Molo.news: Experimentally Developing a Relational Platform for Local Journalism

In this article we present a research project that experimentally develops a local news platform based on empirical research (interviews, group discussions, a survey) and a co-creation approach. What is presented here is not a typical empirical social science research study but the culmination of an entire approach that is oriented toward software development. This article’s aim is to present the project’s conceptual ideas, its interdisciplinary character, its research-based development approach and the concept for a local news platform that grew out of our preliminary work. At each level we focus on the relationality which arises in the figurations of the actors involved and their various perspectives. First, we illustrate how relationality already shaped the objective of our project and how this results in its interdisciplinary structure and research design. We then discuss this idea with reference to our empirical findings, that is, the paradox of the local public sphere: While all the actors we interviewed - those who (professionally) produce content and those who use it - have a high appreciation for the idea of a local public sphere, the mediated connection to this sphere is diminishing at the same time. We understand this as the real challenge for local journalism and the local public sphere at large, and not just for individual media organizations. This is also the reason why we argue for a fundamentally relational approach: from a theoretical point of view, it can be used to grasp the crisis of the local public; from a practical point of view, relationality represents the core characteristic of the platform in development. On this basis, we will then show how the concept of the experimental local news platform evolved through the use of a prototype as a relational boundary object. This development lead to the conceptualization of the platform molo.news which itself is characterized by a fourfold relationality. Our concluding argument is that approaching relationality in a more rigorous way could be the key to exploring the future of local journalism

A Longitudinal Study of Equity-Oriented STEM-Rich Making Among Youth From Historically Marginalized Communities

The maker movement has evoked interest for its role in breaking down barriers to STEM learning. However, few empirical studies document how youth are supported over time in STEM-rich making projects or their outcomes. This longitudinal critical ethnographic study traces the development of 41 youth maker projects in two community-centered making programs. Building a conceptual argument for an equity-oriented culture of making, the authors discuss the ways in which making with and in community opened opportunities for youth to project their communities’ rich culture knowledge and wisdom onto their making while also troubling and negotiating the historicized injustices they experience. The authors also discuss how community engagement legitimized a practice of co-making, which supported equity-oriented goals and outcomes

The Values Proposition of Wellbeing Economies’ Infrastructure Innovation

This paper argues that for wellbeing economies in a flourishing natural to develop, they need to develop new economic operating infrastructure (EOI) that is built on values that support those goals rather than today’s financial wealth- and economic growth-oriented economic goals. We explore the values underlying multiple different types of social innovations in EOI: new economic narratives and stories, wellbeing governance structures, financing innovations that support equity and ecological flourishing, equitable, responsible, and holistic metrics, currencies that support local needs equitably, and contextually appropriate markets. The paper emphasizes how examples of EOI innovations for each type reflect values of: stewardship of the whole; co-creating collective value; cosmopolitan-localist governance; regenerativity, reciprocity, and circularity; relationality and connectedness; and equitable markets and trade

In Breakable Glasses: Toward a Naturalist Orientational Cosmology

The author develops the formula, "that process that gives rise to all that exists," as a specification of the cosmos within which human life may find meaningful, ethical orientation. Her position intends to be consonant with the natural sciences and conversant with traditional orientational cosmologies of the world religions. After analyzing each of the key terms in this central formula, she provisionally proposes three ethical stances (humility, responsibility, and celebration) that might follow from orientation to the cosmos seen as "that process that gives rise to all that exists.

In Breakable Glasses: Toward a Naturalist Orientational Cosmology

The author develops the formula, "that process that gives rise to all that exists," as a specification of the cosmos within which human life may find meaningful, ethical orientation. Her position intends to be consonant with the natural sciences and conversant with traditional orientational cosmologies of the world religions. After analyzing each of the key terms in this central formula, she provisionally proposes three ethical stances (humility, responsibility, and celebration) that might follow from orientation to the cosmos seen as "that process that gives rise to all that exists.

A Decolonial Imperative: Pluriversal Rights Education

This editorial introduction invites a decolonial dialogue between peace education and human rights education so as to recognize and re-envision radical praxes. It begins by framing the similarities between the two subfields and discussing the effects of the critical turn, with special emphasis on critiques of the colonial entanglements of West-enforced peace and hegemonic rights discourses. Underscoring the imperative of decolonization, it concludes with a call for pluriversal rights education as a decolonial successor to peace and human rights education. It also offers a brief overview of the articles included in this special issue and how they each contribute to an ongoing decolonial dialogue

Reconstructing institutional complexity in practice: A relational model of institutional work and complexity

This article develops a relational model of institutional work and complexity. This model advances current institutional debates on institutional complexity and institutional work in three ways. First, it provides a relational and dynamic perspective on institutional complexity by explaining how constellations of logics - and their degree of internal contradiction - are constructed rather than given. Second, it refines our current understanding of agency, intentionality and effort in institutional work by demonstrating how different dimensions of agency interact dynamically in the institutional work of reconstructing institutional complexity. Third, it situates institutional work in the everyday practice of individuals coping with the institutional complexities of their work. In doing so, it reconnects the construction of institutionally complex settings to the actions and interactions of the individuals who inhabit them

