133 research outputs found

    Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019

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    Existing accounts of Myanmar’s film industry available to English speakers are more than twenty years out of date. Opening with a brief overview of cinema in Myanmar since 2000, this article is based on a recent visit to the Myanmar Motion Picture Development Department and the Yangon Film School, on conversations with staff, students and alumnae of these institutions and of the National University of Arts and Culture, and with local independent filmmakers. The purpose of my visit was to begin the groundwork needed to answer basic questions: Who are the women making films in Myanmar today? Where are they trained? What are the conditions in which they work? What kind of films they make? How do they fund production? How do their films circulate? And finally: Is there a women’s cinema in Myanmar? What follows thus outlines the context in which women in Myanmar make films today and introduces the work of a small number of them. I conclude with reflections on three short films: A Million Threads (2006, by Thu Thu Shein), Now I am 13 (2013, by Shin Daewe), and Seeds of Sadness (2018, by Thae Zar Chi Khaing), two of which can be found online (at http://yangonfilmschool.org/___-free-yfs-film/ and https://www.youtube.com/watch?v=vX0LUZQcMCQ)

    Discourse, justification and critique: towards a legitimate digital copyright regime?

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    Digitization and the internet have posed an acute economic challenge to rights holders in the cultural industries. Faced with a threat to their form of capital accumulation from copyright infringement, rights holders have used discourse strategically in order to try and legitimate and strengthen their position in the digital copyright debate with governments and media users. In so doing, they have appealed to general justificatory principles – about what is good, right, and just – that provide some scope for opposition and critique, as other groups contest their interpretation of these principles and the evidence used to support them. In this article, we address the relative lack of academic attention paid to the role of discourse in copyright debates by analysing user-directed marketing campaigns and submissions to UK government policy consultations. We show how legitimacy claims are justified and critiqued, and conclude that amid these debates rests some hope of achieving a more legitimate policy resolution to the copyright wars – or at least the possibility of beginning a more constructive dialogue

    [Photograph of a Performer on a Stage]

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    Photograph of a performer standing on a stage in a formal dress. Musicians sit with their instruments behind barriers with "Tenor Tones" written on them. This is an official USMD photograph by the Motion Picture Production Unit of Camp Joseph H. Pendleton

    Bunraku : puppet theatre of Japan

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    Summarizes the long history of puppet theater in Japan using excerpts to show how it can express a purity of form and beuty not possible for a living actor, limited by a physical body. Topics: Asian Theatre, Puppet Plays, Bunraku Dolls, Japanese Theatr

    [Violin Performers Pose in Uniform]

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    Photograph of four Marines posing in uniform, each holding a violin. The performers are turned toward the right side of the frame, looking down at their instruments. Three of the men stand while the other sits in front of the

    Journal.

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    Vols. 10-13 called also no. 27-38.Mode of access: Internet.Issued 1916-1949 by the society under its earlier name: Society of Motion Picture Engineers
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