A case for reproduciblity in MIR : replication of 'a highly robust audio fingerprinting system'

This article makes a case for reproducibility in MIR research. Claims made in many MIR publications are hard to verify due to the fact that (i) often only a textual description is made available and code remains unpublished - leaving many implementation issues uncovered; (ii) copyrights on music limit the sharing datasets; and (iii) incentives to put effort into reproducible research -- publishing and documenting code and specifics on data -- is lacking. In this article the problems around reproducibility are illustrated by replicating a MIR work. The system and evaluation described in 'A Highly Robust Audio Fingerprinting System' is replicated as closely as possible. The replication is done with several goals in mind: to describe difficulties in replicating the work and subsequently reflect on guidelines around reproducible research. Added contributions are the verification of the reported work, a publicly available implementation and an evaluation method that is reproducible

SISTEMI PER LA MOBILITÀ DEGLI UTENTI E DEGLI APPLICATIVI IN RETI WIRED E WIRELESS

The words mobility and network are found together in many contexts. The issue alone of modeling geographical user mobility in wireless networks has countless applications. Depending on one’s background, the concept is investigated with very different tools and aims. Moreover, the last decade saw also a growing interest in code mobility, i.e. the possibility for soft-ware applications (or parts thereof) to migrate and keeps working in different devices and environ-ments. A notable real-life and successful application is distributed computing, which under certain hypothesis can void the need of expensive supercomputers. The general rationale is splitting a very demanding computing task into a large number of independent sub-problems, each addressable by limited-power machines, weakly connected (typically through the Internet, the quintessence of a wired network). Following this lines of thought, we organized this thesis in two distinct and independent parts: Part I It deals with audio fingerprinting, and a special emphasis is put on the application of broadcast mon-itoring and on the implementation aspects. Although the problem is tackled from many sides, one of the most prominent difficulties is the high computing power required for the task. We thus devised and operated a distributed-computing solution, which is described in detail. Tests were conducted on the computing cluster available at the Department of Engineering of the University of Ferrara. Part II It focuses instead on wireless networks. Even if the approach is quite general, the stress is on WiFi networks. More specifically, we tried to evaluate how mobile-users’ experience can be improved. Two tools are considered. In the first place, we wrote a packet-level simulator and used it to esti-mate the impact of pricing strategies in allocating the bandwidth resource, finding out the need for such solutions. Secondly, we developed a high-level simulator that strongly advises to deepen the topic of user cooperation for the selection of the “best” point of access, when many are available. We also propose one such policy

Reliable Automatic Recognition for Pitch-Shifted Audio

In this paper we present the difficulties involved in recognizing pitch-shifted audio, discussing its usage and implications. In the framework of audio fingerprinting techniques, we address the issue by proposing two complementary solutions, both of which can be exploited without affecting an existing reference database. As fingerprint algorithm, a well-known, robust method is employed in a modified version and providing insights on its peculiarities. Tests were carried out on a vast song library and exhibit an excellent success rate, up to considerable distortion magnitudes

Engineering systematic musicology : methods and services for computational and empirical music research

One of the main research questions of *systematic musicology* is concerned with how people make sense of their musical environment. It is concerned with signification and meaning-formation and relates musical structures to effects of music. These fundamental aspects can be approached from many different directions. One could take a cultural perspective where music is considered a phenomenon of human expression, firmly embedded in tradition. Another approach would be a cognitive perspective, where music is considered as an acoustical signal of which perception involves categorizations linked to representations and learning. A performance perspective where music is the outcome of human interaction is also an equally valid view. To understand a phenomenon combining multiple perspectives often makes sense. The methods employed within each of these approaches turn questions into concrete musicological research projects. It is safe to say that today many of these methods draw upon digital data and tools. Some of those general methods are feature extraction from audio and movement signals, machine learning, classification and statistics. However, the problem is that, very often, the *empirical and computational methods require technical solutions* beyond the skills of researchers that typically have a humanities background. At that point, these researchers need access to specialized technical knowledge to advance their research. My PhD-work should be seen within the context of that tradition. In many respects I adopt a problem-solving attitude to problems that are posed by research in systematic musicology. This work *explores solutions that are relevant for systematic musicology*. It does this by engineering solutions for measurement problems in empirical research and developing research software which facilitates computational research. These solutions are placed in an engineering-humanities plane. The first axis of the plane contrasts *services* with *methods*. Methods *in* systematic musicology propose ways to generate new insights in music related phenomena or contribute to how research can be done. Services *for* systematic musicology, on the other hand, support or automate research tasks which allow to change the scope of research. A shift in scope allows researchers to cope with larger data sets which offers a broader view on the phenomenon. The second axis indicates how important Music Information Retrieval (MIR) techniques are in a solution. MIR-techniques are contrasted with various techniques to support empirical research. My research resulted in a total of thirteen solutions which are placed in this plane. The description of seven of these are bundled in this dissertation. Three fall into the methods category and four in the services category. For example Tarsos presents a method to compare performance practice with theoretical scales on a large scale. SyncSink is an example of a service