Penerapan Model Picture And Picture untuk Meningkatkan Keterampilan Menulis Karangan Deskripsi di Sekolah Dasar

This study aims to determine the improvement of writing description skills on learning Indonesian language through the application of picture and picture model of fourth grade students of Elementary School Negeri 9 Pontianak Utara. The research method used is descriptive method. The subject of the study were 37 students. This study was conducted 3 cycles, the results showed that the ability of teachers to design learning from cycle I obtained the average of 3,4 cycle II obtained an average value 3,69 and cycle III obtained an average value of 3.85, while the ability of teachers to implement learning from the results of cycle I obtained an average value of 3,21, cycle II obtained an average value of 3.52 and cycle III obtained an average value of 3.72. The result of writing writing essay description of students in cycle I, with score average 62,01. In cycle II, the average was 74.47 and the average cycle III of 78,83. Thus, the picture and picture model can improve the student writing description skill

Tata Letak Ruang Hunian-USAha Pada Rumah Lama Milik Pengusaha Batik Kalangbret Tulungagung

Desa Kalangbret merupakan salah satu sentra industri batik tertua di Kecamatan Tulungagung. Pada kawasan ini terdapat rumah-rumah lama berusia lebih dari 50 tahun milik pengusaha/ juragan Batik Kalangbret yang dulu berfungsi sebagai hunian-USAha. Industri Batik Kalangbret yang mengalami kemunduran pada tahun 1970-an menyebabkan rumah-rumah lama tersebut berubah menjadi fungsi hunian saja. Setiap rumah memiliki kelengkapan dan tata letak ruang yang berbeda-beda. Ruang-ruang USAha tersebut pada beberapa rumah masih dipertahankan namun telah mengalami Perubahan fungsi. Tujuan studi ini adalah untuk mengetahui tata letak ruang hunian-USAha pada rumah lama milik pengusaha Batik Kalangbret dan faktor yang membentuk tata letak ruang tersebut. Metode penelitian yang digunakan adalah metode deskriptif dengan memaparkan hasil pengamatan di lapangan untuk kemudian dianalisis berdasarkan variabel-variabel yang telah dipilih. Hasil penelitian menunjukkan bahwa dari segi jenis dan fungsi ruang USAha yang dimiliki terdapat tiga tingkat kelengkapan ruang, lalu terdapat delapan macam pola tata letak yang terbagi dalam tiga tipe, yaitu tipe ruang USAha berada di dalam bangunan utama, tipe ruang USAha berada di dalam skala tapak (halaman rumah) dan tipe ruang USAha yang berada terpisah di luar tapak. Faktor-faktor yang membentuk tata letak ruang tersebut adalah faktor ekonomi, faktor sosial, dan sistem kepemilikan USAha

Kepemilikan Perencanaan Keuangan Hari Tua Pada Pekerja Kota Bogor

. This study aims to analyze the influence of attitude toward behavior,subjective norms, and perceived behavioral control on Bogor‟s employee. This study isaims too to analyze the demography characteristic of Bogor‟s employee who haveretirement planning. This study was conducted on 97 Bogor‟s employee and wasconducted in August until October 2016. The results of logistic regression showed thatthe indicators of subjective norms and perceived behavioral control have positive effecton financial retirement planning to Bogor‟s employee. Research also showed thatownership of financial retirement planning tend to be owned by the city of Bogor‟semployee who have more than one number of dependents, aged over 30 years old,married, and earning over nine million per month

Studi Eksperimen Karakteristik Kinerja Kincir Air sebagai Pembangkit Listrik Skala Mikrohidro

