Scene extraction in motion pictures

This paper addresses the challenge of bridging the semantic gap between the rich meaning users desire when they query to locate and browse media and the shallowness of media descriptions that can be computed in today\u27s content management systems. To facilitate high-level semantics-based content annotation and interpretation, we tackle the problem of automatic decomposition of motion pictures into meaningful story units, namely scenes. Since a scene is a complicated and subjective concept, we first propose guidelines from fill production to determine when a scene change occurs. We then investigate different rules and conventions followed as part of Fill Grammar that would guide and shape an algorithmic solution for determining a scene. Two different techniques using intershot analysis are proposed as solutions in this paper. In addition, we present different refinement mechanisms, such as film-punctuation detection founded on Film Grammar, to further improve the results. These refinement techniques demonstrate significant improvements in overall performance. Furthermore, we analyze errors in the context of film-production techniques, which offer useful insights into the limitations of our method

Adaptive video segmentation

The efficiency of a video indexing technique depends on the efficiency of the video segmentation algorithm which is a fundamental step in video indexing. Video segmentation is a process of splitting up a video sequence into its constituent scenes. This work focuses on the problem of video segmentation. A content-based approach has been used which segments a video based on the information extracted from the video itself. The main emphasis is on using structural information in the video such as edges as they are largely invariant to illumination and motion changes. The edge-based features have been used in conjunction with the intensity-based features in a multi-resolution framework to improve the performance of the segmentation algorithm.;To further improve the performance and to reduce the problem of automated choice of parameters, we introduce adaptation in the video segmentation process. (Abstract shortened by UMI.)

Real-time shot detection based on motion analysis and multiple low-level techniques

To index, search, browse and retrieve relevant material, indexes describing the video content are required. Here, a new and fast strategy which allows detecting abrupt and gradual transitions is proposed. A pixel-based analysis is applied to detect abrupt transitions and, in parallel, an edge-based analysis is used to detect gradual transitions. Both analysis are reinforced with a motion analysis in a second step, which significantly simplifies the threshold selection problem while preserving the computational requirements. The main advantage of the proposed system is its ability to work in real time and the experimental results show high recall and precision values

Using selfsupervised algorithms for video analysis and scene detection

With the increasing available audiovisual content, well-ordered and effective management of video is desired, and therefore, automatic, and accurate solutions for video indexing and retrieval are needed. Self-supervised learning algorithms with 3D convolutional neural networks are a promising solution for these tasks, thanks to its independence from human-annotations and its suitability to identify spatio-temporal features. This work presents a self-supervised algorithm for the analysis of video shots, accomplished by a two-stage implementation: 1- An algorithm that generates pseudo-labels for 20-frame samples with different automatically generated shot transitions (Hardcuts/Cropcuts, Dissolves, Fades in/out, Wipes) and 2- A fully convolutional 3D trained network with an overall achieved accuracy greater than 97% in the testing set. The model implemented is based in [5], improving the detection of large smooth transitions by implementing a larger temporal context. The transitions detected occur centered in the 10th and 11th frames of a 20-frame input window

Who is the director of this movie? Automatic style recognition based on shot features

We show how low-level formal features, such as shot duration, meant as length of camera takes, and shot scale, i.e. the distance between the camera and the subject, are distinctive of a director's style in art movies. So far such features were thought of not having enough varieties to become distinctive of an author. However our investigation on the full filmographies of six different authors (Scorsese, Godard, Tarr, Fellini, Antonioni, and Bergman) for a total number of 120 movies analysed second by second, confirms that these shot-related features do not appear as random patterns in movies from the same director. For feature extraction we adopt methods based on both conventional and deep learning techniques. Our findings suggest that feature sequential patterns, i.e. how features evolve in time, are at least as important as the related feature distributions. To the best of our knowledge this is the first study dealing with automatic attribution of movie authorship, which opens up interesting lines of cross-disciplinary research on the impact of style on the aesthetic and emotional effects on the viewers

Automatic Movie Abstracting

Presented is an algorithm for automatic production of a video abstract of a feature film, similar to a movietrailer. It selects clips from the original movie based on detection of special events like dialogs, shots, explosions and text occurrences, and on general action indicators applied to scenes. These clips are then assembled to form a video trailer using a model of editing. Additional clips, audio pieces, images and text, which are also retrieved from the original video for their content, are added to produce a multimedia abstract. The collection of multime dia objects is presented on an HTML-page