Aesthetics of Interactions by Nicolas Bourriaud in the View of Criticism and Search for an Alternative

Art critics and artists conduct an intensive search in defining the tasks of artistic creation. Culture is undergoing a major shift in the field of modern art towards social interaction. What achievements have been made in the field of social art, as defined in the aesthetics of the interactions of "? How does critical thought develop in contemporary foreign art? What are the requirements of the art practices of critics Miwon Kwon, Maria Lind, Claire Bishop? In order to answer these questions, the authors examine the works of social artists, as well as the writings of critics, in which an alternative to the views of N. Bourriaud is expressed

Moral and Spiritual Self-Improvement of Russian Youth in the Context of Religious and Cultural Awareness

In the research the relation to a symbol of the icon of Kazan Mother of God is considered through the structure of identity of group of modern Cristian youth. Today the religiousness, religious belief is a psychological phenomenon focusing the person on a way of moral and spiritual self-improvement. The relation of citizens to Russian Cristian Church remains contradictory, especially at youth. In this regard the research of the relation to a unique historical and cultural and spiritual symbol of the Kazan icon of the Mother of God is perspective. It is one of the brightest and deepest Cristian symbols it content. History of the Kazan icon of the Mother of God is inseparably linked with the history of Russia. The purpose of this article is to present the results of the research aimed in the identification of the relation to a symbol of the Kazan icon of the Mother of God of modern Cristian youth in the context of interrelation of its confessional identity and religious and cultural awareness. Results of an empirical research allows to establish that, despite growth of religious interest in a symbol of an icon of Kazan Mother of God at young people the low level of knowledge, not formation of ideas of the historic facts connected with this icon is observed. The image of an icon and its historical context have the invaluable potential for spiritual and moral education of the Russian youth

Moral and Spiritual Self-Improvement of Russian Youth in the Context of Religious and Cultural Awareness

In the research the relation to a symbol of the icon of Kazan Mother of God is considered through the structure of identity of group of modern Cristian youth. Today the religiousness, religious belief is a psychological phenomenon focusing the person on a way of moral and spiritual self-improvement. The relation of citizens to Russian Cristian Church remains contradictory, especially at youth. In this regard the research of the relation to a unique historical and cultural and spiritual symbol of the Kazan icon of the Mother of God is perspective. It is one of the brightest and deepest Cristian symbols it content. History of the Kazan icon of the Mother of God is inseparably linked with the history of Russia. The purpose of this article is to present the results of the research aimed in the identification of the relation to a symbol of the Kazan icon of the Mother of God of modern Cristian youth in the context of interrelation of its confessional identity and religious and cultural awareness. Results of an empirical research allows to establish that, despite growth of religious interest in a symbol of an icon of Kazan Mother of God at young people the low level of knowledge, not formation of ideas of the historic facts connected with this icon is observed. The image of an icon and its historical context have the invaluable potential for spiritual and moral education of the Russian youth

Moral and Spiritual Self-Improvement of Russian Youth in the Context of Religious and Cultural Awareness

In the research the relation to a symbol of the icon of Kazan Mother of God is considered through the structure of identity of group of modern Cristian youth. Today the religiousness, religious belief is a psychological phenomenon focusing the person on a way of moral and spiritual self-improvement. The relation of citizens to Russian Cristian Church remains contradictory, especially at youth. In this regard the research of the relation to a unique historical and cultural and spiritual symbol of the Kazan icon of the Mother of God is perspective. It is one of the brightest and deepest Cristian symbols it content. History of the Kazan icon of the Mother of God is inseparably linked with the history of Russia. The purpose of this article is to present the results of the research aimed in the identification of the relation to a symbol of the Kazan icon of the Mother of God of modern Cristian youth in the context of interrelation of its confessional identity and religious and cultural awareness. Results of an empirical research allows to establish that, despite growth of religious interest in a symbol of an icon of Kazan Mother of God at young people the low level of knowledge, not formation of ideas of the historic facts connected with this icon is observed. The image of an icon and its historical context have the invaluable potential for spiritual and moral education of the Russian youth

The Concept of "Female Beauty" In Tatar and Yakut Literature

In this research is focused on studying the features of representation of the concept of "female beauty" in the literature of Turkic peoples illustrated by writing of the founders of Tatar and Yakut literatures. The subject of the research is the means of representation of this concept in the works of GM Tukay "Tatar kyzlaryna" ("To Tatar girls", 1906) and AE Kulakovsky "Kyrasyabay Kyys" ("Beautiful girl", 1910). Common and distinctive features in representation of female personages in the works of the two poets were revealed in the course of comparative analysis. The relevance of the research is due to good perspectives of studying the concept a basis, revealing the worldview of people. At the same time

HISTORICAL SIGNIFICANCE OF THE IMAGE OF THE KAZAN VIRGIN IN THE EDUCATION OF SPIRITUALITY, MORALITY, AND PATRIOTISM

Purpose: The article presents an analysis of the historical values and roles of the Kazan Virgin in the formation and development of the Russian state, the spiritual, moral and patriotic education of citizens and, above all, the younger generation of the country through the prism of the modern socio-cultural situation. Methodology: The study implemented the principle of consistency, the principle of objectivity, the principle of the subject-subject approach. Result: The Kazan Icon of Holy Virgin, the significance of which cannot be overestimated, is a very strong image that has protected the Russian land from foreign invaders from time immemorial. Not only ordinary people prayed to her, but also princes, kings. Particular emphasis is placed on the consideration of the educational component in the modern system of national education, the formation and development of appropriate values and orientations of students, systems of spiritual and moral values, civic identity, the place of spirituality and spiritual culture in the personality structure. The authors substantiate the importance of the image of the Kazan Virgin in solving the problem of spiritual, moral and patriotic education of the population. Applications: This research can be used for universities, teachers, and students. Novelty/Originality: In this research, the model of Historical Significance of the Image of the Kazan Virgin in the Education of Spirituality, Morality, and Patriotism is presented in a comprehensive and complete manner

The Influence of Islam on the Musical Culture of the Volga Bulgaria of the Domngol Period

The article presents current issues of the influence of early feudal statehood and Islam on the development of the musical culture of the Volga Bulgaria of the pre-Mongol period. The Tatar people have a long history, writing, literature, and distinctive musical culture. The musical culture of the Tatar people is a unique form of artistic thinking of the people. It reflected historical destinies, living and working conditions, dreams and innermost thoughts of the Tatar people. The music of the Tatar people has changed over various historical periods. She absorbed the layers of new eras. At the same time, the music of the Tatar people has preserved traditions, despite modifications or the creation of a new one.Tatar original musical culture as a stylistic feature had a significant impact on the development of the spiritual culture of a number of peoples of the Middle Volga and Ural regions. Without knowledge of the spiritual culture of the Kazan Tatars and their ancestors, it is impossible to fully comprehend and appreciate the cultural achievements of the modern peoples of the Volga-Ural region

Gerhard Richter's Creativity as a Transformation of Historical Genre in European Art of the Xx Century

The second half of the twentieth century is marked by a high rhythm of change, which is very clearly manifested in art as a reflection of real time. In the 1960s, a new genre - a photo-painting - got its life. This genre has actively declared itself in the work of Gerhard Richter. Synthesizing paintings and photographs symbolizes the beginning of the artist's creative path. Richter's work is multidimensional and specific. This led to an increase in interest in him from the art historians and cultural experts of our time. The purpose of this article is an art history and cultural analysis of Gerhard Richter's paintings as a reflection of the transformation of twentieth-century art.The article uses the methods of discursive analysis, immersion method