Generic Fluency in Professional Subtitling : Neology as the Voice of Science Fiction in Audiovisual Translation

This article evaluates the translation of neologies in professional subtitling of audiovisual science fiction from the point of view of genre-specific features. Neologies are seen to be the most important linguistic element of science fiction as they produce the science fiction genre-specific cognitive estrangement and hence cognitively estrange the viewer from reality. Evaluating the translation of neologies is thus used as a tool to evaluate the transfer of the source text genre to the target text and to hypothesise whether the target text meets the expectations of the viewers. When the neologies are retained as genre-specific features of science fiction, the target text genre is seen to be generically fluent and the target text meets the viewer’s expectations. Even though the translation solutions which render the genre unfluent (misplace the science fiction cognitive estrangement produced by the source text) are in minority in the study material, the neologies can be seen to normalise towards common language in the translation process. This means that as neologies are considered as one of the producers of the science fiction genre-specific cognitive estrangement, the source text genre becomes less accessible for the target text viewer.Peer reviewe

Queer Content in Science Fiction Allegory and Analogue: Is It In Disguise?

This thesis performs a textual analysis of two for-profit science fiction texts in which the authors implanted queer content: Bryan Singer\u27s X-Men films and James Robert\u27s Transformers comic series, More Than Meets the Eye . The argument incorporates queer (referring to attraction and gender variance) media representation and western identity politics lenses into its critique. By interrogating reality through the masquerade of an impossible universe, science fiction affects how subversive a text can be. When authors designate the natural and the unnatural in a strange universe, they designate what and who belongs in our society. Whatever they imagine has an effect on our reality

Survival of the Fixed-est: Alien Invasion of Human Identity in Octavia Butler\u27s Dawn

While many definitions for science fiction have been offered over the years since the genre’s inception, Robert A. Heinlein’s definition, with its easy-to-follow five-point format, remains one of the most specific and comprehensive. Heinlein argues that, in a science fiction story: 1. The conditions must be, in some respect, different from here-and-now, although the difference may lie only in an invention made in the course of the story. 2. The new conditions must be an essential part of the story. 3. The problem itself—the plot —must be a human problem. 4. The human problem must be one which is created by, or indispensably affected by, the new conditions. 5. And lastly, no established fact shall be violated, and, furthermore, when the story requires that a theory contrary to present accepted theory be used, the new theory should be rendered reasonably plausible and it must include and explain established facts as satisfactorily as the one the author saw fit to junk. (17, emphasis in original) Octavia Butler’s Dawn fits Heinlein’s definition of science fiction because it takes place in an apocalyptic future, the conditions of which are important to the story; it centers on the human problem of how to maintain a distinctly human identity in the face of genetic, social, sexual, Pretzer 2 emotional, and psychological manipulation and domination by an alien race; and it avoids scientific implausibility by explaining its violations of usual facts

Literature and the construction of reality

In this article I consider the idea that Glasersfeld’s “radical constructivism” offers an ideal framework for putting in place such a reality of the best fit for us. Along with this, I examine also the fundamental biological and epistemological limitations that we are faced with when trying to fathom objective reality and, secondly, the inescapable gap between language – which we use as a primary cognitive tool in our attempt to comprehend the world. The paper then show that literature – especially fiction – best meets the criteria for addressing these gaps and constructing such a model of reality in line with what radical constructivism proposes

‘Anthropomorphic drones’ and colonized bodies: William Gibson’s the peripheral

William Gibson tends to write in trilogies, as his first nine novels show. These series – the Sprawl, the Bridge, and the Blue Ant trilogies – are set in three different time periods and are populated by characters who reappear from one book to the next. Given this pattern in Gibson’s writing habits, 2014’s The Peripheral can be considered a new work, set in a separate universe from any of Gibson’s previous novels. However, in terms of its philosophical position, The Peripheral is the continuation of a career-long trajectory. Gibson’s work is consistently concerned with the relationship of the individual to their society and the interface between the two, as mediated through the senses. The Sprawl trilogy and the Bridge trilogy privileged vision as the most important of the senses, particularly in cyberspace where the body is left behind and engagement with virtual reality happens mainly through the eyes gazing on a computer screen. 2003’s Pattern Recognition, the first novel in the Blue Ant trilogy which went on to include Spook Country (2007) and Count Zero (2010), began to resituate the body and specifically the haptic as key to engaging with the world while The Peripheral takes this philosophical journey further, privileging the haptic as a key site of phenomenological engagement

Cities in fiction: Perambulations with John Berger

This paper explores selected novels by John Berger in which cities play a central role. These cities are places, partially real and partially imagined, where memory, hope, and despair intersect. My reading of the novels enables me to trace important themes in recent discourses on the nature of contemporary capitalism, including notions of resistance and universality. I also show how Berger?s work points to a writing that can break free from the curious capacity of capitalism to absorb and feed of its critique

Psychologization or the discontents of psychoanalysis

This article explores the possibility of a debate between psychoanalysis and the human sciences and, in particular, between psychoanalysis and psychology. Psychoanalysis's particular view on subjectivity values fiction (truth having the structure of fiction) as a constitutive dimension of personal and social reality. In contrast, the mainstream psy-sciences threaten to remain caught in the attempt to unmask things as they really are (eg, hard neurobiological reality), thus risking losing the subjective dimension as such. Drawing on examples of phenomena of psychologization (in Reality TV and in contemporary discourses of parent and child education), the author spells out the different, but eventually and necessarily intertwined, responses of psychoanalysis and psychology to modernity and modern subjectivity

Reading Matters in the Academic Library: Taking the Lead from Public Librarians

With the increasing virtualization of resources, reference service, and instruction, college students have fewer reasons to visit the academic library, a place they believe lacks relevance in their lives. This article explores the idea of revitalizing academic libraries by reconsidering the place of pleasure reading in them. Considerable research has been conducted on reading in the last quarter century. Reading serves a host of essential functions, far more than we have ever guessed. The first part of this paper looks at the social, psychological, moral, emotional, and cognitive role it plays in our lives. The second half examines readers’ advisory services that we can borrow or adapt from public libraries, services that can attract new users, promote lifelong reading, and transform academic libraries to be more community, user, and reader focused