Algorithms for compression of high dynamic range images and video

The recent advances in sensor and display technologies have brought upon the High Dynamic Range (HDR) imaging capability. The modern multiple exposure HDR sensors can achieve the dynamic range of 100-120 dB and LED and OLED display devices have contrast ratios of 10^5:1 to 10^6:1. Despite the above advances in technology the image/video compression algorithms and associated hardware are yet based on Standard Dynamic Range (SDR) technology, i.e. they operate within an effective dynamic range of up to 70 dB for 8 bit gamma corrected images. Further the existing infrastructure for content distribution is also designed for SDR, which creates interoperability problems with true HDR capture and display equipment. The current solutions for the above problem include tone mapping the HDR content to fit SDR. However this approach leads to image quality associated problems, when strong dynamic range compression is applied. Even though some HDR-only solutions have been proposed in literature, they are not interoperable with current SDR infrastructure and are thus typically used in closed systems. Given the above observations a research gap was identified in the need for efficient algorithms for the compression of still images and video, which are capable of storing full dynamic range and colour gamut of HDR images and at the same time backward compatible with existing SDR infrastructure. To improve the usability of SDR content it is vital that any such algorithms should accommodate different tone mapping operators, including those that are spatially non-uniform. In the course of the research presented in this thesis a novel two layer CODEC architecture is introduced for both HDR image and video coding. Further a universal and computationally efficient approximation of the tone mapping operator is developed and presented. It is shown that the use of perceptually uniform colourspaces for internal representation of pixel data enables improved compression efficiency of the algorithms. Further proposed novel approaches to the compression of metadata for the tone mapping operator is shown to improve compression performance for low bitrate video content. Multiple compression algorithms are designed, implemented and compared and quality-complexity trade-offs are identified. Finally practical aspects of implementing the developed algorithms are explored by automating the design space exploration flow and integrating the high level systems design framework with domain specific tools for synthesis and simulation of multiprocessor systems. The directions for further work are also presented

Learning a self-supervised tone mapping operator via feature contrast masking loss

High Dynamic Range (HDR) content is becoming ubiquitous due to the rapid development of capture technologies. Nevertheless, the dynamic range of common display devices is still limited, therefore tone mapping (TM) remains a key challenge for image visualization. Recent work has demonstrated that neural networks can achieve remarkable performance in this task when compared to traditional methods, however, the quality of the results of these learning-based methods is limited by the training data. Most existing works use as training set a curated selection of best-performing results from existing traditional tone mapping operators (often guided by a quality metric), therefore, the quality of newly generated results is fundamentally limited by the performance of such operators. This quality might be even further limited by the pool of HDR content that is used for training. In this work we propose a learning-based self-supervised tone mapping operator that is trained at test time specifically for each HDR image and does not need any data labeling. The key novelty of our approach is a carefully designed loss function built upon fundamental knowledge on contrast perception that allows for directly comparing the content in the HDR and tone mapped images. We achieve this goal by reformulating classic VGG feature maps into feature contrast maps that normalize local feature differences by their average magnitude in a local neighborhood, allowing our loss to account for contrast masking effects. We perform extensive ablation studies and exploration of parameters and demonstrate that our solution outperforms existing approaches with a single set of fixed parameters, as confirmed by both objective and subjective metrics

A study on user preference of high dynamic range over low dynamic range video

The increased interest in High Dynamic Range (HDR) video over existing Low Dynamic Range (LDR) video during the last decade or so was primarily due to its inherent capability to capture, store and display the full range of real-world lighting visible to the human eye with increased precision. This has led to an inherent assumption that HDR video would be preferable by the end-user over LDR video due to the more immersive and realistic visual experience provided by HDR. This assumption has led to a considerable body of research into efficient capture, processing, storage and display of HDR video. Although, this is beneficial for scientific research and industrial purposes, very little research has been conducted in order to test the veracity of this assumption. In this paper, we conduct two subjective studies by means of a ranking and a rating based experiment where 60 participants in total, 30 in each experiment, were tasked to rank and rate several reference HDR video scenes along with three mapped LDR versions of each scene on an HDR display, in order of their viewing preference. Results suggest that given the option, end-users prefer the HDR representation of the scene over its LDR counterpart

Cross Dynamic Range And Cross Resolution Objective Image Quality Assessment With Applications

