Fully-automatic inverse tone mapping algorithm based on dynamic mid-level tone mapping

High Dynamic Range (HDR) displays can show images with higher color contrast levels and peak luminosities than the common Low Dynamic Range (LDR) displays. However, most existing video content is recorded and/or graded in LDR format. To show LDR content on HDR displays, it needs to be up-scaled using a so-called inverse tone mapping algorithm. Several techniques for inverse tone mapping have been proposed in the last years, going from simple approaches based on global and local operators to more advanced algorithms such as neural networks. Some of the drawbacks of existing techniques for inverse tone mapping are the need for human intervention, the high computation time for more advanced algorithms, limited low peak brightness, and the lack of the preservation of the artistic intentions. In this paper, we propose a fully-automatic inverse tone mapping operator based on mid-level mapping capable of real-time video processing. Our proposed algorithm allows expanding LDR images into HDR images with peak brightness over 1000 nits, preserving the artistic intentions inherent to the HDR domain. We assessed our results using the full-reference objective quality metrics HDR-VDP-2.2 and DRIM, and carrying out a subjective pair-wise comparison experiment. We compared our results with those obtained with the most recent methods found in the literature. Experimental results demonstrate that our proposed method outperforms the current state-of-the-art of simple inverse tone mapping methods and its performance is similar to other more complex and time-consuming advanced techniques

Subjective and objective quality evaluation of synthetic and high dynamic range images

Recent years have seen a huge growth in the acquisition, transmission, and storage of videos. The visual data consists of both natural scenes as well as synthetic scenes, such as animated movies, cartoons and video games. In all these cases, the ultimate goal is to provide the viewers with a satisfactory quality-of-experience. In addition to the traditional 8-bit images, high dynamic range imaging is also becoming popular because of its ability to represent the real world luminances more realistically. Coming up with objective image quality assessment algorithms for these applications is an interesting research problem. In this work, I have developed a synthetic image quality database by introducing varying degrees of different types of distortions and conducted a subjective experiment in order to obtain the ground-truth data. I evaluated the performance of state-of-the-art image quality assessment algorithms (typically meant for natural images) on this database, especially no-reference algorithms that have not been applied to the domain of computer graphics images before. I identified the top-performing algorithms along with analyzing the types of distortions on which the present algorithms show a less impressive performance. For high dynamic range(HDR) images, I have designed two new full-reference image quality assessment algorithms to judge the quality of tonemapped HDR images using statistical features extracted from them. I have also conducted a massive online crowd-sourced subjective test for HDR image artifacts arising from tonemapping, multiple-exposure fusion and post processing. To the best of our knowledge, presently this is the largest HDR image database in the world involving the largest number of source images and most number of human evaluations. Based on the subjective evaluations obtained, I have also proposed machine learning based no-reference image quality assessment algorithms to predict the perceptual quality of HDR images.Electrical and Computer Engineerin

Active sampling, scaling and dataset merging for large-scale image quality assessment

The field of subjective assessment is concerned with eliciting human judgements about a set of stimuli. Collecting such data is costly and time-consuming, especially when the subjective study is to be conducted in a controlled environment and using a specialized equipment. Thus, data from these studies are usually scarce. One of the areas, for which obtaining subjective measurements is difficult is image quality assessment. The results from these studies are used to develop and train automated or objective image quality metrics, which, with the advent of deep learning, require large amounts of versatile and heterogeneous data. I present three main contributions in this dissertation. First, I propose a new active sampling method for efficient collection of pairwise comparisons in subjective assessment experiments. In these experiments observers are asked to express a preference between two conditions. However, many pairwise comparison protocols require a large number of comparisons to infer accurate scores, which may be unfeasible when each comparison is time-consuming (e.g. videos) or expensive (e.g. medical imaging). This motivates the use of an active sampling algorithm that chooses only the most informative pairs for comparison. I demonstrate, with real and synthetic data, that my algorithm offers the highest accuracy of inferred scores given a fixed number of measurements compared to the existing methods. Second, I propose a probabilistic framework to fuse the outcomes of different psychophysical experimental protocols, namely rating and pairwise comparisons experiments. Such a method can be used for merging existing datasets of subjective nature and for experiments in which both measurements are collected. Third, with a new dataset merging technique and by collecting additional cross-dataset quality comparisons I create a Unified Photometric Image Quality (UPIQ) dataset with over 4,000 images by realigning and merging existing high-dynamic-range (HDR) and standard-dynamic-range (SDR) datasets. The realigned quality scores share the same unified quality scale across all datasets. I then use the new dataset to retrain existing HDR metrics and show that the dataset is sufficiently large for training deep architectures. I show the utility of the dataset and metrics in an application to image compression that accounts for viewing conditions, including screen brightness and the viewing distance

Contemplation of tone mapping operators in high dynamic range imaging

The technique of tone mapping has found widespread popularity in the modern era owing to its applications in the digital world. There are a considerable number of tone mapping techniques that have been developed so far. One method may be better than the other in some cases which is determined by the requirement of the user. In this paper, some of the techniques for tone mapping/tone reproduction of high dynamic range images have been contemplated. The classification of tone mapping operators has also been given. However, it has been found that these techniques lack in providing quality of service visualization of high dynamic range images. This paper has tried to highlight the drawbacks in the existing traditional methods so that the tone-mapped techniques can be enhanced

Multimodal enhancement-fusion technique for natural images.

Masters Degree. University of KwaZulu-Natal, Durban.This dissertation presents a multimodal enhancement-fusion (MEF) technique for natural images. The MEF is expected to contribute value to machine vision applications and personal image collections for the human user. Image enhancement techniques and the metrics that are used to assess their performance are prolific, and each is usually optimised for a specific objective. The MEF proposes a framework that adaptively fuses multiple enhancement objectives into a seamless pipeline. Given a segmented input image and a set of enhancement methods, the MEF applies all the enhancers to the image in parallel. The most appropriate enhancement in each image segment is identified, and finally, the differentially enhanced segments are seamlessly fused. To begin with, this dissertation studies targeted contrast enhancement methods and performance metrics that can be utilised in the proposed MEF. It addresses a selection of objective assessment metrics for contrast-enhanced images and determines their relationship with the subjective assessment of human visual systems. This is to identify which objective metrics best approximate human assessment and may therefore be used as an effective replacement for tedious human assessment surveys. A subsequent human visual assessment survey is conducted on the same dataset to ascertain image quality as perceived by a human observer. The interrelated concepts of naturalness and detail were found to be key motivators of human visual assessment. Findings show that when assessing the quality or accuracy of these methods, no single quantitative metric correlates well with human perception of naturalness and detail, however, a combination of two or more metrics may be used to approximate the complex human visual response. Thereafter, this dissertation proposes the multimodal enhancer that adaptively selects the optimal enhancer for each image segment. MEF focusses on improving chromatic irregularities such as poor contrast distribution. It deploys a concurrent enhancement pathway that subjects an image to multiple image enhancers in parallel, followed by a fusion algorithm that creates a composite image that combines the strengths of each enhancement path. The study develops a framework for parallel image enhancement, followed by parallel image assessment and selection, leading to final merging of selected regions from the enhanced set. The output combines desirable attributes from each enhancement pathway to produce a result that is superior to each path taken alone. The study showed that the proposed MEF technique performs well for most image types. MEF is subjectively favourable to a human panel and achieves better performance for objective image quality assessment compared to other enhancement methods