Symbiosis between the TRECVid benchmark and video libraries at the Netherlands Institute for Sound and Vision

Audiovisual archives are investing in large-scale digitisation efforts of their analogue holdings and, in parallel, ingesting an ever-increasing amount of born- digital files in their digital storage facilities. Digitisation opens up new access paradigms and boosted re-use of audiovisual content. Query-log analyses show the shortcomings of manual annotation, therefore archives are complementing these annotations by developing novel search engines that automatically extract information from both audio and the visual tracks. Over the past few years, the TRECVid benchmark has developed a novel relationship with the Netherlands Institute of Sound and Vision (NISV) which goes beyond the NISV just providing data and use cases to TRECVid. Prototype and demonstrator systems developed as part of TRECVid are set to become a key driver in improving the quality of search engines at the NISV and will ultimately help other audiovisual archives to offer more efficient and more fine-grained access to their collections. This paper reports the experiences of NISV in leveraging the activities of the TRECVid benchmark

Video semantic content analysis framework based on ontology combined MPEG-7

The rapid increase in the available amount of video data is creating a growing demand for efficient methods for understanding and managing it at the semantic level. New multimedia standard, MPEG-7, provides the rich functionalities to enable the generation of audiovisual descriptions and is expressed solely in XML Schema which provides little support for expressing semantic knowledge. In this paper, a video semantic content analysis framework based on ontology combined MPEG-7 is presented. Domain ontology is used to define high level semantic concepts and their relations in the context of the examined domain. MPEG-7 metadata terms of audiovisual descriptions and video content analysis algorithms are expressed in this ontology to enrich video semantic analysis. OWL is used for the ontology description. Rules in Description Logic are defined to describe how low-level features and algorithms for video analysis should be applied according to different perception content. Temporal Description Logic is used to describe the semantic events, and a reasoning algorithm is proposed for events detection. The proposed framework is demonstrated in sports video domain and shows promising results

Relevance of ASR for the Automatic Generation of Keywords Suggestions for TV programs

Semantic access to multimedia content in audiovisual archives is to a large extent dependent on quantity and quality of the metadata, and particularly the content descriptions that are attached to the individual items. However, given the growing amount of materials that are being created on a daily basis and the digitization of existing analogue collections, the traditional manual annotation of collections puts heavy demands on resources, especially for large audiovisual archives. One way to address this challenge, is to introduce (semi) automatic annotation techniques for generating and/or enhancing metadata. The NWO funded CATCH-CHOICE project has investigated the extraction of keywords form textual resources related to the TV programs to be archived (context documents), in collaboration with the Dutch audiovisual archives, Sound and Vision. Besides the descriptions of the programs published by the broadcasters on their Websites, Automatic Speech Transcription (ASR) techniques from the CATCH-CHoral project, also provide textual resources that might be relevant for suggesting keywords. This paper investigates the suitability of ASR for generating such keywords, which we evaluate against manual annotations of the documents and against keywords automatically generated from context documents

Leveraging video annotations in video-based e-learning

The e-learning community has been producing and using video content for a long time, and in the last years, the advent of MOOCs greatly relied on video recordings of teacher courses. Video annotations are information pieces that can be anchored in the temporality of the video so as to sustain various processes ranging from active reading to rich media editing. In this position paper we study how video annotations can be used in an e-learning context - especially MOOCs - from the triple point of view of pedagogical processes, current technical platforms functionalities, and current challenges. Our analysis is that there is still plenty of room for leveraging video annotations in MOOCs beyond simple active reading, namely live annotation, performance annotation and annotation for assignment; and that new developments are needed to accompany this evolution.Comment: 7th International Conference on Computer Supported Education (CSEDU), Barcelone : Spain (2014

Fusing Audio, Textual and Visual Features for Sentiment Analysis of News Videos

This paper presents a novel approach to perform sentiment analysis of news videos, based on the fusion of audio, textual and visual clues extracted from their contents. The proposed approach aims at contributing to the semiodiscoursive study regarding the construction of the ethos (identity) of this media universe, which has become a central part of the modern-day lives of millions of people. To achieve this goal, we apply state-of-the-art computational methods for (1) automatic emotion recognition from facial expressions, (2) extraction of modulations in the participants' speeches and (3) sentiment analysis from the closed caption associated to the videos of interest. More specifically, we compute features, such as, visual intensities of recognized emotions, field sizes of participants, voicing probability, sound loudness, speech fundamental frequencies and the sentiment scores (polarities) from text sentences in the closed caption. Experimental results with a dataset containing 520 annotated news videos from three Brazilian and one American popular TV newscasts show that our approach achieves an accuracy of up to 84% in the sentiments (tension levels) classification task, thus demonstrating its high potential to be used by media analysts in several applications, especially, in the journalistic domain.Comment: 5 pages, 1 figure, International AAAI Conference on Web and Social Medi

CHORUS Deliverable 2.1: State of the Art on Multimedia Search Engines

Based on the information provided by European projects and national initiatives related to multimedia search as well as domains experts that participated in the CHORUS Think-thanks and workshops, this document reports on the state of the art related to multimedia content search from, a technical, and socio-economic perspective. The technical perspective includes an up to date view on content based indexing and retrieval technologies, multimedia search in the context of mobile devices and peer-to-peer networks, and an overview of current evaluation and benchmark inititiatives to measure the performance of multimedia search engines. From a socio-economic perspective we inventorize the impact and legal consequences of these technical advances and point out future directions of research

Associating characters with events in films

The work presented here combines the analysis of a film's audiovisual features with the analysis of an accompanying audio description. Specifically, we describe a technique for semantic-based indexing of feature films that associates character names with meaningful events. The technique fuses the results of event detection based on audiovisual features with the inferred on-screen presence of characters, based on an analysis of an audio description script. In an evaluation with 215 events from 11 films, the technique performed the character detection task with Precision = 93% and Recall = 71%. We then go on to show how novel access modes to film content are enabled by our analysis. The specific examples illustrated include video retrieval via a combination of event-type and character name and our first steps towards visualization of narrative and character interplay based on characters occurrence and co-occurrence in events