Assessing the museum visit experience

This contribution explores the influence of interactive mediation tools on the art museum visit experience. Its theoretical foundations are the consumption experiential approach (Bourgeon et Filser, 1995 ; Filser, 2002 ; Holbrook et Hirschman, 1982 ; Roederer, 2008) and the museum interactive visit experience (Doering et al. , 1999; N’Gary et Petr, 2012 ; Pallud et Monod, 2010 ; Walls et al. , 2011). We propose the development of a scale to measure the art museum visit experience. On a managerial level, this study may help museum professionnals to reach their different targeted audiences, to measure the contribution of their interactive mediation tools, and consequently increase frequentation

Utilisation d’outils interactifs de médiation et enrichissement de l’expérience de visite muséale

This research focuses on the use of interactive mediation tools during the art museum visit which is perceived by professional almost as a necessity. Is the museum visit experience influenced (positively or negatively) by the art museum audiences use of interactive mediation tools ? Which dimensions are concerned ? First, we present the experience and interactivity concepts that constitute our reseach theoretical foundations. Second, we analyse the results from the qualitative method we implemented. On a managerial level, the goal is to help museum professionnals to choose interactive mediation tools in order to satisfy and broaden their audiences

The explanatory variables of narrative transportation and consumer engagement with a transmedia consumption experience

Professionals in the cultural sector are increasingly designing transmedia narrative devices. By that new strategy, they expect to increase cultural consumption and attendance. Considering the central role of the narrative transportation during the transmedia experience, this article presents results about six anticipated antecedents of this process experienced by users of a transmedia device that combines digital and physical elements, and deals with the heritage history of a French province. The six variables tested are gender, age, level of education (to describe the socio-demographic profile), geographical proximity (to proxy the familiarity with the topic and contents of the story told in the transmedia device), cultural expertise (to refer to the whole acquaintance with cultural consumption), and relationship with technology (to score the propensity to adopt new technology). Regarding the consequence of the narrative transportation, the model focuses on the consumer engagement toward both the object of narration that is referring to the topic cultural professionals wants theirs visitors and viewers to discover, and the cultural genre (here the heritage and history of the region). This paper concludes with a discussion of our main results and limitations

Can the use of interactive mediation tools influence the identity proximity between the public and the art museum?

The public and the art museum identity on the one hand, and context on the other hand, seem to influence consumer behaviour in the museum field. It’s not about changing the museum content, but about approaching its identity to the public’s identity, in order to allow access to art. In the first part, we present the theoretical and conceptual framework of the research. A second part will propose the implementation of a qualitative methodological approach and the results exploitation that will let us answer to the previous questions

Effects of sibling competition on growth, oxidative stress, and humoral immunity: a two-year brood-size manipulation

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . On the basis of annual differences in chicks' morphological traits and body masses close to fledging, we established that 2007 was a relative low-quality year and 2008 was a relatively high-quality year. Total antioxidant capacity (TAC) was significantly lower in experimentally enlarged broods, but only in the low-quality year (2007). Total oxidant status (TOS) was independent of brood size in both years but was 45% higher in the low-quality year. Consequently, plasma oxidative status (the ratio between TOS and TAC) was higher in 2007. In contrast, plasma IgY levels were higher in the experimentally enlarged broods and in the high-quality year (2008). Thus, immune function and oxidative stress showed inverse relationships with developmental conditions and annual variation in year quality. Finally, TOS and TAC were positively correlated, but only in the low-quality year (2007), and there was no relationship observed between IgY and markers of oxidative stress. Our results demonstrate the importance of taking into account year effects or ecological context when assessing environmental effects on physiological mechanisms underlying the life-history traits of chicks, such as oxidative stress. The University of Chicago Pres

Mid-winter temperatures, not spring temperatures, predict breeding phenology in the European starling Sturnus vulgaris

In many species, empirical data suggest that temperatures less than 1 month before breeding strongly influence laying date, consistent with predictions that short lag times between cue and response are more reliable, decreasing the chance of mismatch with prey. Here we show in European starlings (Sturnus vulgaris) that mid-winter temperature ca 50–90 days before laying (8 January–22 February) strongly (r2 = 0.89) predicts annual variation in laying date. Mid-winter temperature also correlated highly with relative clutch size: birds laid later, but laid larger clutches, in years when mid-winter temperatures were lower. Despite a high degree of breeding synchrony (mean laying date 5–13 April = ±4 days; 80% of nests laid within 4.8 days within year), European starlings show strong date-dependent variation in clutch size and productivity, but this appears to be mediated by a different temporal mechanism for integration of supplemental cue (temperature) information. We suggest the relationship between mid-winter temperature and breeding phenology might be indirect with both components correlating with a third factor: temperature-dependent development of the starling\u27s insect (tipulid) prey. Mid-winter temperatures might set the trajectory of growth and final biomass of tipulid larvae, with this temperature cue providing starlings with information on breeding season prey availability (though exactly how remains unknown)

Mid-winter temperatures, not spring temperatures, predict breeding phenology in the European starling Sturnus vulgaris

In many species, empirical data suggest that temperatures less than 1 month before breeding strongly influence laying date, consistent with predictions that short lag times between cue and response are more reliable, decreasing the chance of mismatch with prey. Here we show in European starlings (Sturnus vulgaris) that mid-winter temperature ca 50–90 days before laying (8 January–22 February) strongly (r2 = 0.89) predicts annual variation in laying date. Mid-winter temperature also correlated highly with relative clutch size: birds laid later, but laid larger clutches, in years when mid-winter temperatures were lower. Despite a high degree of breeding synchrony (mean laying date 5–13 April = ±4 days; 80% of nests laid within 4.8 days within year), European starlings show strong date-dependent variation in clutch size and productivity, but this appears to be mediated by a different temporal mechanism for integration of supplemental cue (temperature) information. We suggest the relationship between mid-winter temperature and breeding phenology might be indirect with both components correlating with a third factor: temperature-dependent development of the starling\u27s insect (tipulid) prey. Mid-winter temperatures might set the trajectory of growth and final biomass of tipulid larvae, with this temperature cue providing starlings with information on breeding season prey availability (though exactly how remains unknown)

Narrative transportation and transmedia consumption experience in the cultural field

The aim of this research is to better understand the transmedia consumption experience through the narrative transportation process. On the theoretical level, by applying these concepts to the arts and cultural field, we broaden the existing literature (1) in information and communication science, which is more focused on transmedia content and platform creation and conception, and (2) in management sciences, which mostly apprehend narrative transportation in the persuasive advertising context. On the conceptual level, we try to describe the different steps in the transmedia device appropriation process, the determinants of the narrative transportation process and its components (namely the story told and the characters, among other components). A qualitative methodology is implemented. Semi-directive interviews of transmedia designers and experts and users’ introspective narratives were conducted. A conceptual framework focused on the experience is proposed and highlights individual, technical, and situational factors, experience processes (appropriation and narrative transportation) and consequences related to the individual’s commitment (to the narration object, to the cultural category and to transmedia devices)