Crossing the borders of governance

La gobernanza es presentada por áreas confusas e indefinidas que tienden a expandirse de una manera más o menos arbitraria en ausencia de estándares normativos estables y confiables. Todo esto pone en cuestión conceptos y categorías monolíticas recompositivas de moderna racionalidad política-legal y en primer lugar de la soberanía. Al mismo tiempo, la estructura neogubernamental actual no se sostiene como una tecnología de poder excluyente o alternativa a otras racionalidades, sino que tiende a llevar a cabo todas las contradicciones y ambigüedades del tiempo presente.Governance is presented by undefined and confused areas that tend to expand in a more or less arbitrary way in the absence of stable and reliable normative standards. All this calls into question concepts and recompositive monolithic categories of modern political-legal rationality and in the first place sovereignty. At the same time the current neo-governmental structure does not stand as a technology of power, exclusionary or alternative to other rationalities, but rather it tends to bring out all the contradictions and ambiguities of the present time

THE INCLUSIVE DYNAMICS OF ISLAMIC UNIVERSALISM: FROM THE VANTAGE POINT OF SAYYID QUTB\u27S CRITICAL PHILOSOPHY

This article pursues a topological reading of Milestones, one of the most influential books in the history of Islamism. Written by Muslim thinker Sayyid Qutb, the general interest in this crucial text has largely remained restricted to the fields of Islamic Studies and Security Studies. This article aims to make the case for assuming a philosophical standpoint, relocating its significance beyond the above-mentioned fields. A creative and topological reading of this text will allow the spatial complexity of Qutbs eschatological vision to be fully exposed, while also unpacking the way in which antagonistic relations have variously been articulated by this thinker. The underlying conviction is that such an examination can offer new perspectives from which to examine and develop current debates on political universalism and antagonism in the tradition of continental philosophy

Dance, Music and Dramaturgy: collaboration plan and dramaturgical apparatus

Dance, Music and Dramaturgy: collaboration plan and dramaturgical apparatus – The unfolding of the concept of dramaturgy and the problematics of contemporary choreography are, today, a vast and diverse field of research, bearing numerous disclosures that lead to their reciprocal implication. Apart from that, dance and music share significant complementary ties allowing for the consideration of a common compositional inquiry. Reflecting on the compositional processes of dance and music, this article cross-examines the collaboration between choreographers and composers, integrating the incidence of dramaturgy in the strategies of choreographic and musical composition

Placing Borders in Development

Development is inextricably related to the state-centred cartography of world spaces defined by borders, both in its historical trajectory and contemporary entanglements. Yet the multiplicity of channels and directions characterising their articulation are scarcely explored. This article contributes to this emerging field of enquiry. It delineates the essential traits of the borders and development nexus by establishing a systematic dialogue between the fields of Border Studies and Development Studies, a dialogue framed by concerns with scalar politics. More specifically, the paper places borders in development in two ways. First, it places borders in Development Studies: it identifies borders as a useful analytical vantage point that lay at the intersection between state- and non-state centred geographies of development. Second, it places Border Studies in development: focusing on the tension between borders and bordering processes, it interrogates economic growth- and poverty-related policies. Three contributions to the study of development arising from placing borders in development in this way are highlighted. The paper also expands the emerging field of enquiry concerned with the relation between borders and development, by considering development policies not yet been examined through the prism of borders, and by emphasising the hierarchical and yet unpredictable nature of the borders and development articulation. At its broadest, the discussion dis-entangles the multiplicity of scales and directions in which borders, bordering and the development process intersect. It is at this scalar intersection that the force of development, and the potentials for engaging, opposing, avoiding, or subverting it, lay

A terminal assessment of stages theory : introducing a dynamic states approach to entrepreneurship

Stages of Growth models were the most frequent theoretical approach to understanding entrepreneurial business growth from 1962 to 2006; they built on the growth imperative and developmental models of that time. An analysis of the universe of such models (N=104) published in the management literature shows no consensus on basic constructs of the approach, nor is there any empirical confirmations of stages theory. However, by changing two propositions of the stages models, a new dynamic states approach is derived. The dynamic states approach has far greater explanatory power than its precursor, and is compatible with leading edge research in entrepreneurship

Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’

