4,607 research outputs found
Ein Liederabend, March 2, 1988
This is the concert program of the Ein Liederabend performance on Wednesday, March 2, 1988 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Già il sole dal Gange by Domenico Scarlatti, Vergin, tutto amor by Francesco Durante, O come, o come, my dearest by Thomas Arne, Botschaft by Johannes Brahms, Der Gang zum Liebchen by J. Brahms, Ach wende diesen Blick by J. Brahms, Lachen und Weinen by Franz Schubert, Geheimes by F. Schubert, Ch'io mai vi possa by George Frideric Handel, Deux épigrammes de Clément Marot by Maurice Ravel, Le pont by Francis Poulenc, Rain has fallen by Ernest John Moeran, La Procession by César Franck, Er, der herrlichste by Robert Schumann, Vado ben spesso canglando loco by Salvator Rosa, Du bist wie eine Blume by R. Schumann, Lone Dog by Michael Head, V'adoro pupille from "Giulio Cesare" by G. F. Handel, Begegnung by Hugo Wolf, and Nimmersatte Liebe by H. Wolf. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Le petit livre: Gilles ClĂ©mentâs paper garden
[EN] The Garden in Motion is a concept that was developed by Gilles ClĂ©ment in the early 1980s as the result of the experimentation conducted in his garden-house, La VallĂ©e. ClĂ©mentâs interest in promoting this garden archetype based on managing neglected land led him to write a number of works in order to explain the conceptual underpinnings of his model, with the ultimate aim of having them published. From the writing of the first manuscripts, dating from 1984, to the first edition of âLe jardin en movementâ in 1991, he produced a series of different documents that would form the basis of the text that was finally published. It was a long process in which ClĂ©ment not only had to fully develop his ideas but also to overcome the difficulties involved in finding a company to publish what he called his âpetit livreâ. The aim of this article is to show the creative process behind ClĂ©mentâs book and its relationship with the creative process of building his garden, while endeavouring to reply to the question of whether it is possible to establish an equivalence between both processes. This is made possible through the analysis of documents kept by ClĂ©ment in his personal archive, some of which have never been published.[ES] El JardĂn en Movimiento es un concepto desarrollado por Gilles ClĂ©ment a principios de los años ochenta, que surge de la experimentaciĂłn llevada a cabo en su casa-jardĂn de La VallĂ©e. El interĂ©s por dar a conocer este arquetipo de jardĂn basado en la gestiĂłn del baldĂo, lleva a ClĂ©ment a elaborar un conjunto de escritos en los que desarrolla las bases conceptuales de dicho modelo. Su objetivo final es poder llegar a publicarlos. Desde la redacciĂłn de los primeros manuscritos, que datan de 1984, hasta la primera ediciĂłn de âLe jardin en mouvementâ en 1991, se suceden diferentes documentos que servirĂĄn de base para el texto finalmente publicado. Un largo proceso en el que ClĂ©ment no solo se enfrenta a la maduraciĂłn de sus ideas, sino a las dificultades para encontrar una editorial que publique su âpetit livre,â como Ă©l lo denomina. El artĂculo pretende mostrar la gĂ©nesis de este libro y su relaciĂłn con la construcciĂłn del jardĂn, intentado dar respuesta a la cuestiĂłn de si es posible establecer una equivalencia entre ambos procesos creativos. Todo ello a travĂ©s del anĂĄlisis de los documentos que Gilles ClĂ©ment conserva en su archivo personal, algunos de ellos inĂ©ditos.Ăvila Calzada, C. (2021). Le petit livre: el jardĂn de papel de Gilles ClĂ©ment. VLC arquitectura. Research Journal. 