Photo Wallet : interface design for simple mobile photo albums

Tese de mestrado. Multimédia (Perfil Tecnologias). Universidade do Porto. Faculdade de Engenharia. 201

Interaction harvesting for document retrieval

Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2005.Includes bibliographical references (p. 81-83).Despite advances in search technology, few software systems have been developed which accurately categorize multimedia files. The most successful systems for searching images, sounds, or movies rely on keyword annotation to provide meaningful search terms for non-text documents. Unfortunately, such systems usually require the author to enter the keywords manually, a task that is commonly neglected, or is executed poorly. This thesis proposes an approach to document categorization called Interaction Harvesting, wherein systems establish document relationships based on organizational and curatorial cues, harvested from the mouse and click gestures of an online community. Specifically, the spatial and temporal proximity and placement of documents are taken as indicators of document similarity. We propose an expansion technique whereby such proximal documents exert weighted keyword influences on each other. We hypothesize that these approaches will form a document classification framework that relieves some of the difficulty of the annotation process, while providing keyword-equivalent retrieval performance.by Noah S. Fields.S.M

Programming frameworks for mobile sensing

The proliferation of smart mobile devices in people’s daily lives is making context-aware computing a reality. A plethora of sensors available in these devices can be utilized to understand users’ context better. Apps can provide more relevant data or services to the user based on improved understanding of user’s context. With the advent of cloud-assisted mobile platforms, apps can also perform collaborative computation over the sensing data collected from a group of users. However, there are still two main issues: (1) A lack of simple and effective personal sensing frameworks: existing frameworks do not provide support for real-time fusing of data from motion and visual sensors in a simple manner, and no existing framework collectively utilizes sensors from multiple personal devices and personal IoT sensors, and (2) a lack of collaborative/distributed computing frameworks for mobile users. This dissertation presents solutions for these two issues. The first issue is addressed by TagPix and Sentio, two frameworks for mobile sensing. The second issue is addressed by Moitree, a middleware for mobile distributed computing, and CASINO, a collaborative sensor-driven offloading system. TagPix is a real-time, privacy preserving photo tagging framework, which works locally on the phones and consumes little resources (e.g., battery). It generates relevant tags for landscape photos by utilizing sensors of a mobile device and it does not require any previous training or indexing. When a user aims the mobile camera to a particular landmark, the framework uses accelerometer and geomagnetic field sensor to identify in which direction the user is aiming the camera at. It then uses a landmark database and employs a smart distance estimation algorithm to identify which landmark(s) is targeted by the user. The framework then generates relevant tags for the captured photo using these information. A more versatile sensing framework can be developed using sensors from multiple devices possessed by a user. Sentio is such a framework which enables apps to seamlessly utilize the collective sensing capabilities of the user’s personal devices and of the IoT sensors located in the proximity of the user. With Sentio, an app running on any personal mobile/wearable device can access any sensor of the user in real-time using the same API, can selectively switch to the most suitable sensor of a particular type when multiple sensors of this type are available at different devices, and can build composite sensors. Sentio offers seamless connectivity to sensors even if the sensor-accessing code is offloaded to the cloud. Sentio provides these functionalities with a high-level API and a distributed middleware that handles all low-level communication and sensor management tasks. This dissertation also proposes Moitree, a middleware for the mobile cloud platforms where each mobile device is augmented by an avatar, a per-user always-on software entity that resides in the cloud. Mobile-avatar pairs participate in distributed computing as a unified computing entity. Moitree provides a common programming and execution framework for mobile distributed apps. Moitree allows the components of a distributed app to execute seamlessly over a set of mobile/avatar pairs, with the provision of offloading computation and communication to the cloud. The programming framework has two key features: user collaborations are modeled using group semantics - groups are created dynamically based on context and are hierarchical; data communication among group members is offloaded to the cloud through high-level communication channels. Finally, this dissertation presents and discusses CASINO, a collaborative sensor-driven computation offloading framework which can be used alongside Moitree. This framework includes a new scheduling algorithm which minimizes the total completion time of a collaborative computation that executes over a set of mobile/avatar pairs. Using the CASINO API, the programmers can mark their classes and functions as ”offloadable”. The framework collects profiling information (network, CPU, battery, etc.) from participating users’ mobile devices and avatars, and then schedules ”offloadable” tasks in mobiles and avatars in a way that reduces the total completion time. The scheduling problem is proven to be NP-Hard and there is no polynomial time optimization algorithm for it. The proposed algorithm can generate a schedule in polynomial time using a topological sorting and greedy technique

