"Remember Everything": things past in Station Island

Book synopsis: Seamus Heaney: Poet, Critic, Translator explores the range of Heaney's writing, emphasizing significant intersections in his work - meeting places; spaces between; tradition meeting the contemporary context as life meets death; liminal poetic representations and political divisions; town and woods, absence and presence; inner reality facing external reality; the timely and the transcendent; region and wider world; Irish tradition encountering Polish tradition; the space between modern English and ancient Greek; the meeting of personal and formal in the translation of Beowulf; different times and perceptions meeting problematic memory; Heaney's Leavisite stance in the face of contemporary critical currents; and Heaney's imagination approaching the imaginations of other poets

Fragmented in space: the oral history narrative of an Arab Christian from Antioch, Turkey

This study uses the case of Can Kılçıksız, an Arab Christian refugee youth from Antioch, Turkey, to argue that globalization may result in fragmented families and subjectivities and can also accelerate processes initiated by modernity and the construction of national identities. Can Kılçıksız and his siblings now live in Turkey, Germany, France and Finland. His life story suggests that males of Arab Christian origin from Antioch who had access to schooling are more likely to be involved in politics whereas females tend to be drawn to evangelical Christian organizations. The case also suggests that sibling ties might prove more durable in the course of transnational migration than conjugal ties. The case of Can Kılçıksız shows that the time/space linked to childhood through memory can play an important role in identity construction of subjects circulating in transnational space

Socially sensitive lactation: Exploring the social context of breastfeeding

Many women report difficulties with breastfeeding and do not maintain the practice for as long as intended. Although psychologists and other researchers have explored some of the difficulties they experience, fuller exploration of the relational contexts in which breastfeeding takes place is warranted to enable more in-depth analysis of the challenges these pose for breastfeeding women. The present paper is based on qualitative data collected from 22 first-time breastfeeding mothers through two phases of interviews and audio-diaries which explored how the participants experienced their relationships with significant others and the wider social context of breastfeeding in the first five weeks postpartum. Using a thematic analysis informed by symbolic interactionism, we develop the overarching theme of ‘Practising socially sensitive lactation’ which captures how participants felt the need to manage tensions between breastfeeding and their perceptions of the needs, expectations and comfort of others. We argue that breastfeeding remains a problematic social act, despite its agreed importance for child health. Whilst acknowledging the limitations of our sample and analytic approach, we suggest ways in which perinatal and public health interventions can take more effective account of the social challenges of breastfeeding in order to facilitate the health and psychological well-being of mothers and their infants

Introduction : screen Londons

Our aim, in editing the ‘London Issue’ of this journal, is to contribute to a conversation between scholars of British cinema and television, London historians and scholars of the cinematic city. In 2007, introducing the themed issue on ‘Space and Place in British Cinema and Television’, Steve Chibnall and Julian Petley observed that it would have been possible to fill the whole journal with essays about the representation of London. This issue does just that, responding to the increased interest in cinematic and, to a lesser extent, televisual, Londons, while also demonstrating the continuing fertility of the paradigms of ‘space and place’ for scholars of the moving image1. It includes a wide range of approaches to the topic of London on screen, with varying attention to British institutions of the moving image – such as Channel Four or the British Board of Film Classification – as well as to concepts such as genre, narration and memory. As a whole, the issue, through its juxtapositions of method and approach, shows something of the complexity of encounters between the terms ‘London’, ‘cinema’ and ‘television’ within British film and television studies

Behind the stiff upper lip: war narratives of older men with dementia.

The concept of the stiff upper lip stands as a cultural metaphor for the repression and figurative ¿biting back¿ of traumatic experience, particularly in military contexts. For men born in the first half of the 20th century, maintaining a stiff upper lip involved the ability to exert high levels of cognitive control over the subjective, visceral and emotional domains of experience. In the most common forms of dementia, which affect at least one in five men now in their 80s and 90s, this cognitive control is increasingly lost. One result is that, with the onset of dementia, men who have in the intervening years maintained a relative silence about their wartime experiences begin to disclose detailed memories of such events, in some cases for the first time. This article draws on narrative biographical data from three men with late-onset dementia who make extensive reference to their experience of war. The narratives of Sid, Leonard and Nelson are used to explore aspects of collective memory of the two World Wars, and the socially constructed masculinities imposed on men who grew up and came of age during those decades. The findings show that in spite of their difficulties with short term memory, people with dementia can contribute rich data to cultural studies research. Some aspects of the narratives discussed here may also be considered to work along the line of the counter-hegemonic, offering insights into lived experiences of war that have been elided in popular culture in the post-War years

