Hadis Palsu Di Media Sosial Persepsi Mahasiswa Fakultas Syariah UIN Bukittinggi

The polemic of fake hadiths is growing with unlimited access to information through social media. Many posts were found containing popular hadiths, but it turned out that Maudhu' or fake. Falsifying hadiths and spreading them is haram except to explain their falsity. For this reason, the introduction of the concept of fake hadith is a key discussion in hadith science courses. This study highlights students' perceptions and attitudes towards the phenomenon of fake hadiths on social media with the aim of measuring students' understanding of the concept of fake hadiths and knowing students' attitudes towards fake hadiths on social media. The object of research is students outside the hadith science study program. The reason for choosing the Sharia Faculty of UIN Bukittinggi was because it had a larger portion of learning hadith compared to other faculties. This type of research is field research using mix research methods, namely a combination of quantitative and qualitative research. The research sample consisted of 118 students who were selected using the proportional random sampling technique. The results showed that the score of students' understanding of the indicators of the theory of fake hadith was 65.97% in the sufficient category, the indicator for falsification of hadith in sanad was 72.39% in the sufficient category, the indicator for falsification in matan was 80.77% in the good category, the indicator for fake hadith in the media the social score is 68.26% in the sufficient category, and the attitude indicator towards fake hadith is 80.24% in the good category. The attitude of students towards fake hadiths on social media includes, firstly, tracing the truth of hadiths. Second, be careful and will not share a hadith that is clearly false. Third, provide an explanation of the falsity of a hadit

Social marketing for museums: an introduction to social marketing for the arts and culture sector

Purpose – The paper aims to introduce social marketing (SM) as a tool to overcome the low cultural participation, a problem of the arts and culture sector that has worsened in the post-pandemic scenario. Design/methodology/approach – The study uses a multidisciplinary literature review (SM, museum marketing, museology and cultural policy) to address the problem of museums and other cultural heritage institutions, at both the macro-level (prevailing cultural policies and antecedents, barriers and consequences to cultural participation) and micro-level (challenges faced by museums in the 21st century and marketing as a management instrument). Findings – The downstream, midstream and upstream approaches can be used to design and implement SM interventions intended to address the problem of low cultural participation in museums. The three approaches should be considered holistically, with their synergetic andrecursive effects. Research limitations/implications – Due to its introductory and conceptual nature, the study provides a comprehensive intervention framework to be used as a platform for future theoretical and empirical research. Further investigations may expand on the specificities of each approach (down, mid and upstream) and extend the framework to other nonprofit cultural institutions beyond museums, such as libraries and archives, cultural heritage sites and theater, music and dance companies.Practical implications – The paper proposes a comprehensive SM intervention framework thatintegrates three interdependent approaches (downstream, midstream and upstream). Originality/value – The paper provides a starting point for the holistic application of SM in the arts and culture sector. It also encourages researchers, cultural policymakers and cultural heritage professionals to investigate, design and implement SM programs that better understand, expand and diversify the audience and strengthen the legitimacy and relevance of cultural actors and activities to transform them into inclusive, accessible and sustainable institution

THE CLARINET AND PIANO WORKS OF ERNST MAHLE: A COLLABORATIVE PIANIST’S PERSPECTIVE

Ernst Mahle is a German-Brazilian composer who not only became a Brazilian citizen but also a reference for Brazilian classical music. His vast list of compositions includes works for all major genres, as well as containing instrument combinations that are not mainstream. In addition to being a composer, Mahle dedicated a big part of his life as a pedagogue, as a teacher and as the director of the Escola de Música de Piracicaba (Piracicaba Music School). Through research on Mahle’s biography, compositional styles, and an interview with the composer, the purpose of this paper is to study his four clarinet and piano works and to write a performance guide with the perspective of the collaborative pianist. This guide offers some suggestions on piano technique, ensemble, dynamics, and balance, among other elements

TERORISME DAN JIHAD DALAM PERSPEKTIF AL-QUR’AN

Islam constantly calls for peace and togetherness, even condemning violence and terror. However, the charge against Islam as a terrorism ideology is a very heartbreaking thing for the (Muslim) community. However, it can not be denied that there is a tendency in understanding the Qur’an and hadith textually and literally an sich that can lead to behavior that seems anarchist, intolerant, and tend to destructive. Jihad teachings, for example, are often misunderstood as justification for actions and propaganda, radical acts, bombings and terrorism. Seeing the reality that happens, is a necessity to provide a correct understanding of Islam. As a first step, it is necessary to comprehend a comprehensive methodology in understanding nash. There is many discussions in the matter of terrorists and jihad, therefore it must be distinguished between the two with the real meaning in the perspective of the Quran. In this discussion, there will be limited issues to be discussed include the definition of terrorists and jihad, verses that are often misunderstood as justification of terrorism, and how the full point of view of the Quran related to terrorism