A Case Study of a Digital Image Collection Belonging to a Charity

This case study aims to increase knowledge of working with digital image collections, including issues related to information organisation, information behaviour, digital asset management and user experience. The research begins by reviewing the academic and professional literature, which in turn informs the way in which particular issues are explored. In the initial exploratory phase, the researcher carries out interviews with some of the main users of the collection and analyses logs generated by the Digital Asset Management System (DAM). And in the second phase, the researcher investigates indexing policy and management of the collection through analysis of metadata, interviews and an indexing task completed by participants. A few key findings are made. Firstly, the collection is important for promoting and keeping a record of the charity's work. Secondly, the rapid growth of the collection makes metadata increasingly important for the discoverability of files. Thirdly, DAM software can support information organisation, information retrieval, information seeking and digital asset management in many ways. Fourthly, the case shows the importance of training for helping staff to use the system and manage the metadata schema and folders. Finally, although time and staffing for organising and managing the collection are limited, the help that good quality metadata and well-organised folders can bring are worth it in the opinion of the researcher. The research results also include specific recommendations for managing the collection and indexing it. It is hoped that these findings will be applicable to other, similar cases

Exploratory Browsing

In recent years the digital media has influenced many areas of our life. The transition from analogue to digital has substantially changed our ways of dealing with media collections. Today‟s interfaces for managing digital media mainly offer fixed linear models corresponding to the underlying technical concepts (folders, events, albums, etc.), or the metaphors borrowed from the analogue counterparts (e.g., stacks, film rolls). However, people‟s mental interpretations of their media collections often go beyond the scope of linear scan. Besides explicit search with specific goals, current interfaces can not sufficiently support the explorative and often non-linear behavior. This dissertation presents an exploration of interface design to enhance the browsing experience with media collections. The main outcome of this thesis is a new model of Exploratory Browsing to guide the design of interfaces to support the full range of browsing activities, especially the Exploratory Browsing. We define Exploratory Browsing as the behavior when the user is uncertain about her or his targets and needs to discover areas of interest (exploratory), in which she or he can explore in detail and possibly find some acceptable items (browsing). According to the browsing objectives, we group browsing activities into three categories: Search Browsing, General Purpose Browsing and Serendipitous Browsing. In the context of this thesis, Exploratory Browsing refers to the latter two browsing activities, which goes beyond explicit search with specific objectives. We systematically explore the design space of interfaces to support the Exploratory Browsing experience. Applying the methodology of User-Centered Design, we develop eight prototypes, covering two main usage contexts of browsing with personal collections and in online communities. The main studied media types are photographs and music. The main contribution of this thesis lies in deepening the understanding of how people‟s exploratory behavior has an impact on the interface design. This thesis contributes to the field of interface design for media collections in several aspects. With the goal to inform the interface design to support the Exploratory Browsing experience with media collections, we present a model of Exploratory Browsing, covering the full range of exploratory activities around media collections. We investigate this model in different usage contexts and develop eight prototypes. The substantial implications gathered during the development and evaluation of these prototypes inform the further refinement of our model: We uncover the underlying transitional relations between browsing activities and discover several stimulators to encourage a fluid and effective activity transition. Based on this model, we propose a catalogue of general interface characteristics, and employ this catalogue as criteria to analyze the effectiveness of our prototypes. We also present several general suggestions for designing interfaces for media collections

Cruiser and PhoTable: Exploring Tabletop User Interface Software for Digital Photograph Sharing and Story Capture

