the theme of this conference: Nusantara Heritage. I choose to appoint, not the content of the inheritance itself, in all of its riches, but what sees as its problematic "survival" implicit in it: how to build and preserve a nation, and a country that is truly united and unified, although consist of components that are often very different from each other? At the level of its citizens, how to get Indonesians to construct their identity in a balanced way between several layers: the national, ethnic and religious layer, in order for their unity to remain firm. This problematic has actually been present in the dialectics of the symbolic-ideological system of Indonesia since the formulation of Indonesian concepts: politically in the Sumpah Pemuda of 1928 and in the speeches of Sukarno and the founders of other nations; culturally in the writings of Ki Ajar Dewantara; and normative ideologically within Bhinneka Tunggal Ika, Pancasila and related symbolic systems. This fact makes Ben Anderson formulate the concept of nationalism as an "imagined community". This problem also overshadows the writings of Radhar Panca Dahana and Azyumardi Azra (Islam Nusantara). BUILDING VIRTUAL FOUNDATION THROUGH UTILIZATION OF THE NOBLE VALUES OF NUSANTARA’S CULTURAL HERITAGE. I Wayan Rai S Indonesia Institute of Art and Culture (ISBI) Tanah Papua, Jayapura. [email protected] ABSTRACT In accordance with the theme of The International Seminar on Nusantara Heritage (ISoNH) 2017, which is “Nusantara’s Cultural Arts Diversity as Inheritance Source of Tolerant and Inclusive Society’s Development Values” I would like to deliver a paper entitled: “Building Virtual Foundation Through Utilization of the Noble Values of Nusantara’s Cultural Heritage”. Specifically I want to discuss about the noble values that are contained in Nusantara (Indonesia) cultural heritage which are relevant to be utilized universally as a source of inspiration and tolerance. In order for us to use them as a source of inspiration and tolerance, it is necessary to build a solid foundation, which I call the "Virtual Foundation". As an illustration, I use a new art creation entitled Kecak Rasa Papua Dance (Kecak with Papua Taste Dance), produced in 2015 at ISBI Tanah Papua, Jayapura. The purpose of this work is in line with the theme of our international seminar today, which is how to build a sense of togetherness ARTS APRECIATION BASED ON THE PRINCIPLE OF ETHNOMATHEMATICS Abdul Halim bin Husain, Rushana Bte Sulaiman @ Abd. Rahim Sultan Idris Education University [email protected] INTRODUCTION This paper is on arts via ethnomathematic approaches. The arts focused include, weaving, fine arts, textiles, carvings, and architecture. The study analyzes the mathematical principles found in each chosen work. The beauty of patterns and motifs can be seen through geometric designs. Visual observation is done to extract information on the relationship between arts and mathematics. The results of observation through the beauty of art work is expected to show its beauty from ethnomathematic aspects. This study is able to extend the boundaries of appreciation especially in the arts, based on ethnomathematic features in general. Early 1970s the national cultural congress in Malaysia has raised questions about national identity. The congress felt it is necessary to be aware of some elements to symbolically identify the national culture and the background of society. The background of the Malay community was influenced by the culture and the paradigm of thinking. A rich heritage of culture and customs enabled them to build their traditions from the foreskin of thought and inherited philosophy. THE PAST, PRESENT, AND FUTURE OF NUSANTARA HERITAGE: FOCUSING ON THE RELIGION AND CULTURE IN BALI Shinobu Yamaguchi Professor, Department of Eastern Philosophy and Culture, Toyo University, Tokyo, Japan [email protected] ABSTRACT Śiwa-Buddha is the basic concept in the present Balinese Hinduism originated in old Java. In India, the concept of Śiva-Buddha was not born. Thus, this concept is a characteristic of Balinese Hinduism. We can see the examples of this concept in some Javanese and Balinese temple-architectures and statues. And another feature of Balinese Hinduism, namely, ancestor worship is the result of absorption of indigenous element by Indian religions. Those two elements are the important characteristics of Balinese Hinduism as a Nusantara heritage. Now Indonesian people confront with the modernization or globalization. I don’t think the people should abandon their traditional society and culture due to globalization. However, I think that people should judge the order of priority in every social and cultural element, thinking their nation, Indonesia first. We should examine the meaning of ‘Nusantara’ again in modern context. Keywords: Siwa-Budha, Nusantara Heritage, Meaning of ‘Nusantara’, Religion and Culture PARTICIPANT’S ABSTRACT VISUAL ARTS OF PREHISTORIC SOCIETY BASED ON THE MOTIF AND SYMBOLISM ON CAVE PAINTING IN PENINSULAR MALAYSIA Adnan Jusoh, Yunus Sauman & Mohamad Kamal Kamarudin Universiti Pendidikan Sultan Idris (UPSI) [email protected] ABSTRACT This paper aims to explore the uniqueness of prehistoric society visual arts on motif sketches and cave paintings. A number of such paintings were found in Peninsular Malaysia, nevertheless they are less known by the public. The uniqueness of the arts that exhibit multiple shapes and motifs yet is very interesting to be displayed to the public knowledge. Therefore, using books and journals, this article attempts to analyse several aspects of the cave paintings. Cave painting should be viewed as part of visual art that needs to be analysed from the sociocultural activities of the prehistoric societies or the Orang Asli societies