Culture Jamming: Activism and the Art of Cultural Resistance by Marilyn DeLaure and Moritz Fink

Review of Marilyn DeLaure and Moritz Fink\u27s Culture Jamming: Activism and the Art of Cultural Resistance

\u3ci\u3eDiving Birds of North America\u3c/i\u3e: Color Plates

1. Arctic loon, adult in breeding plumage. Photo by author. 2. Red-throated loon, nesting adult. Photo by Kenneth W. Fink. 3. Yellow-billed loon, adult in breeding plumage. Photo by Kenneth W. Fink. 4. Common loon, nesting adult. Photo by Kenneth W. Fink. 5. Pied-billed grebe, adult in breeding plumage. Photo by author. 6. Least grebe, adult and young. Painting by Mark E. Marcuson. 7. Red-necked grebe, nesting adult. Photo by author. 8. Eared grebe, adults with young. Photo by Kenneth W. Fink. 9. Horned grebe, nesting adult. Photo by Kenneth W. Fink. 10. Western grebe, adult with young. Photo by Gary Nuechterlein. 11. Downy young of grebes, including light (top left) and dark phases (top right) of western, black-necked (upper left), horned (middle left), least (lower left), red-necked (middle right), and pied-billed (lower right). Painting by Jon Fjeldså. 12. Dovekie, adult in breeding plumage. Photo by Frank S. Todd. 13. Razorbill, adult in breeding plumage. Photo by author. 14. Common murre, adult in winter plumage. Photo by author. 15. Thick-billed murre, adult in breeding plumage. Photo by author. 16. Black guillemot, adult in breeding plumage. Photo by Frank S. Todd. 17. Pigeon guillemot, breeding colony. Photo by Frank S. Todd. 18. Pigeon guillemots, immature plumage (left), rhinoceros auklet (middle), and common murre, breeding plumage (right). Photo by author. 19. Marbled murrelet, incubating adult. Photo by Stuart Johnson. 20. Kittlitz murrelet, incubating adult. Photo by David G. Roseneau. 21. Cassin auklet, immature plumage. Photo by author. 22. Parakeet auklet, adults in breeding plumage. Photo by author. 23. Crested auklet, adults in breeding plumage. Photo by author. 24. Crested and least auklets, adults in breeding plumage. Photo by author. 25. Least auklet, juvenal plumage. Photo by Frank S. Todd. 26. Whiskered auklet, juvenal plumage. Photo by C. Fred Zeillemaker. 27. Whiskered, least, and crested auklets, breeding adults. Painting by Mark C. Marcuson. 28. Rhinoceros auklet, adult in breeding plumage. Photo by Frank S. Todd. 29. Tufted puffin, adults in breeding plumage. Photo by author. 30. Atlantic puffin, breeding colony. Photo by Frank S. Todd. 31. Atlantic puffin, adult in breeding plumage. Photo by Frank S. Todd. 32. Horned puffin adults in breeding plumage. Photo by author

Analisis Krisis pada Organisasi Berdasarkan Model Anatomi Krisis dan Perspektif Public Relations

Setiap organisasi, besar atau kecil, memiliki peluang untuk terkena krisis. Krisis dapat terjadi karena kesalahan internal organisasi, seperti kesalahan prosedur, kelalaian organisasi dan tindakan oknum dalam organisasi yang tidak bertanggung jawab. Disamping itu, krisis juga dapat disebabkan oleh faktor ekternal seperti kondisi ekonomi dan politik, atau bencana alam. Menurut Steven Fink, krisis melalui empat tahap penting yaitu tahap prodromal, tahap akut, tahap kronis dan tahap resolusi. Dalam perspektif public relations, setiap tahapan tersebut memerlukan strategi komunikasi yang berbeda­beda. Artikel ini merupakan hasil penelitian mengenai krisis yang menimpa Citibank Indonesia pada tahun 2010. Analisis dalam peneltian ini mengikuti tahapan perkembangan krisis dari Steven Fink dan aktivitas komunikasi yang dilakukan oleh public relations Citibank pada masa pra krisis, masa krisis dan masa pasca krisis. Temuan dalam penelitian ini adalah adanya perkembangan isu yang berdasarkan literatur semakin memperburuk citra organisasi, namun pada kasus Citibank, isu yang berkembang justru mampu menggeser isu utama dan menguntungkan Citibank. Kata Kunci: tahapan perkembangan krisis, tahapan komunikasi penanganan krisis, information gap. An organization whether it's large or small, has the opportunity to be exposed to the crisis. Crisis can occur due to an internal problem within the organization, such as procedural errors, omissions organization and unresponsible action from an employee in theorganization. Crisis can also be caused by external factors such as political and economic conditions, or natural disasters. According to Steven Fink, crisis in organization passing through four critical stages: prodromal phase, acute phase, chronic phase and resolution phase. In a public relations perspective, each stage requires a communication strategy that is different in each stage. This article is the result of research on the crisis that hit Citibank Indonesia in 2010. The analysis in this research follow the stages of development of crisis explained by Steven Fink and communication activities undertaken by public relations Citibank in pre crisis, crisis and post­crisis period. The findings in this research is the development of issue­based on literature will worsened the image of the organization, but in the case of Citibank the issue development actually beneficial for Citibank since the central issue was shifting from procedural error to personal issue of employee