Masalah yang sering dijumpai di masyarakat dalam pemanfaatan sumber energi air pada saluran miring adalah masih sedikitnya jumlah ketersediaan kincir air yang bersekala mikro, karena untuk mendesain dan membuat kincir air ini perlu suatu kemampuan dan keahlian khusus. Pemanfaatan dan pengunaan kincir air pada saluran miring masih belum begitu optimal penggunaan dan pemakaiannya di Indonesia, hal tersebut dikarenakan masih minimnya  informasi tentang pemanfaatan dan pengaplikasian kincir air pada saluran miring dalam pemanfaatannya di lapangan. Penelitian ini memiliki suatu tujuan untuk mengetahui putaran kincir, daya listrik dan efisiensi sistem pada pembangkit listrik mikrohidro. Untuk mengetahui karakteristik kincir air pada saluran miring sebagai pembangkit listrik skala mikrohidro. Metode penelitian diawali dengan perancangan/ desain kincir air, kemudian dilanjutkan tahap pembuatan, tahap assembling dan installing, pengujian alat dan analisis, pengujian yang dilakukan meliputi uji karakteristik kincir air. Parameter penelitian yang diukur meliputi putaran generator, arus yang mengalir pada rangkaian, tegangan yang mengalir pada rangkaian, beban lampu yang diberikan, debit air yang mengenai sudu. Hasil Penelitian kincir air putaran kincir tertinggi pada ketinggian poros kincir 21 cm diatas bibir saluran adalah 40,3 rpm dengan beban lampu 20 Watt, sedangkan putaran kincir terendah pada ketinggian poros 29 cm diatas bibir saluran adalah 35,9 rpm dengan beban lampu 40 Watt. Daya listrik tertinggi pada ketinggian poros kincir 21 cm diatas bibir saluran adalah 4,68 Watt dengan beban lampu 20 Watt. Efisiensi sistem tertinggi pada ketinggian poros kincir 21 cm diatas bibir saluran adalah 0,284% dengan beban lampu 20 Watt

Managing Oil Palm Plantations More Sustainably: Large-Scale Experiments Within the Biodiversity and Ecosystem Function in Tropical Agriculture (BEFTA) Programme

Conversion of tropical forest to agriculture results in reduced habitat heterogeneity, and associated declines in biodiversity and ecosystem functions. Management strategies to increase biodiversity in agricultural landscapes have therefore often focused on increasing habitat complexity; however, the large-scale, long-term ecological experiments that are needed to test the effects of these strategies are rare in tropical systems. Oil palm (Elaeis guineensis Jacq.)—one of the most widespread and important tropical crops—offers substantial potential for developing wildlife-friendly management strategies because of its long rotation cycles and tree-like structure. Although there is awareness of the need to increase sustainability, practical options for how best to manage oil palm plantations, for benefits to both the environment and crop productivity, have received little research attention. In this paper we introduce the Biodiversity and Ecosystem Function in Tropical Agriculture (BEFTA) Programme: a long-term research collaboration between academia and industry in Sumatra, Indonesia. The BEFTA Programme aims to better understand the oil palm agroecosystem and test sustainability strategies. We hypothesise that adjustments to oil palm management could increase structural complexity, stabilise microclimate, and reduce reliance on chemical inputs, thereby helping to improve levels of biodiversity and ecosystem functions. The Programme has established four major components: (1) assessing variability within the plantation under business-as-usual conditions; (2) the BEFTA Understory Vegetation Project, which tests the effects of varying herbicide regimes; (3) the Riparian Ecosystem Restoration in Tropical Agriculture (RERTA) Project, which tests strategies for restoring riparian habitat; and (4) support for additional collaborative projects within the Programme landscape. Across all projects, we are measuring environmental conditions, biodiversity, and ecosystem functions. We also measure oil palm yield and production costs, in order to assess whether suggested sustainability strategies are feasible from an agronomic perspective. Early results show that oil palm plantation habitat is more variable than might be expected from a monoculture crop, and that everyday vegetation management decisions have significant impacts on habitat structure. The BEFTA Programme highlights the value of large-scale collaborative projects for understanding tropical agricultural systems, and offers a highly valuable experimental set-up for improving our understanding of practices to manage oil palm more sustainably

Pelatihan Pengembangan Soal Hots (Higher Order Thinking Skill) sebagai Peningkatan Kompetensi Pedagogik Guru Sekolah Dasar

