Using the Values-Practice Framework to adopt lifetime optimising behaviours: the case of maintenance

The influence that consumers have on the lifespan of products has attracted increased attention in recent years. Studies have provided an overall understanding of the factors that influence consumer attitudes and behaviours towards product longevity, categorised around the physical properties of a product, and individual and societal characteristics. However, such studies do not yet adequately explain how people could adopt product lifetime optimising behaviours. To fill this gap, the paper analyses a range of studies on what influences product lifetimes, focusing on maintenance activities. It proposes the use of the Values-Practice framework derived from two theoretical positions, social psychology and social practice theory, to consider how to facilitate the adoption of lifetime optimising behaviours. To build this framework, it analyses studies that classify factors influencing attitudes and behaviours towards product lifetimes and then links these to the ‘meaning’, ‘competence’ and ‘material’ elements of practice. The framework could be used as a tool to aid designers under stand the different elements and factors that engage people in maintenance activities. The paper concludes by considering the research requirements for the future application of the framework

Sharing values: the relationship between value(s) and meanings in collaborative consumption

Collaborative consumption (also referred to as the ‘collaborative economy’, or the ‘sharing economy’) is an emerging socio-economic model based on sharing, bartering, gifting, swapping, renting, lending and borrowing enabled by network technologies and peer communities (Botsman and Rogers 2011). When enabling shared access to under-used assets and thereby making use of spare capacity, it reduces the environmental impact of consumption and prevents unnecessary waste. Often underpinned by belief in openness, inclusivity and the commons, sharing may additionally encourage meaningful interactions and trust between strangers (Stokes et al. 2014). The aim of the research project which informs this paper was to investigate how consumers’ values may contribute to the acceptance, adoption and wider diffusion of collaborative consumption. Drawing from two different, if not contrasting, theoretical perspectives to understand consumer behaviour, social psychology and social practice theory, the exploration was conducted through a mixed methods study using Ecomodo, a UK-based online sharing platform, as a case study. Initial quantitative research was carried out to measure its users’ values through Schwartz's Portrait Value Questionnaire (cf. Schwartz et al. 2012). A subsequent strand of qualitative research was carried out to explore values in the specific context of collaborative consumption. This paper focuses on this latter phase and presents findings from 10 semi-structured interviews which uncovered the values associated with alternative ways of consuming in the areas of transportation, holiday accommodation, clothing and consumer goods. In particular, it explores the relationship between individual values and socio-cultural meanings and the potential benefits of combining psychological and sociological insights in order to understand consumer behaviour. Finally, it considers the importance of engaging values in order to move away from individualistic and wasteful consumerism towards sharing and more sustainable patterns of consumption

Understanding consumer influences on product lifetimes: the Individual-Practice Framework

In the field of sustainability, understanding consumer influences on product lifetimes is deemed essential to reduce the environmental impact of consumption. The aim of the research project which informs this paper was to investigate different ways of thinking about how consumers’ values may contribute to the acceptance, adoption and diffusion of collaborative consumption – an economic model based on sharing, lending, swapping, gifting, bartering, or renting products and services enabled by network technologies and peer communities (cf. Botsman and Rogers, 2011). By making it possible to obtain use of goods without owning them, these alternative patterns of consumption have some potential to prevent new purchases, intensify product usage and promote reuse of possessions that are no longer wanted, thus contributing to longer product lifetimes. The relationship between values and the participation in collaborative consumption was explored through mixed methods research drawing from two different, if not contrasting, theoretical perspectives to understand consumer behaviour: social psychology and social practice theory. Drawing on their possible complementarity, the investigation was structured in two subsequent and interactive phases: a quantitative data collection and analysis, followed by a qualitative strand of research. The initial quantitative study measured individual values through use of Schwartz's PVQ-R3 tool. Results were followed up through semi-structured interviews facilitated by a series of visual prompts. This paper presents the resulting Individual-Practice Framework, which uniquely combines insights from social psychology and social practice theory to examine and explain the interrelation between the individual, his/her personal values, and specific combinations of the ‘material’, ‘meaning’ and ‘competence’ elements that sustain social practices

El trabajo escénico de lo conceptual hacia una estética propia

En el presente trabajo me propongo describir y analizar, desde mi experienciapersonal de dirección, el proceso de construcción de una dramaturgia escénicapropia con el fin de contribuir al diálogo en torno a las elecciones estéticosingulares que se ponen en juego en la producción escénica de una idea. Meinteresa, en particular, reflexionar sobre el término ‘dramaturgia’ dentro del marco proyectado por el concepto de ‘dramaturgia expandida’, y más específicamente, como una construcción que no solo va más allá de la interpretación comúnmente asociada al texto escrito, sino que más bien inscribe a todos los dispositivos escénicos dentro una mirada que los constituye, de hecho, como fuentes de dramaturgia en sí mismos

El trabajo escénico de lo conceptual hacia una estética propia

En el presente trabajo me propongo describir y analizar, desde mi experienciapersonal de dirección, el proceso de construcción de una dramaturgia escénicapropia con el fin de contribuir al diálogo en torno a las elecciones estéticosingulares que se ponen en juego en la producción escénica de una idea. Meinteresa, en particular, reflexionar sobre el término ‘dramaturgia’ dentro del marco proyectado por el concepto de ‘dramaturgia expandida’, y más específicamente, como una construcción que no solo va más allá de la interpretación comúnmente asociada al texto escrito, sino que más bien inscribe a todos los dispositivos escénicos dentro una mirada que los constituye, de hecho, como fuentes de dramaturgia en sí mismos