Digital photography has not only changed the nature of photography and the photographic process, but also the manner in which we share photographs and tell stories about them. Some traditional methods, such as the family photo album or passing around piles of recently developed snapshots, are lost to us without requiring the digital photos to be printed. The current, purely digital, methods of sharing do not provide the same experience as printed photographs, and they do not provide effective face-to-face social interaction around photographs, as experienced during storytelling. Research has found that people are often dissatisfied with sharing photographs in digital form. The recent emergence of the tabletop interface as a viable multi-user direct-touch interactive large horizontal display has provided the hardware that has the potential to improve our collocated activities such as digital photograph sharing. However, while some software to communicate with various tabletop hardware technologies exists, software aspects of tabletop user interfaces are still at an early stage and require careful consideration in order to provide an effective, multi-user immersive interface that arbitrates the social interaction between users, without the necessary computer-human interaction interfering with the social dialogue. This thesis presents PhoTable, a social interface allowing people to effectively share, and tell stories about, recently taken, unsorted digital photographs around an interactive tabletop. In addition, the computer-arbitrated digital interaction allows PhoTable to capture the stories told, and associate them as audio metadata to the appropriate photographs. By leveraging the tabletop interface and providing a highly usable and natural interaction we can enable users to become immersed in their social interaction, telling stories about their photographs, and allow the computer interaction to occur as a side-effect of the social interaction. Correlating the computer interaction with the corresponding audio allows PhoTable to annotate an automatically created digital photo album with audible stories, which may then be archived. These stories remain useful for future sharing -- both collocated sharing and remote (e.g. via the Internet) -- and also provide a personal memento both of the event depicted in the photograph (e.g. as a reminder) and of the enjoyable photo sharing experience at the tabletop. To provide the necessary software to realise an interface such as PhoTable, this thesis explored the development of Cruiser: an efficient, extensible and reusable software framework for developing tabletop applications. Cruiser contributes a set of programming libraries and the necessary application framework to facilitate the rapid and highly flexible development of new tabletop applications. It uses a plugin architecture that encourages code reuse, stability and easy experimentation, and leverages the dedicated computer graphics hardware and multi-core processors of modern consumer-level systems to provide a responsive and immersive interactive tabletop user interface that is agnostic to the tabletop hardware and operating platform, using efficient, native cross-platform code. Cruiser's flexibility has allowed a variety of novel interactive tabletop applications to be explored by other researchers using the framework, in addition to PhoTable. To evaluate Cruiser and PhoTable, this thesis follows recommended practices for systems evaluation. The design rationale is framed within the above scenario and vision which we explore further, and the resulting design is critically analysed based on user studies, heuristic evaluation and a reflection on how it evolved over time. The effectiveness of Cruiser was evaluated in terms of its ability to realise PhoTable, use of it by others to explore many new tabletop applications, and an analysis of performance and resource usage. Usability, learnability and effectiveness of PhoTable was assessed on three levels: careful usability evaluations of elements of the interface; informal observations of usability when Cruiser was available to the public in several exhibitions and demonstrations; and a final evaluation of PhoTable in use for storytelling, where this had the side effect of creating a digital photo album, consisting of the photographs users interacted with on the table and associated audio annotations which PhoTable automatically extracted from the interaction. We conclude that our approach to design has resulted in an effective framework for creating new tabletop interfaces. The parallel goal of exploring the potential for tabletop interaction as a new way to share digital photographs was realised in PhoTable. It is able to support the envisaged goal of an effective interface for telling stories about one's photos. As a serendipitous side-effect, PhoTable was effective in the automatic capture of the stories about individual photographs for future reminiscence and sharing. This work provides foundations for future work in creating new ways to interact at a tabletop and to the ways to capture personal stories around digital photographs for sharing and long-term preservation

A Non-Profit Guide to Social Media How to build a presence in the social networking world

Social media and networking platforms have changed the game. Web 2.0 has put the power of the Internet into the hands of the user. Businesses and organizations are no longer the only ones with something to say. This can be daunting for companies and brands, but it can also be brilliant, especially for Non-profits. Today, hundreds of millions of people across the globe are online sharing information with friends, family, co-workers, and complete strangers via various social networking platforms. These users share everything from photos and videos to advice and opinions, passing on the information that they deem important to their friends and followers. The social media world is an open platform for sharing unique, personal messages, but it is also an opportunity for organizations to extend their reach, further their causes, and build awareness among a growing population of potential proponents and future donors. The power is now in the hands of the user. But it is the organization’s job to get the users talking. This guidebook to social media provides non-profit organizations with an introduction to social media, information about the major players in the game today, what social media means for their organization and best practices and tips on how to become worthy of attention on the social networking stage. Everyone wants to be noticed and these guidelines will help non-profit organizations stand out from the crowd, provide timely and relevant information, and practice appropriate social networking etiquette. This guide will also touch on why college students present great potential to become proponents for non-profit organizations online and how they could be the key to creating the foundation for non-profit organizations’ future donor bases. But college students are not alone in using social networking platforms. Social media usage among older generations continues to grow exponentially, proving that social networking has gone mainstream. Non-profit organizations need to understand that social media and online efforts are not something that they can ignore. The majority of organizations’ current donors are already using social media platforms to share information with their online friends. This guide shows non-profits how to create an online presence on social media platforms that will increase their exposure and awareness of their causes. The best thing that a non-profit can do to increase support is to get people talking. This guide shows them how