Structural and Functional Organization of Photosynthetic Apparatus in Wild Halophites

The structural and molecular parameters of photosynthetic apparatus in plants with different strategies for the accumulation of salts were investigated. The objects of the study were euhalophytes (Salicornia perennans, Suaeda salsa, Halocnemum strobilaceum), a crynohalophyte (Limonium gmelinii) and a glycohalophyte (Artemisia santonica). The euhalophytes S. perennans and S. salsa belong to plants of the halosucculent type, while the other three species represent the xerophilic type. Larger cells with a great number of chloroplasts, a high content of membrane glycerolipids and unsaturated C18:3 fatty acid and smaller pigment and light-harvesting complexes characterize the features of euhalophytes with a succulent leaf type. Therefore, thefeatures of the halophyte photosynthetic apparatus structure are closely related to its functional indicators and are defined by a strategy in both the accumulation of salts and the method of water regime regulation. Keywords: chlorophyll, lipids and fatty acids, photosynthetic apparatus, ultrastructure of chloroplast

Pension fund of the Russian Federation : challenges and prospects of the development under modern conditions

The article states that it is necessary to develop new, flexible basis to introduce digital technologies into the Russian Pension Fund activity. Openness, subordination and results of the social services implementation provided by the Pension Fund of The Russian Federation must ensure transparency, accessibility for the Russian citizens to get services of the Pension Fund of The Russian Federation electronically as well as transparent activity of the bodies of the Pension Fund of The Russian Federation. The goal of the article is to research the Pension Fund of The Russian Federation activity in terms of the effective management of its financial resources through introduction of the new automated information system. To meet this objective the following tasks are set: to reveal historic aspects of the Pension Fund of The Russian Federation creation and development; single out current challenges and propose the directions to improve activity of the bodies of the Pension Fund of The Russian Federation. The conclusions about the necessity of the Pension Fund of The Russian Federation active work in the frame of interdepartmental electronic interaction with key federal agencies and executive authorities of all subjects of the Russian Federation to improve the management quality and control over the Russian Pension Fund’s financial resources.peer-reviewe

Search for the Radiative Capture d+d->^4He+\gamma Reaction from the dd\mu Muonic Molecule State

A search for the muon catalyzed fusion reaction dd --> ^4He +\gamma in the dd\mu muonic molecule was performed using the experimental \mu CF installation TRITON and NaI(Tl) detectors for \gamma-quanta. The high pressure target filled with deuterium at temperatures from 85 K to 800 K was exposed to the negative muon beam of the JINR phasotron to detect \gamma-quanta with energy 23.8 MeV. The first experimental estimation for the yield of the radiative deuteron capture from the dd\mu state J=1 was obtained at the level n_{\gamma}\leq 2\times 10^{-5} per one fusion.Comment: 9 pages, 3 Postscript figures, submitted to Phys. At. Nuc

ОСОБЕННОСТИ ЛИЧНОСТНОГО АДАПТАЦИОННОГО ПОТЕНЦИАЛА У ЛИЦ СРЕДНЕГО ВОЗРАСТА В УСЛОВИЯХ СОЦИАЛЬНОЙ ИЗОЛЯЦИИ, СОВЕРШИВШИХ ПРЕСТУПЛЕНИЕ ПРОТИВ ЛИЧНОСТИ

The article discusses theoretical and applied issues of studying the adaptive potential of middle-aged people who are in conditions of social isolation. В статье рассматриваются теоретические и прикладные вопросы изучения адаптационного потенциала у лиц среднего возраста, находящихся в условиях социальной изоляции.

Multi-Genre Strategies of “Walking with Pushkin” by A. Terts (A. Sinyavsky)

Based on the material of the book “Walking with Pushkin” by Abram Terts (Andrey Sinyavsky), the goal is to determine the main narrative strategies that the writer implemented. The authors demonstrate that along with the genre definitions of “novel”, “novella”, “essay”, the narrative is mediated by the techniques of “philological prose” and scientific discourse. It is shown that markers of scientific discursively narrative SinyavskyTerts in “Walking with Pushkin” is the number of characteristic features: composite partitioning, the extension of the goals and objectives  of  the   analysis,   the   coverage of  the  history  of  the  problem,  selection   of  research  methodology,  the   definition   of the novelty of the work, the establishment of perspectives, providing structural integrity, respect of chronology in understanding material, the use of the bibliographic apparatus, etc. According to the authors, the experience of Sinyavsky, a research scientist, who defended the dissertation at MSU, working in world literature of the Academy of Sciences of the USSR, who read lectures at Moscow state University and the Moscow art theatre Studio, influenced the nature of the material in  the  “Walking.” and served as canon  of  structural  research. It is established that a “free”    manner    of    presentation of scientific observations is expressive means of focusing attention on the most pressing issues  of  domestic scientists  to update the relationship of history and modernity (his understanding of own creativity, manifestation of the principle of “pure art”, the semantics  of the principle of freedom within the literature of socialist realism, etc.)