A little beyond tomorrow

The present and long range benefits of space technology to man and his world are discussed. Data cover communications, education, earth resources, health, transportation, and manufacture of products in space

“Receive with Simplicity Everything That Happens to You”: Schlemiel (Meta)Physics in the Coens’ A Serious Man

Before Joel and Ethan Coen’s 2009 production A Serious Man, Jewish motifs have consistently appeared in their cinematic output. However, the Jewish characters functioned in an ethnically diverse setting and rarely took centre stage, with the notable exception of the eponymous struggling leftist playwright in Barton Fink. Nevertheless, even here the Jewishness seemed to be universalized into “humanity.” Elsewhere, through their accessory characters, the Coens primarily offered a nod to the illustrious and/or notorious Jewish presence in various spheres of American society (e.g., smalltime gangster Bernie Bernbaum in Miller’s Crossing or movie mogul Jack Lipnick in the aforementioned Barton Fink). In addition, steadfast religious observance has been an object of affable ridicule (e.g., store owner Walter Sobchak in The Big Lebowski). A Serious Man, however, reveals an unprecedented strategy. Described by the Coens as their most autobiographical film to date, it has a predominantly Jewish cast, deals almost exclusively with a Jewish community in the Midwest, and is heavily steeped in themes which have long been the staple of the Jewish literary tradition. Most evident is the familiar figure of the schlemiel, the eternal loser, embodied in the protagonist Larry Gopnik, whose seemingly endless predicaments form the spine of the plot. Marketed as a comedy, A Serious Man nevertheless consistently exhibits a dark, existential undercurrent, which renders its decidedly grim ending a rather logical payoff. Drawing on the research of seminal scholars on the subject of schlemiel narratives (e.g., Ruth Wisse, Sanford Pinsker), the essay is an attempt to situate the film within this tradition. Furthermore, I argue that the Coens reinvest the figure of the schlemiel with a philosophical charge that it possessed in folk legends and Yiddish literature; at the same time, they adapt the schlemiel to the postmodern condition. This allows them to address the fundamental uncertainty of our age, signalled in the film through the formulae of Heisenberg and Schrödinger

Bus voltage compensation circuit for controlling direct current motor

Automatic control of voltage supply to direct current moto

The Cripple of Inishmaan Playbill

Providence College Department of Theatre, Dance & Film Angell Blackfriars Theatre The Cripple of Inishmaan by Martin McDonagh Oct. 28-30 & Nov. 4-6, 2011 Directed by Mary G. Farrell Scenic Design: Kathryn Kawecki Lighting Design: Tim Cryan Costume Design: Deborah Newhall Sound Design: Paul Perry Dialect Coach: Sheila Hogg Cast: KATE - Danielle Demisay; EILEEN - Erin Fusco; JOHNNYPATEENMIKE - Ted Boyce-Smith; BILLY - Kevin Mark Lynch; BARTLEY - Patrick Mark Saunders; HELEN - Marisa Urgo; BABBYBOBBY - Daniel Caplin; DOCTOR MCSHARRY - Ryan Fink; MAMMY - Grace Curleyhttps://digitalcommons.providence.edu/cripple_pubs/1001/thumbnail.jp

Percussion Ensemble, April 20, 1983

This is the concert program of Boston University Percussion Ensemble performance on Wednesday, April 20, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works perfoemd were Top-Kapi by Siegfried Fink, Percussion Quintet by Edward Miller, Quaternion by Ron Delp, Interplay by R. Delp, Rota by Robert Capanna, Tarantella, Op. 102 No. 3 by Felix Mendelssohn (arr. by Peter Tanner), and Scherzo from Symphony No. 4 by Peter I. Tchaikovsky. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund