207 research outputs found

    Manipulating the Hype: contemporary art's response to media cliches

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    Manipulating the Hype addresses art’s reaction to the barrage of signs produced by the media. The paper researches contemporary art’s response to clichéd media stereotypes and elucidates artists’ multifaceted perspective on overtly obvious yet widely embraced paradigms marketed by the media. Contemporary art’s strategic reconfiguration of media stereotypes is a valuable introspection upon the superficiality and impracticability of advertising and entertainment industry constructs. By reconsidering the mediated image, art has the ability to inspire reevaluation of cultural values. The thesis additionally attempts to ascertain the reinterpretation of media stereotypes as a common thread linking principal art movements and historically significant artworks from around the world since 1960. How does contemporary art respond to the extensive cultural influence of the media? Is a reaction to mass media a thematic commonality linking contemporary artists in the age of globalization? Manipulating the Hype is a dual outcome investigation comprised of written thesis and studio practice. The written thesis combines experience from a lengthy professional practice with historical and theoretical research. The visual thesis consists of twelve photographic works taken at on the Big Island of Hawaii. The images juxtapose artificial icons of power from popular culture with the natural force of the active lava flow. The process of research discloses how the advertising and entertainment industries capitalize upon innate human desires through the manipulative proliferation of archetypal imagery. Furthermore, the thesis establishes the widespread retort to media clichés as a palpable commonality in studio practices worldwide. The findings in the research make evident that although contemporary art does not have sufficient influence to reform the media, it can heighten public awareness of media tactics

    Language production impairments in patients with a first episode of psychosis

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    The status of Agardhiella tenera and Agardhiella baileyi (Rhodophyta, Gigartinales)

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    Evidence is presented to support the placement of Agardhiella tenera in Solieria (as S. tenera comb. nov.) for the reason that a large fusion cell is present in the center of the cystocarp. Since A. tenera is the type species of the genus, Agardhiella S chmitz (1896) becomes a junior synonym of Solieria J. A gardh (1842). It is argued that A. baileyi , upon which the generic description of Agardhiella was based, is generically distinct from Solieria , and Neoagardhiella gen. nov. is proposed, with N. baileyi as the type species. Agardhiella ramosissima is also transferred into this new genus. The old observations of Solieria as a procarpial genus made by B ornet & T huret (1880) are reinforced by the present observations. This situation in the type genus of the family is contrasted with the nonprocarpial condition known in several other genera at present considered members of the Solieriaceae.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/42895/1/10750_2004_Article_BF00014259.pd

    A multi-element psychosocial intervention for early psychosis (GET UP PIANO TRIAL) conducted in a catchment area of 10 million inhabitants: study protocol for a pragmatic cluster randomized controlled trial

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    Multi-element interventions for first-episode psychosis (FEP) are promising, but have mostly been conducted in non-epidemiologically representative samples, thereby raising the risk of underestimating the complexities involved in treating FEP in 'real-world' services

    Freshwater mussels from South America: state of the art of Unionida, specially Rhipidodontini

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