CIAM, Team X e espaço urbano nos conjuntos habitacionais brasileiros: o Conjunto Terras Altas em Pelotas

The CIAM has been established as a forum for the discussion and dissemination of new ideas on urbanism since the end of the 1920s. Modernists believed that the city design would promote a more equal world and that the urban structure could be shaped rationally and functionally so as to reach social well-being. However, the schematism and excessive rationalization that conceived standard housing as having no relation to the identity of the dwellers caused a lot of critique by the younger generations within the CIAM itself. Team 10 sought to retrieve concepts of the traditional city and create a greater sense of community and identity, a construction of more immediate relationships between the family nucleus and the social group, between the residence and the collective spaces. This article is a reflection on the circulation of these “universal” ideas and their local applications focusing on a housing community in the city of Pelotas. That urbanization project shaped in the 1980s is a rich example for study because in it one can identify the presence of the different views of the city in the 20th century. The CIAM principles were present at the moment of its conception, but they were already “contaminated” by the critique of the functionalist city after World War II. This legacy, viz. the Team 10 legacy, has enabled the transformation of the housing community into a “neighborhood” full of intense urban animation, and this can be noticed in the “spontaneous city” that began to be built soon after the urbanization process started.Key words: CIAM, Team 10, housing community in Pelotas, Terras Altas Community.O CIAM se estabelece a partir do final da década de vinte do século passado como palco de discussão e difusão das novas ideias de urbanismo. Os modernistas acreditavam que o desenho da cidade seria propiciador de um mundo mais igualitário e que a estrutura urbana poderia ser conformada racional e funcionalmente de forma a se atingir o bem-estar social. Porém, o esquematismo e o excesso de racionalização que concebia a habitação padronizada sem qualquer relação com a identidade do morador provocaram fortes críticas por parte das gerações mais novas no próprio seio do CIAM. O Team 10 foi buscar no resgate das categorias da cidade tradicional um maior sentido de comunidade e identidade, uma construção de relações mais imediatas entre o núcleo familiar e o grupo social, entre a residência e os espaços coletivos. Este trabalho se constitui como uma reflexão sobre a circulação dessas ideias “universais” e suas aplicações ou traduções locais tomando um conjunto habitacional da cidade de Pelotas como objeto de estudo. Esta urbanização conformada nos anos oitenta se configura como rico exemplo de estudo porque nela é possível verificar a presença das diferentes visões sobre a cidade ocorridas no século XX. No momento da concepção estão presentes os princípios do CIAM, mas já “contaminados” pela crítica à cidade funcionalista do segundo pós-guerra. Esse legado, o legado do Team 10, tem possibilitado, e isso se nota na “cidade espontânea” que começa a ser construída logo após a ocupação da urbanização, a transformação do conjunto em um “bairro” dotado de intensa animação urbana.Palavras-chave: CIAM, Team 10, conjunto habitacional em Pelotas, Conjunto Terras Altas

O Palácio de Fernando Corona em Pelotas: inovador, renovador, conservador

In 1938, Fernando Corona, working for the construction company Azevedo Moura & Gertum, designs the Palace of Commerce in Pelotas, Rio Grande do Sul, the new headquarters of the Commercial Association. The building, the highest in the city, is undoubtedly a modern, innovative one and is acclaimed as such. In this project Corona consolidates the architectural principles which were dear to him. As a renewing architect, he uses a language of pure forms and surfaces denuded of ornament. As a conservative architect, he does not give up the timeless principles, the perfect balance of symmetry, the propriety of the urban decorum. The idea of rationalism, a common base of all modern architecture, is used in this study as an indicator for the understanding of the architect’s work and of the “pragmatic modernity” of architecture in general, which is indicated in historiography as a manifestation of non-radical renewal, different from avant-garde modernity. Being pragmatic, without the need for discourse, this architecture renews but always keeps something familiar, something which does not need to be explained, which is already part of an understanding shared by a culture.Keywords: architect Fernando Corona, modern architecture, Palace of Commerce in Pelotas.Em 1938, Fernando Corona, trabalhando para a construtora Azevedo Moura & Gertum, projeta o Palácio do Comércio em Pelotas, Rio Grande do Sul, a nova sede da Associação Comercial. O edifício, o mais alto da cidade, é sem dúvida um edifício moderno, inovador, e como tal é aclamado. Nesse projeto, Corona consolida os princípios arquitetônicos que lhe eram mais caros. Arquiteto renovador, utiliza uma linguagem de formas puras e superfícies despidas de ornamento. Arquiteto conservador, não abre mão dos princípios atemporais, do equilíbrio perfeito da simetria, da propriedade do decoro urbano. A ideia de racionalismo, base comum de toda a arquitetura moderna, é utilizada neste estudo como balizador de uma compreensão da obra do arquiteto e da arquitetura da “modernidade pragmática” em geral, indicada na historiografia como uma manifestação de renovação não radical, diferente daquela modernidade de vanguarda. Pragmática, sem necessidade de discurso, essa arquitetura renova conservando sempre algo familiar, algo que não precisava ser explicado, que já fazia parte de um entendimento compartido por uma cultura.Palavras-chave: arquiteto Fernando Corona, arquitetura moderna, Palácio do Comércio de Pelotas

Open educational resources (OER) and new social practices

According to UNESCO and Commonwealth of Learning, open educational resources (OER) are teaching, learning and research materials in any medium, digital or otherwise, that are in the public domain or have been released under an open license that permits free access, use, adaptation and redistribution by others. In the context of digital culture, OER create the opportunity for educators, students and even those are not formally tied to an educational institution to be involved in the creative process to develop and adapt educational resources. Governments and educational institutions can train teachers and students for collaborative production of texts, pictures and quality videos. With the opening of the materials on internet, the possibility of continuing education extends to the whole society

Novos registros do frango-d'água-pequeno Porphyrio flavirostris (Gmelin, 1789) (Gruiformes: Rallidae) para o estado do Paraná

Although it has a wide distribution in the country, the Azure Gallinule (Porphyrio flavirostris) has become rare in the southern region, due to the drainage of wetlands, implementation of hydroelectric reservoirs and the reduction of surrounding forests. Through the inventory carried out in the municipality of Capanema, field trips in Francisco Alves and Foz do Iguaçu in humid areas with a predominance of seasonal semideciduous forest, individuals of P. flavirostris were registered in October 2019, December 2020 and January 2021 on the floating vegetation. This work communicates new records of the species in the state of Paraná and makes a brief contribution about its conservation status.Aunque tiene una amplia distribución en el país, el ave acuática menor (Porphyrio flavirostris) se ha vuelto rara en la región sur, debido al drenaje de humedales, la implementación de reservorios hidroeléctricos y la reducción de los bosques circundantes. A través del inventario realizado en el municipio de Capanema, salidas de campo en Francisco Alves y Foz do Iguaçu en áreas húmedas con predominio de bosque estacional semideciduo, se registraron individuos de P. flavirostris en octubre de 2019, diciembre de 2020 y enero de 2021 en la fluctuación vegetación. Este trabajo comunica nuevos registros de la especie en el estado de Paraná y hace una breve contribución sobre su estado de conservación.Embora tenha ampla distribuição no país, o Frango-d’água-pequeno (Porphyrio flavirostris) tornou-se raro na região sul, devido à drenagem de áreas úmidas, implantação de reservatórios hidrelétricos e redução das florestas circundantes. Através do inventário realizado no município de Capanema, saídas de campo em Francisco Alves e Foz do Iguaçu em áreas úmidas com predominância de floresta estacional semidecídua, foram registrados indivíduos de P. flavirostris em outubro de 2019, dezembro de 2020 e janeiro de 2021 na flutuação vegetação. Este trabalho comunica novos registros da espécie no estado do Paraná e faz uma breve contribuição sobre seu estado de conservação

Tradução comentada de El Império jesuítico, de Leopoldo Lugones: uma experiência de tradução da letra

Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.Esta tese é um trabalho de tradução comentada de El imperio jesuítico, ensaio escrito entre 1903 e 1904 pelo poeta modernista argentino Leopoldo Lugones (1874-1938). Maior expoente entre os literatos de sua geração, nesta obra Lugones dedica-se a analisar o projeto missioneiro dos jesuítas junto ao povo guarani e a descrever o território das missões localizadas em território argentino e algumas de suas ruínas. A prosa de Lugones neste ensaio vai do discurso argumentativo próprio desse gênero até a descrição da natureza em prosa poética e impressionista, características do modernismo hispano-americano, alternando também trechos de narrativa em tom épico, de sátira, além de algumas passagens de descrições protocolares. Dado o caráter estético do objeto, minha tradução propõe-se a re-enunciar as propriedades poéticas do texto, a sua letra. Essas foram reunidas em dois grandes cortes: a) a tradução do léxico e a manutenção da diversidade da prosa; b) a re-enunciação do ritmo e do som. O objetivo, assim, é re-enunciar a prosa de Lugones mantendo suas marcas enquanto texto modernista hispano-americano. Os problemas e implicações desta proposta metodológica são analisados em comentários sobre a experiência tradutória