28 research outputs found

    Un incunabulo per lo sposalizio di Isabella d’Aragona: le ‘Nuptiae illustrissimi ducis Mediolani’ di Stefano Dolcino (1489)

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    In the second part of the 15th century, the introduction of the printing press in Italy offered to lords and princes a new way to show their own power and divulge the splendour of the feasts for their dynastic events. In February 1489, Isabella of Aragon, niece of the King of Naples, entered into Milan and married the duke, Gian Galeazzo Sforza. Few months later, the printer Antonio Zarotto published a Latin description of the event: the Nuptiae illustrissimi ducis Mediolani by Stefano Dolcino. This paper aims at considering the history of this incunable, in order to find information about feasts and spectacles for celebrating marriages in the Sforza family. At the same time, the possibility of a propagandistic use of ceremonies and print in the occasion of a princely wedding will be investigated

    «In questo picolo libretto»

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    In the second half of the XVth century, before the diplomatic balances that led to the birth of the regional states, the Italian rulers, in need of strategies to promote their public image, made their nuptials a powerful communication tool. Ceremonies, pageants and temporary architectures in honour of the newlyweds had the task of making explicit the alliances between the reigning houses of different principalities, visually expressing the power of the lords over their capitals. This book’s aim is to understand how the festivities, orchestrated with court artists, became a means of celebratory propaganda and how the diffusion of their descriptions, in incunabula or manuscripts, heightened the fame of the events. The wedding feasts have been studied comparatively: comparing the variety of their theatrical performances, jousts and dances, as well as the ways of the production of the chronicles that handed down their memory, used here as sources for the history of the Renaissance spectacle

    The AXIOM software layers

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    AXIOM project aims at developing a heterogeneous computing board (SMP-FPGA).The Software Layers developed at the AXIOM project are explained.OmpSs provides an easy way to execute heterogeneous codes in multiple cores. People and objects will soon share the same digital network for information exchange in a world named as the age of the cyber-physical systems. The general expectation is that people and systems will interact in real-time. This poses pressure onto systems design to support increasing demands on computational power, while keeping a low power envelop. Additionally, modular scaling and easy programmability are also important to ensure these systems to become widespread. The whole set of expectations impose scientific and technological challenges that need to be properly addressed.The AXIOM project (Agile, eXtensible, fast I/O Module) will research new hardware/software architectures for cyber-physical systems to meet such expectations. The technical approach aims at solving fundamental problems to enable easy programmability of heterogeneous multi-core multi-board systems. AXIOM proposes the use of the task-based OmpSs programming model, leveraging low-level communication interfaces provided by the hardware. Modular scalability will be possible thanks to a fast interconnect embedded into each module. To this aim, an innovative ARM and FPGA-based board will be designed, with enhanced capabilities for interfacing with the physical world. Its effectiveness will be demonstrated with key scenarios such as Smart Video-Surveillance and Smart Living/Home (domotics).Peer ReviewedPostprint (author's final draft

    \uabIn questo picolo libretto\ubb

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    Nel Secondo Quattrocento, prima del definirsi degli equilibri diplomatici che portarono alla nascita degli stati regionali, i signori italiani, bisognosi di strategie di promozione della propria immagine pubblica, fecero dei matrimoni un potente strumento di comunicazione. Le cerimonie e gli apparati decorativi in onore degli sposi ebbero, infatti, il compito di rendere esplicite le alleanze tra i principati e di esprimere visivamente il potere dei governanti sulle proprie capitali. L’obiettivo di questo libro \ue8 stato comprendere come i festeggiamenti, ideati dagli artisti di corte, potessero divenire un mezzo di propaganda celebrativa e come la diffusione delle loro descrizioni, a stampa o manoscritte, potesse amplificare la fama degli eventi. Le feste sono state pertanto studiate comparativamente, paragonando la variet\ue0 di recite teatrali, giostre e danze che le caratterizzarono e i modi di produzione delle loro cronache, qui impiegate come fonti per la storia dello spettacolo

    \uabIn questo picolo libretto\ubb : Descrizioni di feste e spettacoli per le nozze dei signori italiani del Rinascimento

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    In the second half of the XVth century, before the diplomatic balances that led to the birth of the regional states, the Italian rulers, in need of strategies to promote their public image, made their nuptials a powerful communication tool. Ceremonies, pageants and temporary architectures in honour of the newlyweds had the task of making explicit the alliances between the reigning houses of different principalities, visually expressing the power of the lords over their capitals. This book’s aim is to understand how the festivities, orchestrated with court artists, became a means of celebratory propaganda and how the diffusion of their descriptions, in incunabula or manuscripts, heightened the fame of the events. The wedding feasts have been studied comparatively: comparing the variety of their theatrical performances, jousts and dances, as well as the ways of the production of the chronicles that handed down their memory, used here as sources for the history of the Renaissance spectacle. Nel Secondo Quattrocento, prima del definirsi degli equilibri diplomatici che portarono alla nascita degli stati regionali, i signori italiani, bisognosi di strategie di promozione della propria immagine pubblica, fecero dei matrimoni un potente strumento di comunicazione. Le cerimonie e gli apparati decorativi in onore degli sposi ebbero, infatti, il compito di rendere esplicite le alleanze tra i principati e di esprimere visivamente il potere dei governanti sulle proprie capitali. L’obiettivo di questo libro \ue8 stato comprendere come i festeggiamenti, ideati dagli artisti di corte, potessero divenire un mezzo di propaganda celebrativa e come la diffusione delle loro descrizioni, a stampa o manoscritte, potesse amplificare la fama degli eventi. Le feste sono state pertanto studiate comparativamente, paragonando la variet\ue0 di recite teatrali, giostre e danze che le caratterizzarono e i modi di produzione delle loro cronache, qui impiegate come fonti per la storia dello spettacolo

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