Pembelajaran dalam kurikulum 2013 menuntut agar dalam pelaksanaan pembelajaran siswa diberi kebebasan berpikir memahami masalah, membangun strategi penyelesaian masalah, mengajukan ide-ide secara bebas dan terbuka. Guru merupakan faktor yang berperan penting dalam menentukan keberhasilan proses pembelajaran, karena guru yang merencanakan, melaksanakan, dan melakukan penilaian dalam proses pembelajaran tersebut. Kegiatan guru dalam pembelajaran adalah melatih dan membimbing siswa berpikir kritis dan kreatif dalam menyelesaikan masalah. Kegiatan pengabdian pada masyarakat ini bertujuan untuk memberikan pemahaman tentang ciri-ciri dan cara pembuatan soal HOTS, serta memberikan pengalaman langsung dalam mengubah soal biasa menjadi soal HOTS. Kegiatan ini melibatkan 50 guru Sekolah Dasar Gugus Pangeran Antasari Kota Banjarbaru Kalimantan Selatan. Metode yang digunakan adalah ceramah, diskusi, penugasan, dan pelatihan pembuatan soal HOTS. Dari kegiatan yang dilaksanakan, dapat disimpulkan bahwa: 1) Kegiatan berdampak positif bagi guru. 2) Guru lebih mengetahui bagaimana ciri soal HOTS yang baik. 3) Guru juga mengetahui cara mengembangkan soal HOTS. Para peserta berharap adanya kegiatan sejenis dengan materi lanjutan.Abstrack: Learning in the 2013 curriculum demands that in the implementation of learning students are given the freedom to think, understand problems, develop problem-solving strategies, propose ideas freely and openly. The teacher is a factor that plays an important role in determining the success of the learning process, because it is the teacher who plans, implements, and conducts assessments in the learning process. The teacher's activities in learning are to train and guide students to think critically and creatively in solving problems . This community service activity aims to provide an understanding of the characteristics and methods of making HOTS questions, as well as providing direct experience in converting ordinary questions into HOTS questions. This activity involved 50 teachers from the Prince Antasari Cluster Elementary School, Banjarbaru City, South Kalimantan. The methods used are lectures, discussions, assignments, and training on making HOTS questions. From the activities carried out, it can be concluded that: 1) Activities have a positive impact on teachers. 2) Teachers know more about the characteristics of good HOTS questions. 3) The teacher also knows how to develop HOTS questions. The participants hoped that there would be similar activities with advanced material

Tatalaksana Penutupan Duktus Arteriosus Persisten Transkateter

Penyakit jantung bawaan (PJB) merupakan salah satu kelainan bawaan terbanyak di dunia. Secara umum kelainan ini dibagi menjadi tipe sianotik dan asianotik. Duktus arteriosus persisten (DAP) merupakan salah satu tipe PJB asianotik dan menduduki peringkat ke 3 dari seluruh kelainan jantung bawaan. Penutupan DAP secara transkateter saat ini menjadi pilihan utama jika gagal dengan obat-obatan dan ukuran defek memungkinkan. Pengamatan pasca penutupan transkateter penting untuk menilai Perubahan klinis dan kemungkinan komplikasi.Congenital heart disease (CHD) is one of the most frequent congenital anomalies in the world. These anomalies are usually divided into cyanotic and acyanotic type. Patent ductus arteriosus (PDA) is acyanotic type of CHD and ranked 3rd of all CHD. Transcatheter PDA closure now become first choice if drug treatment fails and the size of the defect is qualified for nonsurgery closure. Post-closure observation is important to assess clinical changes and possible complications

