40,527 research outputs found
Publishing Music Similarity Features on the Semantic Web.
We describe the process of collecting, organising and publishing a large set of music similarity features produced by the SoundBite [10] playlist generator tool. These data can be a valuable asset in the development and evaluation
of new Music Information Retrieval algorithms. They can also be used in Web-based music search and retrieval applications. For this reason, we make a database of features available on the Semantic Web via a SPARQL end-point,
which can be used in Linked Data services. We provide examples of using the data in a research tool, as well as in a simple web application which responds to audio queries and finds a set of similar tracks in our database
Proceedings of the 4th International Workshop on Reading Music Systems
The International Workshop on Reading Music Systems (WoRMS) is a workshop
that tries to connect researchers who develop systems for reading music, such
as in the field of Optical Music Recognition, with other researchers and
practitioners that could benefit from such systems, like librarians or
musicologists.
The relevant topics of interest for the workshop include, but are not limited
to: Music reading systems; Optical music recognition; Datasets and performance
evaluation; Image processing on music scores; Writer identification; Authoring,
editing, storing and presentation systems for music scores; Multi-modal
systems; Novel input-methods for music to produce written music; Web-based
Music Information Retrieval services; Applications and projects; Use-cases
related to written music.
These are the proceedings of the 4th International Workshop on Reading Music
Systems, held online on Nov. 18th 2022.Comment: Proceedings edited by Jorge Calvo-Zaragoza, Alexander Pacha and Elona
Shatr
MuTaTeD’ll A System for Music Information Retrieval of Encoded Music
MuTaTeD’II started in November 1999, building on the results of the MuTaTeD project.
Aim was to design and implement a music information retrieval system with delivery/access
services for encoded music. The prototype service provided a user friendly, web-based
search/browse/query interface to access musical content
Characterizing the Landscape of Musical Data on the Web: State of the Art and Challenges
Musical data can be analysed, combined, transformed and exploited for diverse purposes. However, despite the proliferation of digital libraries and repositories for music, infrastructures and tools, such uses of musical data remain scarce. As an initial step to help fill this gap, we present a survey of the landscape of musical data on the Web, available as a Linked Open Dataset: the musoW dataset of catalogued musical resources. We present the dataset and the methodology and criteria for its creation and assessment. We map the identified dimensions and parameters to existing Linked Data vocabularies, present insights gained from SPARQL queries, and identify significant relations between resource features. We present a thematic analysis of the original research questions associated with surveyed resources and identify the extent to which the collected resources are Linked Data-ready
An architecture for life-long user modelling
In this paper, we propose a united architecture for the creation of life-long user profiles. Our architecture combines different steps required for a user prole, including feature extraction and representation, reasoning, recommendation and presentation. We discuss various issues that arise in the context of life-long profiling
The Music Streaming Sessions Dataset
At the core of many important machine learning problems faced by online
streaming services is a need to model how users interact with the content.
These problems can often be reduced to a combination of 1) sequentially
recommending items to the user, and 2) exploiting the user's interactions with
the items as feedback for the machine learning model. Unfortunately, there are
no public datasets currently available that enable researchers to explore this
topic. In order to spur that research, we release the Music Streaming Sessions
Dataset (MSSD), which consists of approximately 150 million listening sessions
and associated user actions. Furthermore, we provide audio features and
metadata for the approximately 3.7 million unique tracks referred to in the
logs. This is the largest collection of such track metadata currently available
to the public. This dataset enables research on important problems including
how to model user listening and interaction behaviour in streaming, as well as
Music Information Retrieval (MIR), and session-based sequential
recommendations.Comment: 3 pages, introducing a new large scale datase
CHORUS Deliverable 2.1: State of the Art on Multimedia Search Engines
Based on the information provided by European projects and national initiatives related to multimedia search as well as domains experts that participated in the CHORUS Think-thanks and workshops, this document reports on the state of the art related to multimedia content search from, a technical, and socio-economic perspective.
The technical perspective includes an up to date view on content based indexing and retrieval technologies, multimedia search in the context of mobile devices and peer-to-peer networks, and an overview of current evaluation and benchmark inititiatives to measure the performance of multimedia search engines.
From a socio-economic perspective we inventorize the impact and legal consequences of these technical advances and point out future directions of research
Integrating musicology's heterogeneous data sources for better exploration
Musicologists have to consult an extraordinarily heterogeneous body of primary and secondary sources during all stages of their research. Many of these sources are now available online, but the historical dispersal of material across libraries and archives has now been replaced by segregation of data and metadata into a plethora of online repositories. This segregation hinders the intelligent manipulation of metadata, and means that extracting large tranches of basic factual information or running multi-part search queries is still enormously and needlessly time consuming. To counter this barrier to research, the “musicSpace” project is experimenting with integrating access to many of musicology’s leading data sources via a modern faceted browsing interface that utilises Semantic Web and Web2.0 technologies such as RDF and AJAX. This will make previously intractable search queries tractable, enable musicologists to use their time more efficiently, and aid the discovery of potentially significant information that users did not think to look for. This paper outlines our work to date
CHORUS Deliverable 2.2: Second report - identification of multi-disciplinary key issues for gap analysis toward EU multimedia search engines roadmap
After addressing the state-of-the-art during the first year of Chorus and establishing the existing landscape in
multimedia search engines, we have identified and analyzed gaps within European research effort during our second year.
In this period we focused on three directions, notably technological issues, user-centred issues and use-cases and socio-
economic and legal aspects. These were assessed by two central studies: firstly, a concerted vision of functional breakdown
of generic multimedia search engine, and secondly, a representative use-cases descriptions with the related discussion on
requirement for technological challenges. Both studies have been carried out in cooperation and consultation with the
community at large through EC concertation meetings (multimedia search engines cluster), several meetings with our
Think-Tank, presentations in international conferences, and surveys addressed to EU projects coordinators as well as
National initiatives coordinators. Based on the obtained feedback we identified two types of gaps, namely core
technological gaps that involve research challenges, and “enablers”, which are not necessarily technical research
challenges, but have impact on innovation progress. New socio-economic trends are presented as well as emerging legal
challenges
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