in several parts of Peninsular Malaysia. Human, animal and nature sketches are among the elements of motifs and ornamentation found on the cave paintings. They are not a product of individual creativity alone, but they capture the reality of the events, social activities, rituals and beliefs of the societies. In short, evidence suggests that cave art has contributed in giving up information of the sociocultural activities during that era. Keywords: Visual Arts, Prehistory, Motifs, Sociocultural Activities, Cave Paintings THE SERAT NITIK BAYUNAN: THE DISCOURSE OF ASCETICISM JAVANESE WOMEN IN THE PATRIARCHAL CULTURE HEGEMONY Afiliasi Ilafi, Adi Putra Surya Wardhana Universitas Sebelas Maret afiliasiilafi60@ student.uns.ac.id ABSTRACT Javanese society adheres to patriarchal culture. Social and cultural constructions place the power and status of Javanese women under men domination. However, there are ancient manuscripts that show that Javanese women have a great social role. One of them is the Serat Nitik Bayunan which tells the story of a princess’s decision to be celibate. It means that she obedient the asceticism principle which is known as Mesu Budi in Javanese term. Therefore, this paper has several goals. The first is to find out what is the content of the Serat Nitik Bayunan? The second is how the discourse of asceticism Javanese women constructed in the middle of the patriarchal culture hegemony. This paper used qualitative data analysis, by using the Michel Foucault’s discourse as main theory and feminism approach. The result shows that the Serat Nitik Bayunan is an ancient manuscript which was written in the circa 1911 AD to glorify G.K. Rt Pambayun as Princess of Keraton Surakarta, Paku Buwana VII. Her decision was not easy due to the purpose of the princess to be married as a political pawn. It shows that a princess and Javanese women have an immense social role in the patriarchal culture. However, this discourse actually was built to empower the standing of the Sultan of Surakarta. Keywords: Serat Nitik Bayunan, Discourse, Asceticism, Javanese Women THE POTENCY OF SANG HYANG PERAHU DANCE TO BE THE CULTURAL AND SPIRITUAL ATTRACTION IN LEMBONGAN VILLAGE, NUSA PENIDA, KLUNGKUNG REGENCY Agus Muriawan Putra, I Ketut Antara Universitas Udayana [email protected], ABSTRACT The purpose of this research is to know the potential of Sang Hyang Perahu Dance to be the cultural and spiritual attraction in Lembongan Village which is a sacred dance, so this dance remains a culture belonging to Lembongan community as part of religious ritual and keeps its sacredness as Wali Dance. Data were collected using Focus Group Discussion and Interview, Field Study, and Library Studies. The results of this research are: (1) To know the potential of tourism in Lembongan Village; (2) Sang Hyang Perahu Dance profile and its sacred song series; and (3) The effort to awaken Sang Hyang Perahu Dance as the cultural heritage of the Lembongan Ancestors. Keywords: Cultural Potential, Wali Dance, Ritual Process, Tri Hita Karana MYTHS IN SUNDANESE AND JAPANESE CULTURE: CONSERVATION VALUE OF HARMONIZATION IN MODERN LIFE Agus Suherman Suryadimulya, Asep Yusup Hudayat Universitas Padjadjaran [email protected] ABSTRACT The understanding of the traditional cross-cultural values (Sundanese and Japanese culture) embodied in myths is essential to achieving international harmony among modern-day nations. Language as a binder of ideas, attitudes, and cultural behavior to represent the power of the expression of the myths that survive in the Sundanese and Japanese culture. Kaplan and Manners (2002: 79- 81; 165-169) argue that in interpreting the belief system it is necessary to do complementary cognitive equations rather than displace other interpretations and keep in mind the meanings expressed by the citizens who own the belief system. Based on these interpretive mechanisms, Sundanese and Japanese cultures potentially still show some community attachment to myth for a number of activities that are bound by their natural and social environment. This study targets a mythical scheme in consciousness quadrant. The scheme model is designed systematically and functionally to be used as a reference in optimizing the understanding of the myth in the perspective of traditional beliefs that have value to modern life. Keywords: Myths, Sunda-Japan, Modernity, Conservation DISCOURSE OF THE HEALING DISEASE THROUGH LOCAL TREATMENT ‘MALUKAT’ IN BALI Anak Agung Kade Sri Yudari Universitas Hindu Indonesia [email protected] ABSTRACT Consecration sources of springs by the Hindu community in Bali since a long time has been done. As time passes and the progress of society's way of thinking, the source of water is used as a place of purification known as 'malukat'. The discourse about malukat rampant discussed by society ten years lately because functioned as a solution of healing all sorts of diseases. This phenomenon is followed by the number of malukat spots popping up even its existence almost every district in Bali. Usually in places like malukat; River, sea, lake, campuhan, pancuran, kelebutan, and others established a 'palinggih' and adjacent to the temple. The focus of analysis in this paper; Why malukat discourse as a solution to cure diseases and how the process of malukat that can cure disease. With the orientation of structural-functional theory which is elaborated through descriptive-qualitative method the results can be summarized as follows; That malukat is a local wisdom that has a very deep message of philosophy and meaning, as it appears in the Vedic texts. In its implementation in the society of malukat is seen as a solution because it’s meaning and its function has been proven to cure various kinds of illness of birth and soul. While the proce