Il Faut Manger: A Study of Women’s Body Image and Obesity in Mali

Africa has long been a region of the world marked by the media as one of rail thin children with distended bellies and older men and women with cracked and wrinkled skin sagging off their bones. Media outlets like BBC, CNN, and the New York Times focus entire sections of their websites to special reports entitled ‘Famine in Africa’2, ‘Food Crisis in Niger’3, and ‘East Africa Famine 2011’4. Photos of children curled up on the ground, ribs and bones protruding at every angle grace the pages of nearly every magazine and newspaper. Nongovernmental organizations plead for donations and host fundraisers to end the hunger. This is a familiar sight, one that the media has used as a common image for Africa. However, as the governments of Africa and outside forces focus their attention on malnutrition, which remains an overwhelming problem and merits the attention it receives, there is a potentially more threatening epidemic hidden beneath its veil. One that requires attention before it claims the last few countries that have escaped its grasps. One that is preventable. Though obesity in the rest of the world is attracting much attention, the epidemic in Africa and low income countries elsewhere remains hidden, and while great strides are being made to diminish the rates of malnutrition, rates of obesity are climbing quickly and little effort is being made to stop them

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A neural network underlying circadian entrainment and photoperiodic adjustment of sleep and activity in Drosophila

A sensitivity of the circadian clock to light/dark cycles ensures that biological rhythms maintain optimal phase relationships with the external day. In animals, the circadian clock neuron network (CCNN) driving sleep/activity rhythms receives light input from multiple photoreceptors, but how these photoreceptors modulate CCNN components is not well understood. Here we show that the Hofbauer-Buchner eyelets differentially modulate two classes of ventral lateral neurons (LNvs) within the Drosophila CCNN. The eyelets antagonize Cryptochrome (CRY)- and compound-eye-based photoreception in the large LNvs while synergizing CRY-mediated photoreception in the small LNvs. Furthermore, we show that the large LNvs interact with subsets of “evening cells” to adjust the timing of the evening peak of activity in a day length-dependent manner. Our work identifies a peptidergic connection between the large LNvs and a group of evening cells that is critical for the seasonal adjustment of circadian rhythms. SIGNIFICANCE STATEMENT In animals, circadian clocks have evolved to orchestrate the timing of behavior and metabolism. Consistent timing requires the entrainment these clocks to the solar day, a process that is critical for an organism's health. Light cycles are the most important external cue for the entrainment of circadian clocks, and the circadian system uses multiple photoreceptors to link timekeeping to the light/dark cycle. How light information from these photorecptors is integrated into the circadian clock neuron network to support entrainment is not understood. Our results establish that input from the HB eyelets differentially impacts the physiology of neuronal subgroups. This input pathway, together with input from the compound eyes, precisely times the activity of flies under long summer days. Our results provide a mechanistic model of light transduction and integration into the circadian system, identifying new and unexpected network motifs within the circadian clock neuron network

Concert recording 2013-04-14b

[Track 01]. Winter spirits for solo flute / Katherine Hoover -- [Track 02]. Il bacio / Luigi Arditi -- [Track 03]. Sonata for flute and piano. First movement / Otar Taktakishvili -- [Track 04]. Euphonium Concerto. Andante ; [Track 05]. Finale-Giocoso / Vladimir Cosma -- [Track 06]. Flute concerto in D, op. 283. Allegro molto moderato / Carl Reinecke -- [Track 07]. White knuckle stroll / Casey Cangelosi -- [Track 08]. Into the air / Ivan Trevino -- [Track 09]. Horn concerto no. 1 in E♭ major. Allegro / Richard Strauss -- [Track 10]. Pulsar / Augusta Read Thomas -- [Track 11]. Concerto in F minor. Movement one / Oskar Bohme -- [Track 12]. Fugue in G minor, Little Fugue / J.S. Bach

Home-body/Kitchen Table Solo Show (2020 – 23) exhibited in 'Rupture, Rapture: Womxn in Collage'

Home-body/Kitchen Table Solo Show, is a composite installation of a series of works made during the pandemic - from within sixty weeks of shielding: In this context, one type of interior is the shell - a networked container maintained by labour and producing waste, reaching for community and receiving shopping. Another interior is the body within, navigating complex dependencies and desires. These works were all made on the edges of a kitchen table and draw on Mendelson's, often positive, experiences of the home-as-skin. A new, painted platform was produced for this exhibition, allowing the 'kitchen table' itself to fold into the work. ‘Rupture, Rapture: Womxn in Collage’ is a publication, residency and survey exhibition. 25 August - 23 September 2023 Patricia Fleming Gallery, Glasgow 'Rupture, Rapture: Womxn in Collage' brings together new and existing works, alongside special commissions to showcase collage in an expanded field, incorporating multimedia, sculpture, sound and performance art. Displaying over twenty collage works by 14 womxn artists, this exhibition challenges the notion of collage as a fixed category or form—instead revealing collage as a feminist praxis of transformation, rupture, and collision. Commissioned works will be presented by 16NSt resident artists’ Edie Baker, Gabrielle Lockwood Estrin, and Hannan Jones, developed in-situ at Patricia Fleming Gallery, along with a collage installation and performance from Jen DeNike (16th Sep), exhibiting the artist’s work in Scotland for the first time. New and historic work will be shown by Sam Ainsley, Claire Barclay, Barbara F. Kendrick, Janie Nicoll, Kate V. Robertson, and Catherine Street. Significant existing works will be displayed by Louise Hopkins, Zoë Mendelson, Victoria Morton, and Alberta Whittle. Curated by Aga Paulina Młyńczak and Nell Cardozo with support from Kelly Rappleye (16NSt Curatorial Collective), Sam Ainsley (artist and former Head of Glasgow School of Art’s MFA) and artist Janie Nicoll, this survey exhibition hosted by Patricia Fleming Gallery displays a diverse repertoire of over twenty collage works, several of which have never been shown before. By putting multimedia sculptural installations together with paper works, Młyńczak and Cardozo aim to expand the notion of what contemporary collage can do. Displaying work from womxn artists at various stages in their careers who use expanded collage processes, this exhibition aims to create an inter-generational feminist dialogue. 16NSt’s Rupture, Rapture: Womxn in Collage project comprises an emerging artists’ residency and publication alongside this exhibition to trace an alternative, feminist lineage of collage in everyday practices by womxn and queer communities, which have traditionally been refused art historical recognition, from scrapbooking to collage poetry. These homegrown acts of cultural transformation inform the ethos of cross-media experimentation and re-assemblage of everyday material that is shared across the works in this exhibition. PUBLICATION Accompanying the exhibition will launch a limited-release publication ‘RUPTURE, RAPTURE’, featuring rarely-seen collage works by Maud Sulter alongside a critical survey of contemporary womxn’s collage in Scotlan

Poly Economics-Capitalism, Class, and Polyamory

Academic research and popular writing on nonmonogamy and polyamory has so far paid insufficient attention to class divisions and questions of political economy. This is striking since research indicates the significance of class and race privilege within many polyamorous communities. This structure of privilege is mirrored in the exclusivist construction of these communities. The article aims to fill the gap created by the silence on class by suggesting a research agenda which is attentive to class and socioeconomic inequality. The paper addresses relevant research questions in the areas of intimacy and care, household formation, and spaces and institutions and advances an intersectional perspective which incorporates class as nondispensable core category. The author suggests that critical research in the field can stimulate critical self-reflexive practice on the level of community relations and activism. He further points to the critical relevance of Marxist and Postmarxist theories as important resources for the study of polyamory and calls for the study of the contradictions within poly culture from a materialist point of view. © 2013 Springer Science+Business Media New York