THE 6TH INTERNATIONAL SEMINAR ON NUSANTARA HERITAGE

WELLCOMING SPEECH BUILDING CULTURE CREATING NATION’S PERSONALITY Wellcoming Speech By I Gede Arya Sugiartha Rector of ISI Denpasar The socio-cultural problems that challenge our nationality have penetrated into public space. Ranging political, economic, educational, health, to humanity these problems have become an issue that can be clearly seen and freely witnessed through the mass media. The occurrence of tragedies such as the SARA conflict, armed conflict, the disintegration of our nation and the increasing presence of terrorism networks mark our nation as a “danger area” that can threaten everyone here at any time. In the past, our country was a highly developed and glorious geographical and political area often described as the “tata tentrem karta raharja” or “the kingdom of peace" The success stories of the Sriwijaya Kingdom, the Majapahit Kingdom uniting our nation, the birth of various works, such as Borobudur, Prambanan, and Angkor Wat showcase the world of wonder that is our nation. This is a proof that this nation is a safe place that gives artists an opportunity to thrive and produce new works. Today, we have to explore the true meaning of success and the birth of archaeological wonders that are inherited to us through this nation. KEYNOTE SPEAKER’S ABSTRACT FOOTPRINTS, TRAILS AND EXPLORE (EARTHLY) NUSANTARA FINE ARTS Setiawan Sabana Institut Teknologi Bandung [email protected] INTRODUCTION The echoes of the terminology, the concept and practice of Nusantara culture were heard and felt increasingly expressed relentlessly in various forums, whether of political dimension, historical, educational, science and technology, to arts and culture. This movement is emerging in various formats. In the academic realm, there is an ongoing effort to understand and deepen the Nusantara in researches in various universities. Great attention to the excavation of the values and meanings of Nusantara today becomes a colossal event. It can be seen and interpreted as a revitalization of consciousness to tread, trace and explore the civilization and culture that became the foundation and the significant life breath in the geographical region in the Southeast Asian populations which are administratively within ASEAN. The Nusantara echo is enlarged in the region in its form, discourse, expression and terminology. In essence, this monumental consciousness, in my opinion, is synonymous with a new awareness of the importance of awakening the facts and the reality of identity around ourselves. The range of a long and distinctive journey is unique in the context of the natural terrain, culture and civilization, and its products are different from other regions of the world. BRIDGING INFORMAL, NON-FORMAL AND FORMAL EDUCATIONAL APPROACHES TO SUPPORT THE ARTS, CULTURAL HERITAGE DIVERSITY, AND SOCIAL COHESION Diane Butler Assoc. Professor Kajian Budaya Doctoral Studies Program, Universitas Udayana (USA/Indonesia) Given that across the Nusantara region there are thousands of sacred natural and built heritage structures and sites and a multitude of forms of tangible and intangible cultural heritage – it is vitally important that young people can receive practical knowledge and tools so as to enable them to take part in “the identification, protection, presentation and interpretation of heritage structures, sites or areas in their setting” (see ICOMOS, 2005 Xi’an Declaration). The social reality of people from various ethno-cultural backgrounds with diverse languages and religious practices residing in, visiting or journeying through all regions of the world also requires strengthening skills for cooperation and the capacity for intercultural creative dialogue. Aware of the linkage between these two matters, the question that needs addressing is how can artists – both tradition-bearers and contemporary practitioners – and experiential learning through art praxis continue to have a prominent role in the field of heritage preservation and the shaping of cultural environments for the future. This paper thus takes up the topic of bridging informal, non-formal and formal educational approaches to support the arts, cultural heritage diversity, and social cohesion. Keywords: informal, non-formal and formal education; art praxis; tangible and intangible cultural heritage diversity; social cohesion [email protected] ABSTRACT GLOBAL SHOCK AND NUSANTARA HERITAGE Jean Couteau Assoc. Professor Indonesian Institute of The Arts of Denpasar France/Indonesia [email protected] INTRODUCTION There are several ways to interpret the theme of this conference: Nusantara Heritage. I choose to appoint, not the content of the inheritance itself, in all of its riches, but what sees as its problematic "survival" implicit in it: how to build and preserve a nation, and a country that is truly united and unified, although consist of components that are often very different from each other? At the level of its citizens, how to get Indonesians to construct their identity in a balanced way between several layers: the national, ethnic and religious layer, in order for their unity to remain firm. This problematic has actually been present in the dialectics of the symbolic-ideological system of Indonesia since the formulation of Indonesian concepts: politically in the Sumpah Pemuda of 1928 and in the speeches of Sukarno and