The sustainability impact of a digital circular economy

Digital technologies — such as the Internet of Things, big data and advanced analytics, additive manufacturing and 3D printing, blockchain and online platforms — are regarded as key enablers for a circular economy. A systematic literature review and analysis of 48 scientific articles published in the last five years was conducted to identify the first-, second- and third-order sustainability effects of a digital circular economy. Second-order environmental effects such as improved resource efficiency and reduction of emissions, waste and material use in products and production processes are often envisaged. However, limited attention is given to social and economic impact, and rebound effects. Existing literature also lacks a solid assessment of actual (vs expected) impact, and a more balanced consideration of negative (vs positive) effects

Do I share because I care? The role of values in the acceptance, adoption and diffusion of collaborative consumption

Collaborative consumption is an emerging socio-economic model based on sharing, bartering, gifting, swapping, renting, lending and borrowing, enabled by new technologies and peer communities. When providing access to underutilised or idle assets, it promotes efficient use of resources, reduces their environmental burden and can rebuild social capital. For this potential to bring economic interests in line with positive environmental and social impact, collaborative consumption has been considered a promising approach towards more sustainable consumption. Nevertheless, its market uptake is still quite limited and further research is necessary to identify and understand the conditions that could support its wider introduction and scaling up. This thesis investigates how consumers’ values may contribute to the acceptance, adoption and diffusion of collaborative consumption. Drawing from two different, if not contrasting, theoretical perspectives to understand consumer behaviour – social psychology and social practice theory – the research explores the possibility that individual values influence, and are influenced by, the ‘meaning’ element of social practices, thereby facilitating or hindering participation. The examination was conducted through mixed methods research using Ecomodo, a UK-based online community marketplace for lending and borrowing, as a case study. Initial quantitative data collection and analysis was conducted to measure 63 Ecomodo users’ values through Schwartz’s Portrait Value Questionnaire. These results were followed up with 10 semi-structured interviews facilitated by a series of visual prompts. Findings suggest that variation between the values held by users of Ecomodo and by a representative sample of the UK population may be partly responsible for Ecomodo’s failure to become mainstream. In particular, the research found that there is a mutual relationship between individual values and the meanings that underlie practices (e.g. lending and borrowing). However, considerations around 4 ‘value’, the perceived convenience and practicality of a certain behaviour/practice, also play a role in determining participation in collaborative consumption. This led to the advancement of the Individual-Practice Framework, which complements approaches from social practice theory with insights from social psychology, as a configuration able to offer an alternative perspective to understand consumer behaviour. The thesis concludes with a discussion of the implications for sustainable design and possible practical applications of this framework

El trabajo escénico de lo conceptual hacia una estética propia

En el presente trabajo me propongo describir y analizar, desde mi experienciapersonal de dirección, el proceso de construcción de una dramaturgia escénicapropia con el fin de contribuir al diálogo en torno a las elecciones estéticosingulares que se ponen en juego en la producción escénica de una idea. Meinteresa, en particular, reflexionar sobre el término ‘dramaturgia’ dentro del marco proyectado por el concepto de ‘dramaturgia expandida’, y más específicamente, como una construcción que no solo va más allá de la interpretación comúnmente asociada al texto escrito, sino que más bien inscribe a todos los dispositivos escénicos dentro una mirada que los constituye, de hecho, como fuentes de dramaturgia en sí mismos

El trabajo escénico de lo conceptual hacia una estética propia

En el presente trabajo me propongo describir y analizar, desde mi experiencia personal de dirección, el proceso de construcción de una dramaturgia escénica propia con el fin de contribuir al diálogo en torno a las elecciones estético singulares que se ponen en juego en la producción escénica de una idea. Me interesa, en particular, reflexionar sobre el término ‘dramaturgia’ dentro del marco proyectado por el concepto de ‘dramaturgia expandida’, y más específicamente, como una construcción que no solo va más allá de la interpretación comúnmente asociada al texto escrito, sino que más bien inscribe a todos los dispositivos escénicos dentro una mirada que los constituye, de hecho, como fuentes de dramaturgia en sí mismos

Santarcangelo di Romagna: il sistema di strutture ipogee in rapporto al tessuto urbano storico tra tutela e valorizzazione

ITALIANO: Santarcangelo di Romagna presenta un elevato numero di ipogei scavati all’interno del colle sul quale sorge l’abitato, tale fenomeno costituisce un vero e proprio ‘sistema’ di cavità sovrapposte ed interconnesse. Oggetto dello studio è stato quello di esaminare la documentazione disponibile e procedere al rilievo di quattro di esse tramite Laser Scanner 3d. La raccolta del dato ha portato ad aumentare la conoscenza delle strutture, al fine di garantirne la tutela anche mediante ricostruzione virtuale degli ambienti ipogei. / ENGLISH: Santarcangelo di Romagna has a high number of hypogea excavated inside the hill on which the town stands, this phenomenon constitutes a real ‘system ’ of overlapping and interconnected cavities. The object of the study was to examine the available documentation and proceed with the survey of four of them through 3d Laser Scanner. The collection of data has led to increase the knowledge of the structures, in order to ensure their protection also through virtual reconstruction of the underground environments