Florida Board of Bar Examiners re Groot, 365 So. 2d 164 (Fla. 1978); Florida Board of Bar Examiners v. G.W.L., 364 So. 2d 454 (Fla. 1978)

Constitutional Law-FLORIDA BAR ADMISSION RULE REQUIRING GOOD MORAL CHARACTER DOES NOT DEFEAT THE PURPOSE OF THE FEDERAL BANKRUPTCY ACT IN VIOLATION OF THE SUPREMACY CLAUSE OF THE UNITED STATES CONSTITUTIO

The metaphor of the city in the Book of Revelation : a ̀textual image' and incentive for imagination

The Metaphor of the City in the Book of Revelation A 'Textual Image' and Incentive for Imagination And I saw the city, the holy one, the New Jerusalem, coming down out of heaven from God, prepared as a bride, made beautiful for her husband. And I heard a great voice from the throne saying: "See, the home of God is among human beings, he will live with them and they will be his people and he himself, God, will be with them and be their God. (Rev 21:2-3) Throughout history, the vision of a new city, the heavenly Jerusalem coming down from heaven has inspired human beings to dream about community, society, the world. It has been an incentive to turn unsatisfied longing into utopian idea and ultimately action. The fact that the language of the Apocalypse can inspire human imagination in a highly effective manner certainly contributed to the book's controversial role in the history of New Testament interpretation. The bizarre, often- paradoxical language seems to veil rather than reveal its message. Interestingly, the book never ceased to be an inspiration for artists. It is the thesis of this study that the text embedded world of the Apocalypse can impel the reader or audience into a new understanding of world and cosmos in a manner similar to visual arts. In contrast to conceptual language, art does not confine interpretation but opens space for imagination. Using artistic expression as paradigm therefore offers considerable insights regarding the striking language in the Apocalypse. In this context, a central image, the city as it appears most prevalent in Rev 1:19-3:22; 17:1-18:24 and 21:1- 22:5 is analysed as metaphorical material, which carries the power to incite the reader/audience to create mental images. To imagine provides a vital step in a dynamic interpretive process of understanding in which significant aspects of the metaphor of the city become textual visuality

Determination of Ras-GTP and Ras-GDP in patients with acute myelogenous leukemia (AML), myeloproliferative syndrome (MPS), juvenile myelomonocytic leukemia (JMML), acute lymphocytic leukemia (ALL), and malignant lymphoma: assessment of mutational and indirect activation

The 21-kD protein Ras of the low-molecular-weight GTP-binding (LMWG) family plays an important role in transduction of extracellular signals. Ras functions as a ‘molecular switch’ in transduction of signals from the membrane receptors of many growth factors, cytokines, and other second messengers to the cell nucleus. Numerous studies have shown that in multiple malignant tumors and hematopoietic malignancies, faulty signal transduction via the Ras pathway plays a key role in tumorigenesis. In this work, a non-radioactive assay was used to quantify Ras activity in hematologic malignancies. Ras activation was measured in six different cell lines and 24 patient samples, and sequence analysis of N- and K-ras was performed. The 24 patient samples comprised of seven acute myelogenous leukemia (AML) samples, five acute lymphocytic leukemia (ALL) samples, four myeloproliferative disease (MPD) samples, four lymphoma samples, four juvenile myelomonocytic leukemia (JMML) samples, and WBC from a healthy donor. The purpose of this study was to compare Ras activity determined by percentage of Ras-GTP with the mutational status of the Ras gene in the hematopoietic cells of the patients. Mutation analysis revealed ras mutations in two of the seven AML samples, one in codon 12 and one in codon 61; ras mutations were also found in two of the four JMML samples, and in one of the four lymphoma samples (codon 12). We found a mean Ras activation of 23.1% in cell lines with known constitutively activating ras mutations, which was significantly different from cell lines with ras wildtype sequence (Ras activation of 4.8%). Two of the five activating ras mutations in the patient samples correlated with increased Ras activation. In the other three samples, Ras was probably activated through “upstream” or “downstream” mechanisms

Divan Japonais: Toulouse-Lautrec and Japanese Art

The French nineteenth century artists Henry Toulouse-Lautrec (1864-1901) is known for his distinctive style and bold character portraits of the theatrical scene of the gaslight era in Paris. The paper examines some of the formative influences of eighteenth century Japanese art on the development of visual characters, with specific focus on a lithograph entitled Divan Japonais. Alluding to the refined representation of Japanese courtesans, subtle nuanced reminiscences to an ideal of elegance create an allusion to highly respected courtesans in the Japanese ‘Green Houses’ of the Asian Yoshiwara the famous “Good Luck Meadow” in Edo, present day Tokyo. I argue that Lautrec draws on techniques in Asian art, effectively creating a visual language that suggests a carefully crafted reevaluation of values. Lautrec’s visual language promotes sensibilities characteristic for a Japanese aesthetic and lifestyle that are also intrinsic to a traditional cultivation of moral virtues in Asia. The argument will be developed in conjunction with an analysis of diverse forms of visual language apparent in two works of Lautrec, a print by the Japanese artist Kitagawa Utamoro (1753-1806), and a photo of the dancer Jane Avril (1868—1943)

Experience Does Not Err (Leonardo Da Vinci) - Artwork as a Mirror of Nature

The relation between seeing, knowledge, and language has concerned philosophers and artists throughout history. The current article examines the relation between word, image, and knowledge in some prominent Renaissance artworks. It is argued that the shift from revelatory truth in the word to evidence in “seeing the real” as Leonardo da Vinci (1452 -1519) argues in his writings, marks a moment in history in which the human being takes center stage as the interpreter of knowledge. In the search for perfect proportionality and beautiful harmony, Renaissance artists, therefore, did not just create an aesthetic dimension yet were central in a process leading to a reevaluation and alternative modes of knowledge about the human being

Art of Life: Gauguin’s Language of Color and Shape

Friedrich Nietzsche, the nineteenth century philosopher (1844 -1900), whose works speak of his unyielding search for an art of life, warns of the serpent’s promise, a promise that according to Genesis 3 foreshadows tribulations. On the stage of life the promise to know, to know as a subject that actively grasps the world, is an alluring, call, one that permits free spirits to explore and design life as a work of art beyond the confines of the herd. A changing role of the knowing and imagining subject in the nineteenth century enticed philosophers and inspired artists, unleashing their creativeness to explore new modes of writing and painting. Employing imagination to remodel experience, creating a second nature out of material supplied by it by actual nature emerges as the trademark of the artist, often called a genius. Yet as Nietzsche warns, knowledge’s promise to find Paradise is whispered by serpents. This article will follow the French artist Paul Gauguin (1848-1903) in his pursuit of knowledge in a number of his paintings. It is argued that this search for the tree of knowledge, while holding the promise of Paradise, is paved with questions, uncertainties, and visions about human existence explored by Gauguin in a unique language of colorful paintings and artworks

Setting the Word into Motion: Textual Visuality in the Bible Moralisée, Vienna Codex 2554

This article examines the relation between the biblical Word and visuality in one of the surviving early thirteenth century manuscripts of the Bible moraliseé, the codex Vindobonensis 2554 today housed in Vienna. The analysis focuses specifically on the relations between word and visuality. The goal is to investigate the vitality that may set the Word into motion. It is argued that the matrix of textual visuality in the Vienna codex 2554 is used as an effective tool that adds vitality to the biblical passages while simultaneously creating a firm hierarchy of representation and resemblances that enforces not only certain norms but also a particular world order in 13th century French society