In recent years, image and video signals have become an indispensable part of human life. There has been an increasing demand for high quality image and video products and services. To monitor, maintain and enhance image and video quality objective image and video quality assessment tools play crucial roles in a wide range of applications throughout the field of image and video processing, including image and video acquisition, communication, interpolation, retrieval, and displaying. A number of objective image and video quality measures have been introduced in the last decades such as mean square error (MSE), peak signal to noise ratio (PSNR), and structural similarity index (SSIM). However, they are not applicable when the dynamic range or spatial resolution of images being compared is different from that of the corresponding reference images. In this thesis, we aim to tackle these two main problems in the field of image quality assessment. Tone mapping operators (TMOs) that convert high dynamic range (HDR) to low dynamic range (LDR) images provide practically useful tools for the visualization of HDR images on standard LDR displays. Most TMOs have been designed in the absence of a well-established and subject-validated image quality assessment (IQA) model, without which fair comparisons and further improvement are difficult. We propose an objective quality assessment algorithm for tone-mapped images using HDR images as references by combining 1) a multi-scale signal fidelity measure based on a modified structural similarity (SSIM) index; and 2) a naturalness measure based on intensity statistics of natural images. To evaluate the proposed Tone-Mapped image Quality Index (TMQI), its performance in several applications and optimization problems is provided. Specifically, the main component of TMQI known as structural fidelity is modified and adopted to enhance the visualization of HDR medical images on standard displays. Moreover, a substantially different approach to design TMOs is presented, where instead of using any pre-defined systematic computational structure (such as image transformation or contrast/edge enhancement) for tone-mapping, we navigate in the space of all LDR images, searching for the image that maximizes structural fidelity or TMQI. There has been an increasing number of image interpolation and image super-resolution (SR) algorithms proposed recently to create images with higher spatial resolution from low-resolution (LR) images. However, the evaluation of such SR and interpolation algorithms is cumbersome. Most existing image quality measures are not applicable because LR and resultant high resolution (HR) images have different spatial resolutions. We make one of the first attempts to develop objective quality assessment methods to compare LR and HR images. Our method adopts a framework based on natural scene statistics (NSS) where image quality degradation is gauged by the deviation of its statistical features from NSS models trained upon high quality natural images. In particular, we extract frequency energy falloff, dominant orientation and spatial continuity statistics from natural images and build statistical models to describe such statistics. These models are then used to measure statistical naturalness of interpolated images. We carried out subjective tests to validate our approach, which also demonstrates promising results. The performance of the proposed measure is further evaluated when applied to parameter tuning in image interpolation algorithms

Põhjalik uuring ülisuure dünaamilise ulatusega piltide toonivastendamisest koos subjektiivsete testidega

A high dynamic range (HDR) image has a very wide range of luminance levels that traditional low dynamic range (LDR) displays cannot visualize. For this reason, HDR images are usually transformed to 8-bit representations, so that the alpha channel for each pixel is used as an exponent value, sometimes referred to as exponential notation [43]. Tone mapping operators (TMOs) are used to transform high dynamic range to low dynamic range domain by compressing pixels so that traditional LDR display can visualize them. The purpose of this thesis is to identify and analyse differences and similarities between the wide range of tone mapping operators that are available in the literature. Each TMO has been analyzed using subjective studies considering different conditions, which include environment, luminance, and colour. Also, several inverse tone mapping operators, HDR mappings with exposure fusion, histogram adjustment, and retinex have been analysed in this study. 19 different TMOs have been examined using a variety of HDR images. Mean opinion score (MOS) is calculated on those selected TMOs by asking the opinion of 25 independent people considering candidates’ age, vision, and colour blindness

Appearance-based image splitting for HDR display systems

High dynamic range displays that incorporate two optically-coupled image planes have recently been developed. This dual image plane design requires that a given HDR input image be split into two complementary standard dynamic range components that drive the coupled systems, therefore there existing image splitting issue. In this research, two types of HDR display systems (hardcopy and softcopy HDR display) are constructed to facilitate the study of HDR image splitting algorithm for building HDR displays. A new HDR image splitting algorithm which incorporates iCAM06 image appearance model is proposed, seeking to create displayed HDR images that can provide better image quality. The new algorithm has potential to improve image details perception, colorfulness and better gamut utilization. Finally, the performance of the new iCAM06-based HDR image splitting algorithm is evaluated and compared with widely spread luminance square root algorithm through psychophysical studies

Objective Quality Assessment and Optimization for High Dynamic Range Image Tone Mapping

Tone mapping operators aim to compress high dynamic range (HDR) images to low dynamic range ones so as to visualize HDR images on standard displays. Most existing works were demonstrated on specific examples without being thoroughly tested on well-established and subject-validated image quality assessment models. A recent tone mapped image quality index (TMQI) made the first attempt on objective quality assessment of tone mapped images. TMQI consists of two fundamental building blocks: structural fidelity and statistical naturalness. In this thesis, we propose an enhanced tone mapped image quality index (eTMQI) by 1) constructing an improved nonlinear mapping function to better account for the local contrast visibility of HDR images and 2) developing an image dependent statistical naturalness model to quantify the unnaturalness of tone mapped images based on a subjective study. Experiments show that the modified structural fidelity and statistical naturalness terms in eTMQI better correlate with subjective quality evaluations. Furthermore, we propose an iterative optimization algorithm for tone mapping. The advantages of this algorithm are twofold: 1) eTMQI and TMQI can be compared in a more straightforward way; 2) better quality tone mapped images can be automatically generated by using eTMQI as the optimization goal. Numerical and subjective experiments demonstrate that eTMQI is a superior objective quality assessment metric for tone mapped images and consistently outperforms TMQI