8(2):1-31. https://doi.org/10.4995/vlc.2021.15357OJS13182Ăvila, Carlos. "La vivencia proyectual de Gilles ClĂ©ment en el Parque AndrĂ©-CitroĂ«n: un relato a travĂ©s de sus Cuadernos de Croquis." RITA, Revista Indexada de Textos AcadĂ©micos, no. 11 (2019): 56-65.Basset, FrĂ©dĂ©rique. Les quatre saisons de Gilles ClĂ©ment. Paris: Rue de l'Ă©chiquier, 2014.CleÌment, Gilles. "Cuaderno de croquis. 1990." Unpublished manuscript. Gilles ClĂ©ment personal archive, 1990.CleÌment, Gilles. "Cuaderno Diario. 1988-1991." Unpublished manuscript. Gilles ClĂ©ment personal archive, 1991.CleÌment, Gilles. Eloge des vagabondes. Herbes, arbres et fleurs Ă la conquĂȘte du monde. Paris: Robert Laffont, 2014.CleÌment, Gilles. "La friche apprivoisĂ©e." Urbanisme, no. 209 (August-September 1985): 92-95.CleÌment, Gilles. "La friche et le jardin: le jardin en mouvement, principes d'utilisation des vĂ©gĂ©taux."Unpublished manuscript. Gilles ClĂ©ment personal archive, 1984.CleÌment, Gilles. Le jardin en mouvement. Synopsis. Introduction et chapitre I." Unpublished manuscript. Gilles ClĂ©ment personal archive. Paris, n.d.CleÌment, Gilles. "Jardins." Unpublished manuscript. Gilles ClĂ©ment personal archive. Paris, 1984.CleÌment, Gilles. La sagesse du jardinier. Paris: L'oeil neuf, 2004.CleÌment, Gilles. Le salon des berces. Paris: NiL Ă©ditions, 2009.CleÌment, Gilles, Alexandre Bailhache, and Georges LeÌveÌque. Les Libres Jardins de Gilles CleÌment. Paris: EÌd. du CheÌne, 1997.ClĂ©ment, Gilles, Michael Londsdale, Jean-Marie Pelt, and Patrick Scheyder. Des jardins et des hommes. Montrouge: Bayard Ăditions, 2016.Dagenais, Danielle. "The Garden of Movement: Ecological Rhetoric in Support of Gardening Practice."Studies in the History of Gardens & Designed Landscapes 24, no. 4 (2004): 313-340. https://doi.org/10.1080/14601176.2004.10435330Dagenais, Danielle, and Louisa Jones. "Gilles ClĂ©ment Revisited: Biology, Art and Ecology, a Reply to Danielle Dagenais." Studies in the History of Gardens & Designed Landscapes 26, no. 3 (2006): 249-252. https://doi.org/10.1080/14601176.2006.10435469Gandy, Matthew. "Entropy by Design: Gilles Clement, Parc Henri Matisse and the Limits to AvantGarde Urbanism." International Journal of Urban and Regional Research 37, no. 1 (2013): 259-78. https://doi.org/10.1111/j.1468-2427.2012.01164.xKing, Peter, Carole Ottesen, and Graham Rose. Gardening with Style: A Private View of the World's Most Innovative Gardens. London: Bloomsbury, 1988.Paul, Anthony, and Yvonne Rees. The Garden Design Book. London: Salem House Publishers, 1988.Robinson, William. The Wild Garden, or, Our Groves and Shrubberies Made Beautiful. Cambridge: Cambridge University Press, 2011.Roger, Alain. "Dal giardino in movimento al giardino planetario." Lotus Navigator, no. 2. I Nuovi paesaggi (2001): 70-81.Skinner, Jonathan. "Gardens of Resistance: Gilles ClĂ©ment, New Poetics, and Future Landscapes." Qui Parle 19, no. 2 (2011): 259-74. https://doi.org/10.5250/quiparle.19.2.0259Tortosa, Guy. "Gilles ClĂ©ment-Ein Naturforscher Zu Beginn Des 21.Jahrhunderts. Gilles ClĂ©ment - a Naturalist at the Dawn of the Twenty-First Century." Wachsen, no. 6 (Spring 2002): 35-47.ValeÌry, Marie-Françoise, and Georges LeÌveÌque. French Garden Style. London: Frances Lincoln Ltd, 199
05/08/1944 Letter from J. Emile Lussier
Letter from J. Emile Lussier, Vice President of J. E. Clément Incorporée. to Louis-Philippe Gagné.https://digitalcommons.usm.maine.edu/fac-lpg-letters-1940-1946/1010/thumbnail.jp