234 p. : il., Tablas.Libro ElectrónicoLa creatividad siempre está en movimiento: surge, se establece en el ente colectivo, palidece y desaparece a veces en el olvido; renace, vuelve con innovaciones, se reformula y resurge iniciando de nuevo el ciclo. Los viejos mitos de la creación y los creadores, los trabajos consagrados y los organismos privilegiados de los demiurgos están de nuevo en marcha, produciendo nuevos cambios. Los ensayos recogidos en este libro analizan ese resurgimiento complejo del mito de la creación y proponen una crítica contemporánea de la creatividad.Creativity is astir: reborn, re-conjured, re-branded, resurgent. The old myths of creation and creators – the hallowed labors and privileged agencies of demiurges and prime movers, of Biblical world-makers and self-fashioning artist-geniuses – are back underway, producing effects, circulating appeals. Much as the Catholic Church dresses the old creationism in the new gowns of ‘intelligent design’, the Creative Industries sound the clarion call to the Cultural Entrepreneurs. In the hype of the ‘creative class’ and the high flights of the digital bohemians, the renaissance of ‘the creatives’ is visibly enacted. The essays collected in this book analyze this complex resurgence of creation myths and formulate a contemporary critique of creativity.Contents vii Contributors ix Acknowledgements xv Introduction: On the Strange Case of ‘Creativity’ and its Troubled Resurrection 1 PART ONE: CREATIVITY 7 1 Immanent Effects: Notes on Cre-activity 9 2 The Geopolitics of Pimping 23 3 The Misfortunes of the ‘Artistic Critique’ and of Cultural Employment 41 4 ‘Creativity and Innovation’ in the Nineteenth Century: Harrison C. White and the Impressionist Revolution Reconsidered 57 PART TWO: PRECARIZATION 77 5 Virtuosos of Freedom: On the Implosion of Political Virtuosity and Productive Labour 79 6 Experiences Without Me, or, the Uncanny Grin of Precarity 91 7 Wit and Innovation 101 PART THREE: CREATIVITY INDUSTRIES 107 8 GovernCreativity, or, Creative Industries Austrian Style 109 9 The Los Angelesation of London: Three Short Waves of Young People’s Micro-Economies of Culture and Creativity in the UK 119 10 Unpredictable Outcomes / Unpredictable Outcasts: On Recent Debates over Creativity and the Creative Industries 133 11 Chanting the Creative Mantra: The Accelerating Economization of EU Cultural Policy 147 PART FOUR: CULTURE INDUSTRY 165 12 Culture Industry and the Administration of Terror 167 13 Add Value to Contents: The Valorization of Culture Today 183 14 Creative Industries as Mass Deception 191 Bibliography 20

Architectural type and the discourse of urbanism

Introduction to special issue, entitled Architectural type and the discourse of urbanism

Immanence and irreconcilability: on the character of public law as political jurisprudence

In Foundations of Public Law, Martin Loughlin constructs an intricate conceptual triangle made up out of religion, law, and politics, in order to offer an account of the character of public law as a secular, political, jurisprudence. In this essay, I argue that this account takes neither religion nor law seriously - and this in revealingly similar ways. Loughlin’s book presents public law as an irreducibly paradoxical discourse, devoted to sustaining ‘the irreconcilable’ within society. Relative to this discourse, religion - understood by Loughlin as absolutist dogma - appears in the book only as a threat, whereas law - seen as a mere tool - becomes a necessary and innocent means for its support. I offer a critique of both these lines of argument, as not sufficiently attentive to religion and law as fields with their own histories, internal dynamics, and forms of efficacy. Religion, when seen in terms of practice, discipline, and ritual, in fact has much in common with - and considerable resources to offer to - Loughlin’s own vision of public law. And attention to the legalism so deeply embedded in juristic discourse reveals law as posing precisely the absolutist threat that Loughlin fears (but only associates with religion and ‘the social’). Bringing these two lines of argument together, I argue that Loughlin’s own ambition for public law as a prudential discourse of contained irreconcilability, is better served, not by striving for radical - and impossible - immanence, but by acknowledging that discourse’s dual character as a phenomenon both immanent and transcendent. I also suggest that ritual practice may have an important role to play in maintaining this dual, and paradoxical, character