3,401 research outputs found
South Africa: Artists, Prints, Community: Twenty-Five Years at the Caversham Press
This is the catalogue of the exhibition "South Africa" at Boston University Art Gallery
Towards Effective Exact Algorithms for the Maximum Balanced Biclique Problem
The Maximum Balanced Biclique Problem (MBBP) is a prominent model with
numerous applications. Yet, the problem is NP-hard and thus computationally
challenging. We propose novel ideas for designing effective exact algorithms
for MBBP. Firstly, we introduce an Upper Bound Propagation procedure to
pre-compute an upper bound involving each vertex. Then we extend an existing
branch-and-bound algorithm by integrating the pre-computed upper bounds. We
also present a set of new valid inequalities induced from the upper bounds to
tighten an existing mathematical formulation for MBBP. Lastly, we investigate
another exact algorithm scheme which enumerates a subset of balanced bicliques
based on our upper bounds. Experiments show that compared to existing
approaches, the proposed algorithms and formulations are more efficient in
solving a set of random graphs and large real-life instances
h-ubu: An Industrial-Strength Service-Oriented Component Framework for JavaScript Applications
Industrial track: Effective Industry Use of Software-Engineering ToolsInternational audienceIn the last years, we developed web applications requiring a large amount of JavaScript code. These web applications present adaptation requirements. In addition to platform-centric adaptation, applications have to dynamically react to external events like connectivity disruptions. Building such applications is complex and we faced sharp maintainability challenges. This paper presents h-ubu, a service-oriented component framework for JavaScript allowing building adaptive applications. h-ubu is used in industrial web applications and mobile applications. h-ubu is available in open source, as part of the OW2 Nanoko project
The perpetrator's narrative and myth : a study of Country of my skull and Ubu and the Truth Commission
Thesis (M.A.)--Stellenbosch University, 2002.ENGLISH ABSTRACT: The reconstruction of history from individual narratives heard by the Truth and
Reconciliation Commission (TRC) urged society to reconsider the meaning of history as
a construction based on personal memory. In fact, the TRC's attempt to unveil the past
in order to encourage social reconciliation raised many questions of this nature. As a
result, the socio-political issues associated with the hearings inspired a movement in
literature that addressed these issues specifically.
This thesis investigates the depiction of perpetrators in Country of My Skull and Ubu
and the Truth Commission as examples of Truth and Reconciliation literature. Apart
from functioning as important sources of commentary on the socio-political debate
surrounding the TRC, these texts explore a range of questions concerning the
relationship between memory, history and narrative. I wish to argue that the perpetrators
portrayed in the texts are deluded by myths concerning power and masculinity.
Comforting self-deceptions underlie their reconstructions of history, complicating the
notion of truth and effecting the construction of history in the wider TRe context. The
perpetrator's narrative, as a significant component of the testimony of the IRC hearings
reveals a manipulation of the truth which results in perpetrators evading responsibility
for their actions. This occurrence has implications for victims as well as they try to
reconcile their personal versions of the truth with alternative versions.
I conclude that the conflict between the narratives of the victim and the perpetrator is
often a confrontation of cultures that exposes the myths underlying the perpetrator's
manipulation of the truth.AFRIKAANSE OPSOMMING: Die Waarheids en Versoenings Kommissie (WVK) het hulle beroep op 'n
hersamestelling van die geskiedenis wat gebaseer was op individuele vertellings van die
verlede. Dit het beteken dat die geskiedenis gebaseer is op persoonlike geheue. In die
samelewing het die behoefte ontstaan om die definisie van 'geskiedenis' te heroorweeg.
Die WVK se poging om die verlede bloot te lĂȘ het verskeie soortgelyke sosiale
vraagstukke laat ontstaan. Die sosio-politieke kwessies waarmee die WVK verhore
geassosieer word het 'n beweging in die letterkunde geĂŻnspireer wat spesifiek hierdie
kwessies aanspreek.
Hierdie tesis ondersoek die uitbeelding van geweldplegers in twee Waarheids en
Versoenings-tekste, Country of My Skull en Ubu and the Truth Commission. Behalwe
dat hierdie tekste belangrike bronne is van kommentaar op die sosio-politieke debat
rondom die WVK, speel hulle ook 'n rol as tekste wat 'n verskeidenheid vrae oorweeg
in verband met die verhouding tussen geheue, geskiedenis en vertellings. Ek stel voor
dat die geweldplegers in die twee tekste mislei word deur mites wat magstrukture en
manlikheid onderskryf. Die geweldplegers se hersamestellings van hul persoonlike
geskiedenis word gebaseer op self-bedrog, wat dan die begrip 'waarheid' kompliseer en
die konstruksie van geskiedenis in die wyer WVK-konteks beĂŻnvloed. Die
geweldplegers se vertellings vorm 'n noemenswaardige komponent van die getuienis
van die WVK-verhore. Die vertellings ontbloot egter 'n manipulering van die waarheid
wat die geweldplegers in staat stelom aanspreeklikheid vir hulle aksies te ontduik. Ook
slagoffers word hierdeur beĂŻnvloed in hul pogings om hulle weergawes van die
waarheid met alternatiewe weergawes te versoen.
My gevolgtrekking is dat die konflik tussen die vertellings van die slagoffer en die
geweldpleger dikwels 'n konfrontasie tussen kulture behels wat dan die mites blootlĂȘ
onderliggend aan die pleger se manipulering van die waarheidMaste
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