203 research outputs found
Geld hat keine Tugend : eine anthroplogische Betrachtung
Gier, Geiz, Großzügigkeit: Geld steht sowohl dem Laster als auch der Tugend zu Diensten. Für sich genommen ist Geld daher ein "ethisches Neutrum". Die eindeutige Zuordnung geldgebundenen Handelns und Verhaltens als Laster oder Tugend fällt darum nicht immer leicht: Gier kann in mitmenschliche Neugier umschlagen und Sparsamkeit in einen inhumanen Geiz, der sich für den Gipfel der Tugend hält. Wenn es einen ethischen Sinn des Geldes gäbe, wäre es dieser: es sich leisten zu können, großzügig zu sein
The Music of Thinking: A Literary Experiment with the Great Themes of Philosophy
In his book Theorien (Frankfurt am Main: S. Fischer, 2009) Martin Seel presents a philosophical and literary experiment in which he desists from introducing a single grand theory in favour of offering a number of smaller theories. In an aphoristic manner these personal and poetic observations are linked to rigorous reflections on the classical themes of human selfunderstanding: happiness and morality, failure and beauty, sickness and death, sense and understanding, knowledge and freedom, religion and music. Staying clear of disciplinary formations, the author shuffles the cards of epistemology, ethics and aesthetics in order to address philosophy as a whole without extinguishing its fire within the confines of a systematic edifice. This collection of shortcuts can be read from beginning to end, or backwards, or starting in the middle; as a reflection on thinking; a play with the voices of passion; a variation on foundations and pitfalls of action; a defence of the indeterminate in all that is determinate; as a fragment of a prosaic confession. These heterogeneous gestures unfold an improvised text that tracks the uncertainties of life and of writing. This text is an excerpt from the book, published in Die Zeit no. 37, September, 2009
Landscapes of Human Experience
Landscapes of Human Experience, PDF download. This essay begins with some observations concerning the interaction between nature and art. Relying on these reflections, in the second part experience of landscape will be interpreted as a model for the human stance within the natural as well as the historical world. In the third part some consequences for an ethics and politics of saving the conditions for individual as well as social well-being will be drawn
Architekturen des Films
Wissenschaftliches Kolloquium vom 19. bis 22. April 2007 in Weimar an der Bauhaus-Universität zum Thema: ‚Die Realität des Imaginären. Architektur und das digitale Bild
The Ethos of Cinema
The history of film has always been accompanied by a theoretical debate over its artistic potential. In the works of many theoreticians, more or less explicit anthropological speculations have played a significant role, focusing on the relation between cinema and formerly dominant modes of perception and living. Against this background, this paper addresses the position of film within the arts, and thus also the position of this art form vis-à-vis the role of art in relation to the human condition. One essential characteristic of films is that they are capable of bringing their audience into a specific state of being moved by what makes them move. Films have the potential to articulate an attitude of active passivity, which neither the other arts nor philosophy can mobilize in the same way
Architekturen des Films
Wissenschaftliches Kolloquium vom 19. bis 22. April 2007 in Weimar an der Bauhaus-Universität zum Thema: ‚Die Realität des Imaginären. Architektur und das digitale Bild
Beauty – A Brief Conceptual Journey
The first part of the essay deals with four dimensions of aesthetic attraction in an attempt to provide a notion of beauty that is rich and robust enough to apply to different sorts and objects of aesthetic praise, including the productions of modern and contemporary arts. The second part confronts this apology of beauty with a number of test cases such as the ugly, the horrible and the sublime, including a discussion of putative couterexamples such as the films of Michael Haneke and the novels of Imre Kertész
Iscenesættelse som tilsynebringelse
In »Staging as appearing-making« (originally: »Inszenieren als Erscheinenlassen«, 2001) Seel presents an understanding of staging, including a compact definition of the concept, by which he demarcates it as a special aesthetic phenomenon that nevertheless is not reserved for the art or the theatre alone
Upper limits on the strength of periodic gravitational waves from PSR J1939+2134
The first science run of the LIGO and GEO gravitational wave detectors
presented the opportunity to test methods of searching for gravitational waves
from known pulsars. Here we present new direct upper limits on the strength of
waves from the pulsar PSR J1939+2134 using two independent analysis methods,
one in the frequency domain using frequentist statistics and one in the time
domain using Bayesian inference. Both methods show that the strain amplitude at
Earth from this pulsar is less than a few times .Comment: 7 pages, 1 figure, to appear in the Proceedings of the 5th Edoardo
Amaldi Conference on Gravitational Waves, Tirrenia, Pisa, Italy, 6-11 July
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Improving the sensitivity to gravitational-wave sources by modifying the input-output optics of advanced interferometers
We study frequency dependent (FD) input-output schemes for signal-recycling
interferometers, the baseline design of Advanced LIGO and the current
configuration of GEO 600. Complementary to a recent proposal by Harms et al. to
use FD input squeezing and ordinary homodyne detection, we explore a scheme
which uses ordinary squeezed vacuum, but FD readout. Both schemes, which are
sub-optimal among all possible input-output schemes, provide a global noise
suppression by the power squeeze factor, while being realizable by using
detuned Fabry-Perot cavities as input/output filters. At high frequencies, the
two schemes are shown to be equivalent, while at low frequencies our scheme
gives better performance than that of Harms et al., and is nearly fully
optimal. We then study the sensitivity improvement achievable by these schemes
in Advanced LIGO era (with 30-m filter cavities and current estimates of
filter-mirror losses and thermal noise), for neutron star binary inspirals, and
for narrowband GW sources such as low-mass X-ray binaries and known radio
pulsars. Optical losses are shown to be a major obstacle for the actual
implementation of these techniques in Advanced LIGO. On time scales of
third-generation interferometers, like EURO/LIGO-III (~2012), with
kilometer-scale filter cavities, a signal-recycling interferometer with the FD
readout scheme explored in this paper can have performances comparable to
existing proposals. [abridged]Comment: Figs. 9 and 12 corrected; Appendix added for narrowband data analysi
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