the founders of other nations; culturally in the writings of Ki Ajar Dewantara; and normative ideologically within Bhinneka Tunggal Ika, Pancasila and related symbolic systems. This fact makes Ben Anderson formulate the concept of nationalism as an "imagined community". This problem also overshadows the writings of Radhar Panca Dahana and Azyumardi Azra (Islam Nusantara). BUILDING VIRTUAL FOUNDATION THROUGH UTILIZATION OF THE NOBLE VALUES OF NUSANTARA’S CULTURAL HERITAGE. I Wayan Rai S Indonesia Institute of Art and Culture (ISBI) Tanah Papua, Jayapura. [email protected] ABSTRACT In accordance with the theme of The International Seminar on Nusantara Heritage (ISoNH) 2017, which is “Nusantara’s Cultural Arts Diversity as Inheritance Source of Tolerant and Inclusive Society’s Development Values” I would like to deliver a paper entitled: “Building Virtual Foundation Through Utilization of the Noble Values of Nusantara’s Cultural Heritage”. Specifically I want to discuss about the noble values that are contained in Nusantara (Indonesia) cultural heritage which are relevant to be utilized universally as a source of inspiration and tolerance. In order for us to use them as a source of inspiration and tolerance, it is necessary to build a solid foundation, which I call the "Virtual Foundation". As an illustration, I use a new art creation entitled Kecak Rasa Papua Dance (Kecak with Papua Taste Dance), produced in 2015 at ISBI Tanah Papua, Jayapura. The purpose of this work is in line with the theme of our international seminar today, which is how to build a sense of togetherness ARTS APRECIATION BASED ON THE PRINCIPLE OF ETHNOMATHEMATICS Abdul Halim bin Husain, Rushana Bte Sulaiman @ Abd. Rahim Sultan Idris Education University [email protected] INTRODUCTION This paper is on arts via ethnomathematic approaches. The arts focused include, weaving, fine arts, textiles, carvings, and architecture. The study analyzes the mathematical principles found in each chosen work. The beauty of patterns and motifs can be seen through geometric designs. Visual observation is done to extract information on the relationship between arts and mathematics. The results of observation through the beauty of art work is expected to show its beauty from ethnomathematic aspects. This study is able to extend the boundaries of appreciation especially in the arts, based on ethnomathematic features in general. Early 1970s the national cultural congress in Malaysia has raised questions about national identity. The congress felt it is necessary to be aware of some elements to symbolically identify the national culture and the background of society. The background of the Malay community was influenced by the culture and the paradigm of thinking. A rich heritage of culture and customs enabled them to build their traditions from the foreskin of thought and inherited philosophy. THE PAST, PRESENT, AND FUTURE OF NUSANTARA HERITAGE: FOCUSING ON THE RELIGION AND CULTURE IN BALI Shinobu Yamaguchi Professor, Department of Eastern Philosophy and Culture, Toyo University, Tokyo, Japan [email protected] ABSTRACT Śiwa-Buddha is the basic concept in the present Balinese Hinduism originated in old Java. In India, the concept of Śiva-Buddha was not born. Thus, this concept is a characteristic of Balinese Hinduism. We can see the examples of this concept in some Javanese and Balinese temple-architectures and statues. And another feature of Balinese Hinduism, namely, ancestor worship is the result of absorption of indigenous element by Indian religions. Those two elements are the important characteristics of Balinese Hinduism as a Nusantara heritage. Now Indonesian people confront with the modernization or globalization. I don’t think the people should abandon their traditional society and culture due to globalization. However, I think that people should judge the order of priority in every social and cultural element, thinking their nation, Indonesia first. We should examine the meaning of ‘Nusantara’ again in modern context. Keywords: Siwa-Budha, Nusantara Heritage, Meaning of ‘Nusantara’, Religion and Culture PARTICIPANT’S ABSTRACT VISUAL ARTS OF PREHISTORIC SOCIETY BASED ON THE MOTIF AND SYMBOLISM ON CAVE PAINTING IN PENINSULAR MALAYSIA Adnan Jusoh, Yunus Sauman & Mohamad Kamal Kamarudin Universiti Pendidikan Sultan Idris (UPSI) [email protected] ABSTRACT This paper aims to explore the uniqueness of prehistoric society visual arts on motif sketches and cave paintings. A number of such paintings were found in Peninsular Malaysia, nevertheless they are less known by the public. The uniqueness of the arts that exhibit multiple shapes and motifs yet is very interesting to be displayed to the public knowledge. Therefore, using books and journals, this article attempts to analyse several aspects of the cave paintings. Cave painting should be viewed as part of visual art that needs to be analysed from the sociocultural activities of the prehistoric societies or the Orang Asli societies in several parts of Peninsular Malaysia. Human, animal and nature sketches are among the elements of motifs and ornamentation found on the cave paintings. They are not a product of individual creativity alone, but they capture the reality of the events, social activities, rituals and beliefs of the societies. In short, evidence suggests that cave art has contributed in giving up information