Odin Teatret’s The Tree: performing in the interstices

Abstract: This article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whilst critiquing contemporary geo-politics. Importantly, we argue that notions of interculturalism - which have often been employed by scholars to critique the Odin’s work - do not address the full complexity of the embodied concatenation of the group’s practice, and we employ the term interstitial to more effectively articulate the complex space produced by the group’s training and performances.</jats:p

Theatre and the world : performance and the politics of culture /

Bharucha contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics (paraphrased from back cover)."First published 1990 by Manohar Publications, India"--Title page verso.Includes bibliographical references and index.Bharucha contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics (paraphrased from back cover)

Viajando através do interculturalismo: do pós-colonial ao presente global

Conferência proferida por Rustom Bharucha no IX Congresso da ABRACE em Uberlândia. Nessa conferência, o autor combina memórias, anedotas e momentos-chaves da iluminação e da crise na narrativa intercultural. ABSTRACT Conference given by Rustom Bharucha at the 9th ABRACE Congress in Uberlândia. In this conference, the author combines memories, anecdotes and key moments of enlightenment and crisis in intercultural narrative. Keywords: Interculturalism; performance; postcolonia