Improving the long-term stability of PBDTTPD polymer solar cells through material purification aimed at removing organic impurities
While bulk heterojunction (BHJ) solar cells fabricated from high Mn PBDTTPD achieve power conversion efficiencies (PCE) as high as 7.3%, the short-circuit current density (JSC) of these devices can drop by 20% after seven days of storage in the dark and under inert conditions. This degradation is characterized by the appearance of S-shape features in the reverse bias region of currentâvoltage (JâV) curves that increase in amplitude over time. Conversely, BHJ solar cells fabricated from low Mn PBDTTPD do not develop S-shaped JâV curves. However, S-shapes identical to those observed in high Mn PBDTTPD solar cells can be induced in low Mn devices through intentional contamination with the TPD monomer. Furthermore, when high Mn PBDTTPD is purified via size exclusion chromatography (SEC) to reduce the content of low molecular weight species, the JSC of polymer devices is significantly more stable over time. After 111 days of storage in the dark under inert conditions, the JâV curves do not develop S-shapes and the JSC degrades by only 6%. The S-shape degradation feature, symptomatic of low device lifetimes, appears to be linked to the presence of low molecular weight contaminants, which may be trapped within samples of high Mn polymer that have not been purified by SEC. Although these impurities do not affect initial device PCE, they significantly reduce device lifetime, and solar cell stability is improved by increasing the purity of the polymer materials
Comment on "Optical Response of Gas-Phase Atoms at Less than lambda/80 from a Dielectric Surface" published by K. A. Whittaker et al.
Comment on "Optical Response of Gas-Phase Atoms at Less than lambda/80 from a
Dielectric Surface" published by K. A. Whittaker, J. Keaveney, I. G. Hughes, A.
Sargsyan, D. Sarkisyan, C. S. Adams in Phys. Rev. Lett. Lett 112 253201 (2014)Comment: Accepted (dec. 2014) in the "Comment" section of Phys Rev Let
A propos de la maladie caséeuse du Mouton
Descazeaux J., Bressou Clément. A propos de la maladie caséeuse du Mouton. In: Bulletin de l'Académie Vétérinaire de France tome 102 n°1, 1949. pp. 29-32
Dynamic and instability of submarine avalanches
We perform a laboratory-scale experiment of submarine avalanches on a rough
inclined plane. A sediment layer is prepared and thereafter tilted up to an
angle lower than the spontaneous avalanche angle. The sediment is scrapped
until an avalanche is triggered. Based on the stability diagram of the sediment
layer, we investigate different structures for the avalanche front dynamics.
First we see a straight front descending the slope, and then a transverse
instability occurs. Eventually, a fingering instability shows up similar to
rivulets appearing for a viscous fluid flowing down an incline. The mechanisms
leading to this new instability and the wavelength selection are discussed.Comment: 4 pages, 6 figures, to appear in the proceedings of Powders and
Grains 200
ChouĂ© â Ăglise Saint-ClĂ©ment
Date de l'opĂ©ration : 1986 - 1988 (SD) Inventeur(s) : Legendre J Un sondage a Ă©tĂ© fait contre le chĆur de l'Ă©glise Saint-ClĂ©ment pour retrouver un enfeu mĂ©diĂ©val. Une salle a Ă©tĂ© mise au jour le long du chĆur; elle est voĂ»tĂ©e en silex avec un pilier excentrĂ©. Une ouverture, bouchĂ©e dans le mur de fondation de l'Ă©glise, laisse supposer l'existence d'un passage la reliant Ă la salle voĂ»tĂ©e. Aucun Ă©lĂ©ment ne permet de dater la construction de cette structure
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