“Sometimes I Feel Like Shakespeare...” (Intertextual Layers of “Pilgrims” by I. Brodsky)

The article examines the well-known poem by I. Brodsky “Pilgrims” (1958), and offers a new, in-depth interpretation of it. The authors of the work focus on the “second” version of Brodsky’s text, supplemented in 1959 with an epigraph from a sonnet by W. Shakespeare. Starting from the epigraphic lines, the authors of the article instead of the generally accepted interpretation of the poem (through the traditional motif of the pilgrim’s wanderings as the endless movement of a person through life) bring to the fore the image (post)Shakespeare’s pilgrims-thoughts, pilgrims-feelings. Changing the perspective of perception allows them to see deeper layers of Brodsky’s poem and re-interpret already familiar images and motifs. Thus, the title lexeme of the text — “pilgrims” — is explained; the “strange” image of the “blue sun”, interpreted by critics as an element “from science fiction”, is reinterpret-ed; the semantics of the motif of the modern “bar”, read by researchers “as a symbol of mysterious foreign luxury”, is explained; the “unexpected” quotation in the text of a poem by N. Nekrasov, unloved by Brodsky, analyzed and explained; etc. Identification of broad intertextual layers of “Pilgrims” — poems by K. Balmont, V. Bryusov, F. Sologub, A. Akhmatova, O. Mandelstam, M. Lokhvitskaya, etc. — allows the authors of the work to demonstrate the multiplied potential of the poem, to in-crease the intensity of the tragic understanding of the world by the lyrical hero of Brodsky

Nostalgic Overtones in “The Autumn Cry of the Hawk” by I. Brodsky

The article offers a new perspective of the interpretation of the poem by I. Brodsky “The Autumn cry of a hawk” (1975). If the text is traditionally considered as the realization of the theme “the poet and the crowd”, then the nostalgic motifs of “the autumn cry” are highlighted in the work. It is shown that the first years of emigration formed certain milestones in Brodsky’s mind that required “intermediate” results, and the year 1975, the third year of emigration, actualized the motives of the “native nest” in the poet’s mind. However, unlike the usual angles of homesickness, the worldview of the herobird Brodsky outgrows the limits of nostalgic feeling, but acquires the features of an ontological myth about the laws of the existence of the Universe. The motives of the individual’s fate, freedom / lack of freedom of the individual obscure the motives of homesickness in Brodsky’s text, but the latter do not disappear without a trace, but are marked with a number of “American” and “Russian” details, images, word forms. The multiplicity of geographical toponyms (Connecticut, New England, Rio Grande), the redundancy of signs of “alien” reality (13 American states, “English” speech) allow us to explicate the invisible contrast “your own and others’ ”, reinforced by the antitheses “up / down”, “heat / ice”, “North / South”. The distinct plot of the poem (the flight of a hawk to his native places) turns out to be an important semantic entourage that enhances the depth of poetic perception

Intertextual Subtexts of Joseph Brodsky’s Elegy “You Will Return to Your Homeland. Well...”

The article offers an interpretation of Joseph Brodsky’s poem, rarely used for analysis, “You will return to your homeland. Well...” (1961). If traditionally Brodsky’s elegy in the intertextual aspect is considered as a “dialogue-repulsion” (A. Nesterov) with A. Vertinsky’s romance “Without Women”, then the work reveals other pretexts that at first glance seem alien to Brodsky’s love lyrics — these are texts of patriotic themes by S. Yesenin and M. Tsvetaeva. It is shown that Brodsky’s motive of homecoming is emphatically focused on “The Homecoming” and “The Soviet Russia” by S. Yesenin, in 1924, upon his return from America, formulated a sincere poetic confession in the extreme loneliness he experienced in his homeland (“My poetry is no longer needed here, / And, perhaps, I myself am not needed here either ...”). The prevailing idea of the dissimilarity of the poetry of Brodsky and Yesenin is questioned. The reference text of M. Tsvetaeva is the poem “The Homesickness. A long time ago...” (1934), as shown in the article, which served as an obvious prototype for “You will return to your homeland. Well...” The compositional structure of Tsvetaeva’s pretext with the dominant strategy of “affirmation through negation” determined the poetic organization of Brodsky’s elegy. It is argued that over time, the dialogic interaction of texts was accompanied by emotional and semantic recoding, the non-textual meanings in Brodsky’s poems grew

In Search of Self-Knowledge (Intertext of I. Brodsky’s Poem “The Procession”)

In the article, based on the material of the “mystery poem” by I. Brodsky “The Procession” (1961), intertextual links are traced that allow us to penetrate into the deep layers of the poem, to see behind its plot not the story of a love disappointment (I. Romanova) or the motives of the farcical comedy dell’arte (E. Fetisova), but philosophical reflections on time, on life and death (life-death). The intertextuality in “The Procession” goes beyond literature: the compositional structure of the poem is mediated by the influence of jazz variations and blues repetitions. As a musical pretext of “The Procession”, the classic of the Leningrad dixieland “When the saints go marching in...” is attributed. According to the jazz harmony the plot of the poem is formed as a series of zongs-voices, variants-improvisations of Hamlet’s theme “To be or not to be?” (“life / death”), which in Brodsky’s poem received a subjective version: “death comes as if for the first time...” The “vortex” composition, mediated by the rhythms of jazz, allows Brodsky to lead the hero through all the circles of Dante’s “Hell”, bringing him closer to “Purgatory” in the final poem and giving him the opportunity to pass initiation, to be among the “initiates”. The hero does not reach the heights of “Paradise”, but he is granted “even breath [verse]”, explicating the idea of an eternal life march to an unattainable world harmony