Auditory and visual scene analysis: an overview.

We perceive the world as stable and composed of discrete objects even though auditory and visual inputs are often ambiguous owing to spatial and temporal occluders and changes in the conditions of observation. This raises important questions regarding where and how 'scene analysis' is performed in the brain. Recent advances from both auditory and visual research suggest that the brain does not simply process the incoming scene properties. Rather, top-down processes such as attention, expectations and prior knowledge facilitate scene perception. Thus, scene analysis is linked not only with the extraction of stimulus features and formation and selection of perceptual objects, but also with selective attention, perceptual binding and awareness. This special issue covers novel advances in scene-analysis research obtained using a combination of psychophysics, computational modelling, neuroimaging and neurophysiology, and presents new empirical and theoretical approaches. For integrative understanding of scene analysis beyond and across sensory modalities, we provide a collection of 15 articles that enable comparison and integration of recent findings in auditory and visual scene analysis.This article is part of the themed issue 'Auditory and visual scene analysis'.B.C.J.M. was supported by the Engineering and Physical Sciences Research Council (UK, grant no. RG78536)

Learning Mid-Level Auditory Codes from Natural Sound Statistics

Interaction with the world requires an organism to transform sensory signals into representations in which behaviorally meaningful properties of the environment are made explicit. These representations are derived through cascades of neuronal processing stages in which neurons at each stage recode the output of preceding stages. Explanations of sensory coding may thus involve understanding how low-level patterns are combined into more complex structures. Although models exist in the visual domain to explain how mid-level features such as junctions and curves might be derived from oriented filters in early visual cortex, little is known about analogous grouping principles for mid-level auditory representations. We propose a hierarchical generative model of natural sounds that learns combina- tions of spectrotemporal features from natural stimulus statistics. In the first layer the model forms a sparse convolutional code of spectrograms using a dictionary of learned spectrotemporal kernels. To generalize from specific kernel activation patterns, the second layer encodes patterns of time-varying magnitude of multiple first layer coefficients. Because second-layer features are sensitive to combi- nations of spectrotemporal features, the representation they support encodes more complex acoustic patterns than the first layer. When trained on corpora of speech and environmental sounds, some second-layer units learned to group spectrotemporal features that occur together in natural sounds. Others instantiate opponency between dissimilar sets of spectrotemporal features. Such groupings might be instantiated by neurons in the auditory cortex, providing a hypothesis for mid-level neuronal computation.This work was supported by the Center for Brains, Minds and Machines (CBMM), funded by NSF STC award CCF-1231216

Sustained Firing of Model Central Auditory Neurons Yields a Discriminative Spectro-temporal Representation for Natural Sounds

<div><p>The processing characteristics of neurons in the central auditory system are directly shaped by and reflect the statistics of natural acoustic environments, but the principles that govern the relationship between natural sound ensembles and observed responses in neurophysiological studies remain unclear. In particular, accumulating evidence suggests the presence of a code based on sustained neural firing rates, where central auditory neurons exhibit strong, persistent responses to their preferred stimuli. Such a strategy can indicate the presence of ongoing sounds, is involved in parsing complex auditory scenes, and may play a role in matching neural dynamics to varying time scales in acoustic signals. In this paper, we describe a computational framework for exploring the influence of a code based on sustained firing rates on the shape of the spectro-temporal receptive field (STRF), a linear kernel that maps a spectro-temporal acoustic stimulus to the instantaneous firing rate of a central auditory neuron. We demonstrate the emergence of richly structured STRFs that capture the structure of natural sounds over a wide range of timescales, and show how the emergent ensembles resemble those commonly reported in physiological studies. Furthermore, we compare ensembles that optimize a sustained firing code with one that optimizes a sparse code, another widely considered coding strategy, and suggest how the resulting population responses are not mutually exclusive. Finally, we demonstrate how the emergent ensembles contour the high-energy spectro-temporal modulations of natural sounds, forming a discriminative representation that captures the full range of modulation statistics that characterize natural sound ensembles. These findings have direct implications for our understanding of how sensory systems encode the informative components of natural stimuli and potentially facilitate multi-sensory integration.</p> </div

