Progress in strain monitoring of tapestries

This paper reports interdisciplinary research between conservators and engineers designed to enhance the long-term conservation of tapestries (tapestry-weave hangings) on longterm display. The aim is to monitor, measure and document the strain experienced by different areas of a tapestry while it is hanging on display. Initial research has established that damage can be identified in the early stages of its inception, i.e., before it is visible to the naked eye. The paper also reports initial results of strain data visualisation that allows curators and conservators to examine how strain develops, thereby facilitating predictions about the changes in the form or condition of the tapestry. Strain data visualisation also allows the strain process to be recorded, thereby facilitating the effective documentation of display methods and conservation interventions. The paper reports the use of point measurements (using silica optical fibre sensors) and full-field monitoring (using 3-D photogrammetry with digital image correlation (DIC))

Long term condition monitoring of tapestries using image correlation

Digital Image Correlation (DIC) is used to extract non-contact full-field three-dimensional displacement and in-plane strains from an historic tapestries. A DIC-based approach is devised that allows the effect of RH variations on a tapestry to be quantified. A historical tapestry has been monitored in a closely controlled environment and in the natural environment. The results revealed that very small variations in RH can have significant effects on strain. An automated long term monitoring approach has been devised to allow strain data to be extracted in real time from tapestries in remote locations. The results show that DIC provides better understanding of the effect of RH fluctuations on strain which will ultimately lead to more insight into the degradation process of historical tapestries. The paper demonstrates the potential for using DIC as a condition monitoring tool

Strain monitoring of tapestries: results of a three-year research project

The outcomes of an interdisciplinary research project between conservators and engineers investigating the strain experienced by different areas of a tapestry are described. Two techniques were used: full-field monitoring using digital image correlation (DIC) and point measurements using optical fibre sensors. Results showed that it is possible to quantify the global strain across a discrete area of a tapestry using DIC; optical fibre and other sensors were used to validate the DIC. Strain maps created by the DIC depict areas of high and low strain and can be overlaid on images of the tapestry, creating a useful visual tool for conservators, custodians and the general public. DIC identifies areas of high strain not obvious to the naked eye. The equipment can be used in situ in a historic house. In addition the work demonstrated the close relationship between relative humidity and strain

Applications of polymer optical fibre grating sensors to condition monitoring of textiles

Fibre Bragg gratings (FBGs) in polymer optical fibres (POFs) have been used to measure the strain in a woven textile. FBGs in both POFs and silica optical fibres were attached to a woven textile specimen, and their performance characterised. It was demonstrated that the POF FBGs provide improved strain transfer coefficients and reduce local structural reinforcement compared to silica FBGs and therefore make a more suitable proposition for textile monitoring

The Wow Factor? A Comparative Study of the Development of Student Music Teachers' Talents in Scotland and Australia

For some time there has been debate about differing perspectives on musical gift and musical intelligence. One view is that musical gift is innate: that it is present in certain individuals from birth and that the task of the teacher is to develop the potential which is there. A second view is that musical gift is a complex concept which includes responses from individuals to different environments and communities (Howe and Sloboda, 1997). This then raises the possibility that musical excellence can be taught. We have already explored this idea with practising musicians (Stollery and McPhee, 2002). Our research has now expanded to include music teachers in formation, and, in this paper, we look at the influences in their musical development which have either 'crystallised' or 'paralysed' the musical talent which they possess. Our research has a comparative dimension, being carried out in Scotland and in Australia. We conclude that there are several key influences in the musical development of the individual, including home and community support, school opportunities and teaching styles and that there may be education and culture-specific elements to these influences

Restauração e conservação: algumas questões para os conservadores. A perspectiva da conservação de têxteis

O texto discute as idéias e diferentes conotações que os conceitos de conservação e restauração trazem em diferentes idiomas e culturas e as possíveis mudanças conceituais ocorridas nos últimos anos. São discutidas as diferenças de abordagem, procedimentos e objetivos que as duas atividades apresentam, sempre do ponto de vista da conservação de têxteis. Vários exemplos de abordagens distintas, desenvolvidas em função dos tratamentos de têxteis de diferentes naturezas são discutidos em detalhe

Visual ecology of aphids – a critical review on the role of colours in host finding

We review the rich literature on behavioural responses of aphids (Hemiptera: Aphididae) to stimuli of different colours. Only in one species there are adequate physiological data on spectral sensitivity to explain behaviour crisply in mechanistic terms. Because of the great interest in aphid responses to coloured targets from an evolutionary, ecological and applied perspective, there is a substantial need to expand these studies to more species of aphids, and to quantify spectral properties of stimuli rigorously. We show that aphid responses to colours, at least for some species, are likely based on a specific colour opponency mechanism, with positive input from the green domain of the spectrum and negative input from the blue and/or UV region. We further demonstrate that the usual yellow preference of aphids encountered in field experiments is not a true colour preference but involves additional brightness effects. We discuss the implications for agriculture and sensory ecology, with special respect to the recent debate on autumn leaf colouration. We illustrate that recent evolutionary theories concerning aphid–tree interactions imply far-reaching assumptions on aphid responses to colours that are not likely to hold. Finally we also discuss the implications for developing and optimising strategies of aphid control and monitoring

Baubles, Bangles, and Biotypes: A Critical Review of the use and Abuse of the Biotype Concept

Pest species of insects are notoriously prone to escape the weapons deployed in management efforts against them. This is particularly true in herbivorous insects. When a previously successful tactic fails the insect population has apparently adapted to it and is often considered to be a new or distinct entity, and given the non-formal category ‘biotype’. The entities falling under the umbrella term ‘biotype’ are not consistent either within or between biotypes, and their underlying genetic composition and origins, while generally unknown, are likely heterogeneous within and variable between biotypes. In some cases race or species may be more appropriate referents. Some examples of applications of the concept in the context of host plant resistance are discussed. It is argued here that the term ‘biotype’ and its applications are overly simplistic, confused, have not proved useful in current pest management, and lack predictive power for future management