Book Reviews

Reviews of the following books: Mount Hope Cemetery of Bangor, Maine: The Complete History by Trudy Irene Scee; The Reverend Jacob Bailey, Maine Loyalist: For God, King, Country and for Self by James S. Leamon; The Barns of Maine: Our History, Our Stories by Don Perkins; Gateway to Vacationland: The Making of Portland, Maine by John F. Bauman; Maine: The Wilder Half of New England by William David Berry; The Cross of War: Christian Nationalism and U.S. Expansion in the Spanish-American War by Matthew McCullough; Omaha Beach: The Life and Military Service of a Penobscot Indian Elder by Charles Norman Shay

Book Reviews

Reviews of the following books: Mainers in the Civil War by Harry Gratwick; The 22nd Maine Volunteer Infantry in the Civil War: A History and Roster by Ned Smith; Write Quick: War and a Woman\u27s Life in Letters 1835-1867 Edited by Ann Fox Chandonnet and Robert Gibson Pevear; Civil War Senator: William Pitt Fessenden and the Fight to Save the American Republic by Robert J. Cook; Lincoln\u27s Friend: Leonard Swett by Robert S. Eckley; We Are in His Hands Whether We Live or Die: The Letters of Brevet Brigadier General Charles Henry Howard edited by David K. Thomson; Fanny & Joshua: The Enigmatic Lives of Frances Caroline Adams and Joshua Lawrence Chamberlain by Diane Monroe Smith; This Birth Place of Souls:The Civil War Nursing Diary of Harriet Eaton edited with an Introduction by Jane E. Schultz; Army at Home: Women and the Civil War on the Northern Home Front by Judith Giesberg; A Visitation of God: Northern Civilians Interpret the Civil War by Sean A. Scott; Freedom National: The Destruction of Slavery in the United States, 1861-1865 by James Oakes; War Upon the Land: Military Strategy and the Transformation of Southern Landscapes during the American Civil War by Lisa M. Brady; Remembering the Civil War: Reunion and the Limits of Reconciliation by Caroline E. Janne

The Dead Shall be Raised : The Egyptian Revival and 19th Century American Commemorative Culture

During the nineteenth century, as the citizens of the United States strove to establish their own sense of national and cultural identity, the architectural styles from earlier phases in human history became increasingly popular. Known largely as architectural eclecticism or architectural revivalism, Americans throughout New England and the Mid-Atlantic states in particular drew inspiration from disparate civilizations, and constructed buildings and monuments that reflected the earlier achievements of the Egyptians, Greeks, Romans, and Medieval Europe. Taken together, the popularity of these styles in both public and private architectural expressions indicate a widespread effort on the part of the American citizenry to define the place of their own society within the chronology of western history, while at the same time establish a symbolic cultural language in which the national identity of the United States derived its greatness - in the present and future - from the past. The Egyptian Revival, a style that middle and upper class Americans adopted primarily for commemorative activities, was an integral component to this broader trend throughout the nineteenth century. Generally regarded by historians and art historians as a minor expression of architectural revivalism - as an aberration from the more popular Greek and Gothic revivals - the significance of the Egyptian Revival to Americans\u27 efforts to establish their cultural identity has largely been dismissed. This dissertation argues that the Egyptian Revival became embedded in nineteenth century American commemorative culture as part of the broader effort by Americans to establish an identity for themselves and their country based on an ancient, usable past. Egyptian Revival architecture appeared as early as the 1790s with roots in the Neoclassicism of the English gardens. Following the Napoleonic campaigns in Egypt, the styles invoked during the nineteenth century hearkened to the timeless age of the pharaohs and the pyramids. It was primarily because the monuments and structures of Egypt evoked the sense of timelessness, eternity and technological superiority that the Egyptian Revival shaped American commemorative culture. Whether the monuments and structures built by Americans were intended to memorialize the soldiery of the Revolutionary and Civil Wars, to welcome the living into the land of the dead in the form of rural cemetery entrance gates, or to mark the burials of the new urban industrial elite, there were unequivocal associations between the development of the ways Americans memorialized their dead and their intentions - similar to the Egyptians - that their commemorative efforts would last in perpetuity