Image Information Distance Analysis and Applications

Image similarity or distortion assessment is fundamental to a broad range of applications throughout the field of image processing and machine vision. These include image restoration, denoising, coding, communication, interpolation, registration, fusion, classification and retrieval, as well as object detection, recognition, and tracking. Many existing image similarity measures have been proposed to work with specific types of image distortions (e.g., JPEG compression). There are also methods such as the structural similarity (SSIM) index that are applicable to a wider range of applications. However, even these "general-purpose" methods offer limited scopes in their applications. For example, SSIM does not apply or work properly when significant geometric changes exist between the two images being compared. The theory of Kolmogorov complexity provides solid groundwork for a generic information distance metric between any objects that minorizes all metrics in the class. The Normalized Information Distance (NID) metric provides a more useful framework. While appealing, the challenge lies in the implementation, mainly due to the non-computable nature of Kolmogorov complexity. To overcome this, a Normalized Compression Distance (NCD) measure was proposed, which is an effective approximation of NID and has found successful applications in the fields of bioinformatics, pattern recognition, and natural language processing. Nevertheless, the application of NID for image similarity and distortion analysis is still in its early stage. Several authors have applied the NID framework and the NCD algorithm to image clustering, image distinguishability, content-based image retrieval and video classification problems, but most reporting only moderate success. Moreover, due to their focuses on ! specific applications, the generic property of NID was not fully exploited. In this work, we aim for developing practical solutions for image distortion analysis based on the information distance framework. In particular, we propose two practical approaches to approximate NID for image similarity and distortion analysis. In the first approach, the shortest program that converts one image to another is found from a list of available transformations and a generic image similarity measure is built on computing the length of this shortest program as an approximation of the conditional Kolmogorov complexity in NID. In the second method, the complexity of the objects is approximated using Shannon entropy. Specifically we transform the reference and distorted images into wavelet domain and assume local independence among image subbands. Inspired by the Visual Information Fidelity (VIF) approach, the Gaussian Scale Mixture (GSM) model is adopted for Natural Scene Statistics (NSS) of the images to simplify the entropy computation. When applying image information distance framework in real-world applications, we find information distance measures often lead to useful features in many image processing applications. In particular, we develop a photo retouching distortion measure based on training a Gaussian kernel Support Vector Regression (SVR) model using information theoretic features extracted from a database of original and edited images. It is shown that the proposed measure is well correlated with subjective ranking of the images. Moreover, we propose a tone mapping operator parameter selection scheme for High Dynamic Range (HDR) images. The scheme attempts to find tone mapping parameters that minimize the NID of the HDR image and the resulting Low Dynamic Range (LDR) image, and thereby minimize the information loss in HDR to LDR tone mapping. The resulting images created by minimizing NID exhibit enhanced image quality

Compression, Modeling, and Real-Time Rendering of Realistic Materials and Objects

The realism of a scene basically depends on the quality of the geometry, the illumination and the materials that are used. Whereas many sources for the creation of three-dimensional geometry exist and numerous algorithms for the approximation of global illumination were presented, the acquisition and rendering of realistic materials remains a challenging problem. Realistic materials are very important in computer graphics, because they describe the reflectance properties of surfaces, which are based on the interaction of light and matter. In the real world, an enormous diversity of materials can be found, comprising very different properties. One important objective in computer graphics is to understand these processes, to formalize them and to finally simulate them. For this purpose various analytical models do already exist, but their parameterization remains difficult as the number of parameters is usually very high. Also, they fail for very complex materials that occur in the real world. Measured materials, on the other hand, are prone to long acquisition time and to huge input data size. Although very efficient statistical compression algorithms were presented, most of them do not allow for editability, such as altering the diffuse color or mesostructure. In this thesis, a material representation is introduced that makes it possible to edit these features. This makes it possible to re-use the acquisition results in order to easily and quickly create deviations of the original material. These deviations may be subtle, but also substantial, allowing for a wide spectrum of material appearances. The approach presented in this thesis is not based on compression, but on a decomposition of the surface into several materials with different reflection properties. Based on a microfacette model, the light-matter interaction is represented by a function that can be stored in an ordinary two-dimensional texture. Additionally, depth information, local rotations, and the diffuse color are stored in these textures. As a result of the decomposition, some of the original information is inevitably lost, therefore an algorithm for the efficient simulation of subsurface scattering is presented as well. Another contribution of this work is a novel perception-based simplification metric that includes the material of an object. This metric comprises features of the human visual system, for example trichromatic color perception or reduced resolution. The proposed metric allows for a more aggressive simplification in regions where geometric metrics do not simplif