of the sociocultural activities during that era. Keywords: Visual Arts, Prehistory, Motifs, Sociocultural Activities, Cave Paintings THE SERAT NITIK BAYUNAN: THE DISCOURSE OF ASCETICISM JAVANESE WOMEN IN THE PATRIARCHAL CULTURE HEGEMONY Afiliasi Ilafi, Adi Putra Surya Wardhana Universitas Sebelas Maret afiliasiilafi60@ student.uns.ac.id ABSTRACT Javanese society adheres to patriarchal culture. Social and cultural constructions place the power and status of Javanese women under men domination. However, there are ancient manuscripts that show that Javanese women have a great social role. One of them is the Serat Nitik Bayunan which tells the story of a princess’s decision to be celibate. It means that she obedient the asceticism principle which is known as Mesu Budi in Javanese term. Therefore, this paper has several goals. The first is to find out what is the content of the Serat Nitik Bayunan? The second is how the discourse of asceticism Javanese women constructed in the middle of the patriarchal culture hegemony. This paper used qualitative data analysis, by using the Michel Foucault’s discourse as main theory and feminism approach. The result shows that the Serat Nitik Bayunan is an ancient manuscript which was written in the circa 1911 AD to glorify G.K. Rt Pambayun as Princess of Keraton Surakarta, Paku Buwana VII. Her decision was not easy due to the purpose of the princess to be married as a political pawn. It shows that a princess and Javanese women have an immense social role in the patriarchal culture. However, this discourse actually was built to empower the standing of the Sultan of Surakarta. Keywords: Serat Nitik Bayunan, Discourse, Asceticism, Javanese Women THE POTENCY OF SANG HYANG PERAHU DANCE TO BE THE CULTURAL AND SPIRITUAL ATTRACTION IN LEMBONGAN VILLAGE, NUSA PENIDA, KLUNGKUNG REGENCY Agus Muriawan Putra, I Ketut Antara Universitas Udayana [email protected], ABSTRACT The purpose of this research is to know the potential of Sang Hyang Perahu Dance to be the cultural and spiritual attraction in Lembongan Village which is a sacred dance, so this dance remains a culture belonging to Lembongan community as part of religious ritual and keeps its sacredness as Wali Dance. Data were collected using Focus Group Discussion and Interview, Field Study, and Library Studies. The results of this research are: (1) To know the potential of tourism in Lembongan Village; (2) Sang Hyang Perahu Dance profile and its sacred song series; and (3) The effort to awaken Sang Hyang Perahu Dance as the cultural heritage of the Lembongan Ancestors. Keywords: Cultural Potential, Wali Dance, Ritual Process, Tri Hita Karana MYTHS IN SUNDANESE AND JAPANESE CULTURE: CONSERVATION VALUE OF HARMONIZATION IN MODERN LIFE Agus Suherman Suryadimulya, Asep Yusup Hudayat Universitas Padjadjaran [email protected] ABSTRACT The understanding of the traditional cross-cultural values (Sundanese and Japanese culture) embodied in myths is essential to achieving international harmony among modern-day nations. Language as a binder of ideas, attitudes, and cultural behavior to represent the power of the expression of the myths that survive in the Sundanese and Japanese culture. Kaplan and Manners (2002: 79- 81; 165-169) argue that in interpreting the belief system it is necessary to do complementary cognitive equations rather than displace other interpretations and keep in mind the meanings expressed by the citizens who own the belief system. Based on these interpretive mechanisms, Sundanese and Japanese cultures potentially still show some community attachment to myth for a number of activities that are bound by their natural and social environment. This study targets a mythical scheme in consciousness quadrant. The scheme model is designed systematically and functionally to be used as a reference in optimizing the understanding of the myth in the perspective of traditional beliefs that have value to modern life. Keywords: Myths, Sunda-Japan, Modernity, Conservation DISCOURSE OF THE HEALING DISEASE THROUGH LOCAL TREATMENT ‘MALUKAT’ IN BALI Anak Agung Kade Sri Yudari Universitas Hindu Indonesia [email protected] ABSTRACT Consecration sources of springs by the Hindu community in Bali since a long time has been done. As time passes and the progress of society's way of thinking, the source of water is used as a place of purification known as 'malukat'. The discourse about malukat rampant discussed by society ten years lately because functioned as a solution of healing all sorts of diseases. This phenomenon is followed by the number of malukat spots popping up even its existence almost every district in Bali. Usually in places like malukat; River, sea, lake, campuhan, pancuran, kelebutan, and others established a 'palinggih' and adjacent to the temple. The focus of analysis in this paper; Why malukat discourse as a solution to cure diseases and how the process of malukat that can cure disease. With the orientation of structural-functional theory which is elaborated through descriptive-qualitative method the results can be summarized as follows; That malukat is a local wisdom that has a very deep message of philosophy and meaning, as it appears in the Vedic texts. In its implementation in the society of malukat is seen as a solution because it’s meaning and its function has been proven to cure various kinds of illness of birth and soul. While the proce