Introduction: Crime and Deviance through the Lens of Popular Culture

The introductory chapter sets out the collection’s theoretical framework, which favours a view of popular culture as an arena where issues of crime, deviance, criminal victimisation and justice are debated and negotiated. It draws attention to the mediatisation of the crime problem and the increasing academic interest in the interrelationship between crime, deviance and popular culture in the twenty-first century. In addition, this chapter introduces the five thematic sections of the collection and outlines the topics addressed in the chapters of each section

Writing as 'Compearance' in Diário da Queda by Michel Laub

Diário da Queda (2011) by Michel Laub has been described as autoficção (autofiction), the Brazilian translation of the concept coined by Serge Doubrovsky to describe the narrative working-through of trauma through fictional autobiography. This article re-examines the definition of ‘autofiction’ and argues that Laub’s narrative process more closely resembles Jean-Luc Nancy’s notion of a singular voice ‘compearing’ experiences in a process of ‘sharing’ that, when combined with touch and affection can—according to the novel—more successfully help to overcome trauma. At stake are questions regarding the inheritance of Holocaust memory, as well as its politicised deployment in contemporary conflicts

Constructing Memories of Holmfirth through 'Last of the Summer Wine'

Last of the Summer Wine (BBC, 1973-2010) was filmed in Holmfirth, West Yorkshire, UK for 37 years. Its presence in the town has affected collective memories of the space and place of the region. In examining Summer Wine’s continued presence in Holmfirth even after it has ceased production, we investigate how the series as a text, institution and brand serves to spatially inform Holmfirth and construct, embed and inform cultural memory

TUDO SE ILUMINA COMO ROMANCE DE MISE-EN-ABYME: VIAGENS E ESCRITAS COMO FORMAS DE ACESSO AOS ARQUIVOS JUDAICOS E FAMILIARES

Resumo O artigo discute como na obra Tudo se Ilumina a experiência de viagem do personagem, que parte em busca das memórias judaicas de seu avô, se configura em matéria-prima para o romance que o mesmo vem escrevendo com o intuito construir para si um lugar na árvore genealógica de sua família. Assim, analisa-se como que o encontro do viajante-escritor com a personagem Lista se torna o clímax da viagem e a inspiração que desencadeia a escrita do romance. Percebe-se uma circularidade no anarquivamento das memórias do Holocausto empreendido por este judeu norte-americano: o entendimento de seu lugar na história começa na viagem à terra de seu avó expulso pelos nazistas, mas na impossibilidade de um reencontro com o passado, posto que o vilarejo buscado já não existe, este processo continua na escrita ficcional que recupera tais acontecimentos a partir dos traços e resíduos deixados pelas experiências do vivido

The sensuous secrets of shelter: how recollections of food stimulate Irish men's reconstructions of their early formative residential experiences in Leicester, Sheffield and Manchester

This paper examines the intersection between food, recollection and Irish migrants’ reconstructions of their housing pathways in the three English cities of Leicester (East Midlands), Sheffield (South Yorkshire) and Manchester (North). Previous studies have acknowledged more implicitly the role of memory in representing the Irish migrant experience in England. Here, we adopt a different stance. We explore the mnemonic power of food to encode, decode and recode Irish men’s reconstructions of their housing pathways in England when constructing and negotiating otherness. In doing so, we apply a ‘Proustian anthropological’ approach in framing the men’s representations of their formative residential experiences in the boarding houses of the three English cities during the 1950s and 1960s are examined. The extent to which food provided in the boarding houses was used as an instrument of discipline and control is examined. The relevance of food related acts of resistance, food insecurity and acts of hedonic meat-centric eating in constructing the men’s sociocultural identity are also explored