BIOLOGICALLY-INFORMED COMPUTATIONAL MODELS OF HARMONIC SOUND DETECTION AND IDENTIFICATION

Harmonic sounds or harmonic components of sounds are often fused into a single percept by the auditory system. Although the exact neural mechanisms for harmonic sensitivity remain unclear, it arises presumably in the auditory cortex because subcortical neurons typically prefer only a single frequency. Pitch sensitive units and harmonic template units found in awake marmoset auditory cortex are sensitive to temporal and spectral periodicity, respectively. This thesis is a study of possible computational mechanisms underlying cortical harmonic selectivity. To examine whether harmonic selectivity is related to statistical regularities of natural sounds, simulated auditory nerve responses to natural sounds were used in principal component analysis in comparison with independent component analysis, which yielded harmonic-sensitive model units with similar population distribution as real cortical neurons in terms of harmonic selectivity metrics. This result suggests that the variability of cortical harmonic selectivity may provide an efficient population representation of natural sounds. Several network models of spectral selectivity mechanisms are investigated. As a side study, adding synaptic depletion to an integrate-and-fire model could explain the observed modulation-sensitive units, which are related to pitch-sensitive units but cannot account for precise temporal regularity. When a feed-forward network is trained to detect harmonics, the result is always a sieve, which is excited by integer multiples of the fundamental frequency and inhibited by half-integer multiples. The sieve persists over a wide variety of conditions including changing evaluation criteria, incorporating Dale’s principle, and adding a hidden layer. A recurrent network trained by Hebbian learning produces harmonic-selective by a novel dynamical mechanism that could be explained by a Lyapunov function which favors inputs that match the learned frequency correlations. These model neurons have sieve-like weights like the harmonic template units when probed by random harmonic stimuli, despite there being no sieve pattern anywhere in the network’s weights. Online stimulus design has the potential to facilitate future experiments on nonlinear sensory neurons. We accelerated the sound-from-texture algorithm to enable online adaptive experimental design to maximize the activities of sparsely responding cortical units. We calculated the optimal stimuli for harmonic-selective units and investigated model-based information-theoretic method for stimulus optimization

Adaptations to changes in the acoustic scene of the echolocating bat

Our natural environment is noisy and in order to navigate it successfully, we must filter out the important components so that we may guide our next steps. In analyzing our acoustic scene, one of the most common challenges is to segregate speech communication sounds from background noise; this process is not unique to humans. Echolocating bats emit high frequency biosonar signals and listen to echoes returning off objects in their environment. The sound wave they receive is a merging of echoes reflecting off target prey and other scattered objects, conspecific calls and echoes, and any naturally-occurring environmental noises. The bat is faced with the challenge of segregating this complex sound wave into the components of interest to adapt its flight and echolocation behavior in response to fast and dynamic environmental changes. In this thesis, we employ two approaches to investigate the mechanisms that may aid the bat in analyzing its acoustic scene. First, we test the bat’s adaptations to changes of controlled echo-acoustic flow patterns, similar to those it may encounter when flying along forest edges and among clutter. Our findings show that big brown bats adapt their flight paths in response to the intervals between echoes, and suggest that there is a limit to how close objects can be spaced, before the bat does not represent them as distinct any longer. Further, we consider how bats that use different echolocation signals may navigate similar environments, and provide evidence of species-specific flight and echolocation adaptations. Second, we research how temporal patterning of echolocation calls is affected during competitive foraging of paired bats in open and cluttered environments. Our findings show that “silent behavior”, the ceasing of emitting echolocation calls, which had previously been proposed as a mechanism to avoid acoustic interference, or to “eavesdrop” on another bat, may not be as common as has been reported