Symbolist Drama and New Genesis: The Concept of the Suffering Demon As the Ordering Principle of Chaos

Symbolist Drama and New Genesis: The Concept of the Suffering Demon As the Ordering Principle of Chao

Historiography

Historiograph

A Visual History of Tadeusz Kantor's Theatre

A Visual History of Tadeusz Kantor's Theatr

Theatre History: The Quest for Instabilities

Theatre History: The Quest for Instabilitie

Inbetweenness: Spatial Folds in Theatre Historiography

Inbetweenness: Spatial Folds in Theatre Historiograph

Thinking Otherwise in a Culture of Anxiety and Fear

Thinking Otherwise in a Culture of Anxiety and Fea

Homage to Tadeusz Kantor: Introduction

Homage to Tadeusz Kantor: Introductio

Time travels in archaeology. Between Hollywood films and historical re-enactment?

One of the recently most popular ways of experiencing the past is time travelling. It is ‘an experience and social practice in the present that evokes a past (or future) reality’ (Holtorf 2009: 33). In this article, I mainly discuss the political aspect of time travelling. I focus on cinema as a medium which closely links archaeology with the time travel phenomenon. Two Oscars galas, of 2010 and 2012, are scrutinised as case studies. The text is a political intervention to start dreaming dangerously, to contribute as an archaeologist to the critique of the utopia of capitalism (see also Hernando 2005: 75)