What Is Medieval European Literature?

The editors of Interfaces: A Journal of Medieval European Literatures explain the scope and purpose of the new journal by mapping out the significance and possible meanings of the three key terms of the subtitle: ‘literature,’ ‘medieval,’ ‘Europe.’ The specific theme of Issue 1 is introduced: ‘Histories of Medieval European Literatures: New Patterns of Representation and Explanation.’ With respect to this theme, theoretical problems concerning teleology and the present possibilities for literary historical narratives are raised. Finally the editors state the journal’s commitment to a scholarly forum which is non-profit and open-access. The bibliography refers to key critical reading which shapes the journal’s approach to medieval European literatures

'Interfaces' 4

Issue No. 4 is the first open issue of Interfaces: A Journal of Medieval European Literatures. It contains contributions by Henry Bainton (12th-century historiography), Lucie Doležalová (parabiblical texts and the canon), Máire Ní Mhaonaigh (Irish literary culture in Latin and Irish), Isabel Varillas Sánchez (legends of composition of canonical texts, Septuaginta), Wim Verbaal (letter collections, Bernard of Clairvaux), and Jonas Wellendorf (canons of skaldic poets in the 12th/13th century), preceded by a brief Introduction by the editors

The Theory and Phenomenology of Love

This second issue of Interfaces: A Journal fo Medieval European Literatures addresses the subject of "The Theory and Phenomenology of Love." It brings together readings of medieval representations and explanations of love as an affection, passion, sentiment, attraction, or tension, with work on the connections between literary discourses of love and the history both of emotions and gender roles. Approaching the subject of the nature of love, and the ways it manifests itself, the authors create links between scientific and poetic discourse and highlight the relationship between the experiences of love, described and treated in literary texts, and the specific historical, cultural, and social environments in which those texts were produced.Not only do the articles reach original results within their fields; taken as a whole, the dossier, ranging as it does from the Late Antiquity to the fifteenth century, and across a Europe situated within a wider Eurasian space, offers deep insights into social history, the history of emotions, and the study of gender and sexuality

Histories of Medieval European Literatures: New Patterns of Representation and Explanation

Interfaces: A Journal of Medieval European Literatures is invested in bringing together the linguistic, literary, and historical expertise to take a European approach to medieval literature. The journal aims to establish a forum both for articles which move across literatures (plural) and also, more ambitiously, to foster reflections on a more elusive, but no longer entirely absent, object, European medieval literature (singular).In line with the journal’s scope and vision to promote integrated approaches to European medieval literatures, we begin by facing head-on the multiple challenges of devising new types of narratives about medieval textual cultures. We have invited papers which take a wider regional perspective and move across medieval Europe as well as papers which bring an explicitly European perspective to more specific topics (with a tighter thematic, chronological, geographic, or linguistic focus)

Rediscovery and Canonization: The Roman Classics in the Middle Ages

Issue 3 of Interfaces: A Journal of Medieval European Literatures explores the theme of the rediscovery and canonization of the Roman classics in medieval Western European literary culture, beginning in the eleventh century and reaching a wide impact on literary and intellectual life in the twelfth century. It is headed by an article by Birger Munk Olsen whose immense and comprehensive work of cataloguing and analyzing the entire record of manuscripts containing Roman classics copied before 1200 is nearing completion (L‘étude des auteurs classiques aux XIe et XIIe siècles, 5 vols). Within our journal’s scope of medieval European literature we have found it both rewarding and fitting to take Munk Olsen’s work as a prism for what is a striking literary phenomenon across most geographies and chronologies of medieval Europe: the engagement with the pre-Christian classics.The catalogue and the synthesis by Munk Olsen put many kinds of new studies on a firm footing. In this issue of Interfaces we present three 'frontiers' or types of scholarship on the rediscovery and canonization of the Roman classics all taking their cue from the meticulous way L’étude has charted out this territory

The Sudden Success of Prose: A Comparative View of Greek, Latin, Old French and Old Norse

The article presents a new model for understanding the sudden success of prose in four literatures: Greek, Latin, French and Old Norse. Through comparison and quantitative observations, and by focusing on the success of prose rather than its invention, it is shown that in all four cases two or three decades were crucial for creating prose literature. This turn can be described by the term »librarization«: the fact that private book collections and reading habits emerged helps us understand the space into which a host of prose writers were suddenly writing. This reading habit factor (inlcuding reading aloud) has been underplayed in previous scholarship mostly focused on authorial choices and invention. For two of the literatures (Greek, French) the fast dynamics of the rise of prose has already been identified and discussed, but for the two others (Latin, Old Norse), the observation is new. It is also suggested that the exactly contemporary rise of French and Old Norse prose (c. 1200-1230) most probably is connected. The four literatures are each shown in chronological charts so as to visualize the timeline and the relation between poetic and prosaic works. The article furthermore reflects on a number of characteristics and implications of prose literature by drawing on comparisons and contrasts between the ancient and the medieval, important among which is the profound effect of prose librarization on the canonization of existing poetic literature

Folkevandringerne og imperium romanum

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