268 research outputs found

    2014 Lecture Series Program - Public Events, Private Lives: Literature and Politics in the Modern World

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    Sir Salman Rushdie is one of the most celebrated authors of our time—of any time. A brilliant provocateur, he’s penned a handful of classic novels, influenced a generation of writers, and received a Queen’s Knighthood for “services to literature.” He stands as both a pop culture icon and one of the most thought-provoking proponents for free speech todayhttps://digitalcommons.otterbein.edu/vernonpack/1003/thumbnail.jp

    ElkĂ©pzelt szĂŒlƑföldek

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    La branca daurada

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    Imagined and imaginary whales: Benedict Anderson, Salman Rushdie and George Orwell

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    George Orwell, anticipating many of the arguments made by Benedict Anderson in the “Patriotism and Racism” chapter of Imagined Communities, illuminated patriotism and nationalism as shifting aspects of a wider dialectical interplay between an identification with imagined communities and a loyalty to humanity. Orwell's essay “Inside the Whale” can be seen, contrary to Salman Rushdie's criticism that it advocates quietism, as an essay about imaginary homelands. In this reading the whale is a metaphor for a dialectical space created by a writer in order to gain purchase on the unceasing dialectic of history. Analysis of The Lion and the Unicorn in this article links Orwell's work with that of Anderson and Rushdie by exploring in his vision of a classless England the relationship between the personal imaginary homeland and the political imagined community

    Dr. Balachandra Rajan: From India to Canada, Fragments in Search of a Narrative - In Memoriam

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    A heartfelt memorial piece for Dr. Balachandra Rajan, an Indian diplomat and poetic scholar, written by Teresa Hubel. Introduction: While preparing to write this tribute to Dr. Balachandra Rajan, I found myself wondering what in his eminent life I should be recalling for your benefit. Which events or personal preferences, habits, gestures, or even political commitments and publications can be tallied up to create some kind of coherent narrative that conveys the gist of him? The dilemma is that, when it comes to Dr. Rajan (who in my memory can never be remembered as anyone other than Dr. Rajan, not Balachandra or Dal, as he was known by his friends here), the details I could cobble together to create the gist that he was to me arc, I expect, different from what others might gather, others who have also known him, respected him, and loved him, as I did, and who, like me, found their lives changed by him. I suspect that his colleagues in Milton scholarship and in his department at the University of Western Ontario are better able to describe his public side: his many professional achievements, for instance, and all his theoretically diverse and numerous publications. It seems to me that, because I spent so much time apparently idly talking with Dr. Rajan in the last twenty years or so, mostly about his life and the people whose lives mattered to him and about India, a country that partially defined him and also often annoyed him and the fascination for which brought us together initially and then many, many times afterward it would make sense for me to linger awhile over the decisions he made that brought him, finally, to London, Ontario, Canada. The man who impressed me was somewhere in those decisions

    'Ain't it a Ripping Night': Alcoholism and the Legacies of Empire in Salman Rushdie's Midnight's Children.

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    In the era of decolonisation that followed the Second World War, various authors sought to engage with India and the Empire’s past anew throughout their novels, identifying medicine and illness as key parts of Imperial authority and colonial experience. Salman Rushdie’s approach to the Raj in Midnight’s Children (1981) focused on the broad sweep of colonial life, juxtaposing the political and the personal. This article argues that Rushdie explores the history of colonial India by employing alcohol and alcoholism as lenses through which to explore the cultural, political and medical legacies of Empire. Through analysis of Midnight’s Children as well as a range of medical sources related to alcohol and inebriation, it will illustrate how drinking is central to Rushdie’s approach to secular and religious identities in newly independent India, as well as a means of satirising and undermining the supposed benefit that Empire presented to India and Indians
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