ECOLOGY OF THE IMAGE

We know very little about the ecology of our designed world. Contrary to all appearances, design is not about making objects. It is rather about structuring the conditions for life. Design is our second nature, naturalising changes in our ways of living. Yet it also conceals dangers and diminishes our sensitivity to respond to them. The security offered by the televisual image — and the solace of design's promise to remove all environmental risks — are fictions. Ecology of the Image is a critical exploration of idealism in design. Drawing on hermeneutic phenomenology, socio-cultural and design theory, it argues that design is not a value-free practice but structures epistemological attitudes into the world. Ideas are material elements of our environments. This thesis offers an explanation of how idealism circulates within the designed world, fashioning our minds, bodies and environments. The televisual is analysed as a normative phenomenon that inducts us into a way of seeing and understanding the world. Its vision of the affluent good life inspires and gives purpose to desire, and sustains what Manzini has called 'product based well being'. The thesis argues that the televisual puts us out of touch with the consequences of its vision; it diminishes our capacity for forethought. This results in the generation of unacknowledged, yet self-endangering environmental feedback. Environmental problems force us to take account of design's hidden rationales. Only at five minutes to midnight, for example, do we realise that the stock and supply of potable water is endangered. The problem is not so much this late recognition, but that design led us to believe in water's abundance. This situation demands the development of an ecological understanding of our designed worlds that can inform future actions. The sign, particularly as it has been mobilised in cultural theory, plays a leading role in this design situation and the perceptions it supports. The sign is utilised for its ability to denaturalise appearances — to 'read' design's claims on the world. Finally, the thesis turns to the designer-in-training in the process of acquiring instrumental skills and worldviews. It proposes a research strategy that inscribes environmental consciousness into the design process — situating the designer in the midst of semiotic and material worlds. Through its observational methodology it outlines ways of first understanding, then of intervening and generating changes in our 'ideal' world

Components of spirituality to safeguard life for the development of an integral design management approach

The present article is the initial result of fieldwork on design and spirituality in the scope of ongoing doctoral research in design. The research has been developed with Lusophone 'quilombolas', Afro- Brazilian and traditional family farming groups and communities from Brazil and Portugal, which present implicit spiritually driven design management approaches. The project proposes that a spiritual dimension should be a fundamental component of a design management strategy that is intended to be integral. The first learning case was carried out in ethnographic format with the Association of Women Farmers of Castelões (Associação das Mulheres Agricultoras de Castelões) in Portugal. The chosen methodology was the decomposition of the design and spirituality concept from the thoughts of Papanek (1971, 1995), Schumacher (1974), Walker (2011), Margolin (2014) and Escobar (2018). Components of spirituality were identified to guide field data collection. Subsequently, these components were identified from the participatory experience and participant observation with the artisans and analysed. In conclusion, it was possible to conceive 'components' of a reinvented spirituality for today, 'Spirituality to Safeguard Life'. These may support the development of a spiritually driven design management approach with a Lusophone reference, entitled 'Integral Design Management'. It is planned to apply this approach in academic, business, governmental, non-governmental and civil society environments. Through its practice, it is intended to promote the implementation of transformative systems with values and paradigm shifts for the recovery, flourishing and continuity of life

ECOLOGY OF THE IMAGE

We know very little about the ecology of our designed world. Contrary to all appearances, design is not about making objects. It is rather about structuring the conditions for life. Design is our second nature, naturalising changes in our ways of living. Yet it also conceals dangers and diminishes our sensitivity to respond to them. The security offered by the televisual image — and the solace of design's promise to remove all environmental risks — are fictions. Ecology of the Image is a critical exploration of idealism in design. Drawing on hermeneutic phenomenology, socio-cultural and design theory, it argues that design is not a value-free practice but structures epistemological attitudes into the world. Ideas are material elements of our environments. This thesis offers an explanation of how idealism circulates within the designed world, fashioning our minds, bodies and environments. The televisual is analysed as a normative phenomenon that inducts us into a way of seeing and understanding the world. Its vision of the affluent good life inspires and gives purpose to desire, and sustains what Manzini has called 'product based well being'. The thesis argues that the televisual puts us out of touch with the consequences of its vision; it diminishes our capacity for forethought. This results in the generation of unacknowledged, yet self-endangering environmental feedback. Environmental problems force us to take account of design's hidden rationales. Only at five minutes to midnight, for example, do we realise that the stock and supply of potable water is endangered. The problem is not so much this late recognition, but that design led us to believe in water's abundance. This situation demands the development of an ecological understanding of our designed worlds that can inform future actions. The sign, particularly as it has been mobilised in cultural theory, plays a leading role in this design situation and the perceptions it supports. The sign is utilised for its ability to denaturalise appearances — to 'read' design's claims on the world. Finally, the thesis turns to the designer-in-training in the process of acquiring instrumental skills and worldviews. It proposes a research strategy that inscribes environmental consciousness into the design process — situating the designer in the midst of semiotic and material worlds. Through its observational methodology it outlines ways of first understanding, then of intervening and generating changes in our 'ideal' world